The Ugly Bug Ball (Summer Magic) Lyrics
The Ugly Bug Ball (Summer Magic)
Once a lonely caterpillar sat and criedTo a sympathetic beetle by his side
I've got nobody to hug
I'm such an ug-i-ly bug
Then a spider and a dragonfly replied
If you're serious and want to win a bride
Come along with us, to the glorious annual ugly bug ball
Come on let's crawl (gotta crawl gotta crawl)
To the ugly bug ball (to the ball to the ball)
And a happy time we'll have there, one and all and the ugly bug ball
While the crickets click their cricky melodies
All the ants were fancy dancing with the fleas
Then up from under the ground
The worms came squirming around
Oh they danced until their legs were nearly lame
Every little crawling creature you could name
Everyone was glad
What a time they hade
They were so happy they came
Come on let's crawl (gotta crawl gotta crawl)
To the ugly bug ball (to the ball to the ball)
And a happy time we'll have there, one and all and the ugly bug ball
The our caterpillar saw a pretty queen
She was beautiful and yellow black and green
He said would you care to dance
Their dancing lead to romance
Then she sat upon his caterpillar knee
And he gave his caterpillar queen a squeeze
Soon they'll honeymoon
Build a big cocoon
Thanks to the ugly bug ball
Come on let's crawl (gotta crawl gotta crawl)
To the ugly bug ball (to the ball to the ball)
And a happy time we'll have there, one and all and the ugly bug ball
Song Overview

Personal Review
This is Disney comfort food that actually feeds you. The The Ugly Bug Ball lyrics tilt playful, but the core is kind: community for every odd shape and shade. The melody bounces, the beat smiles, and Burl Ives gives it porch-light warmth. One-line snapshot: a shy caterpillar finds his people and his partner at a party where every bug counts.
Key takeaways: rhyme built like a hopscotch grid; word-painting that kids catch and adults respect; a chorus that invites the room to clap in time. The lyrics repeat just enough to work as a sing-along without turning sticky.
Song Meaning and Annotations

First layer - inclusion dressed as silliness. A lonely bug wants a hug, a beetle listens, and suddenly there’s a plan. Kindness is the catalyst.
“I’ve got nobody to hug - I’m such an ugly bug.”
That opening lands because the vocabulary is small and the feeling is big. It’s plain talk, not pity.
Second layer - invitation as remedy. The guides show up, and the cure for isolation is a dance floor with room for everyone.
“Come along with us to the glorious annual Ugly Bug Ball.”
Notice “glorious” next to “ugly” - the Shermans love that flip. The joke and the thesis share a chord.
Third layer - rhythm as belonging. The groove is clap-ready, and the language is percussive.
“Come on let’s crawl - gotta crawl, gotta crawl.”
Repetition here isn’t filler. It’s choreography. Even tiny listeners know exactly what to do.
World-building - a carnival of critters with instruments and elbows out of the way.
“While the crickets clicked their tricky melodies.”
On screen you’re in Maine, but the band paints a little brass-and-strings street parade in your ear.
Plot turn - romance, but keep it wholesome and funny.
“He said, ‘Would you care to dance?’ Their dancing led to romance.”
The rhyme is transparent on purpose. It teaches timing and consent while it charms.
Closing image - transformation promised, not rushed.
“Soon they’ll honeymoon, build a big cocoon.”
That cocoon is a wink at what’s next. The moral is tidy: beauty shows up after belonging.
Message
“Everyone was glad - what a time they had.”
Theme in nine words: joy multiplies when the circle widens. The song turns otherness into invitation.
Emotional tone
“And a happy time we’ll have there, one and all.”
Cheerful from first beat to last, never shrill. The humor softens the lesson so kids carry it without noticing.
Historical context
“Annual Ugly Bug Ball.”
Early 60s Disney leaned on bright, Broadway-lite numbers that could live offscreen. Walt reportedly questioned this tune until Robert Sherman framed it as beauty-in-the-eye-of-the-beholder - then it stayed in and stuck with audiences.
Production
“Crickets clicked”
Arranged for sing-along clarity: steady drum kit, strolling bass, strummed guitar, light reeds and brass, and Ives centered like a friendly narrator. It’s cut for title cards and living rooms alike.
Language, idiom, symbols
“Jungle gym”
Kid-world nouns replace metaphor. Even the punch lines teach meter and stress - little lessons hidden in a barn dance.
Creation history
Written by Richard M. Sherman and Robert B. Sherman for Summer Magic and sung onscreen by Burl Ives as Osh Popham. The number traveled beyond the film into Disney’s Sing-Along Songs tapes and DTV interstitials, which is how a lot of 90s kids met it without ever renting the movie.
Verse Highlights

Verse 1
Problem stated, solution offered. The groove opens the door and keeps it open.
Chorus
Call and response with built-in moves. The hook’s symmetry makes it classroom-proof.
Verse 2
World expands - fleas with ants, worms “squirming around.” The lyric draws a dance map a child could sketch.
Bridge
Comic tableau - bride, groom, chimpanzee - a quick laugh that refreshes the chorus.
Verse 3
Devotion with a wink. The rhymes keep stepping stones under small feet.
Key Facts

- Featured: Burl Ives as Osh Popham
- Writers: Richard M. Sherman, Robert B. Sherman
- Release Date: July 7, 1963
- Album: Walt Disney Presents Summer Magic - soundtrack selections
- Track #: 5 on common album sequences
- Label: Buena Vista Records / later Walt Disney Records anthologies
- Genre: soundtrack pop, music-hall bounce
- Instruments: drum kit, upright/electric bass, acoustic guitar, small brass and reeds, light keys, chorus
- Mood: inclusive, jaunty, storybook
- Length: ~3:03
- Language: English
- Music style: mid-tempo 4-feel with call-and-response chorus
- Key and tempo: commonly cataloged around B? major at ~131 bpm
- Poetic meter: mixed iamb-trochaic with chant-style refrains
- Later visibility: Disney Sing-Along Songs: The Bare Necessities and DTV music-video rotations
- Notable covers: Los Lobos on Los Lobos Goes Disney (2009), plus several UK school-choir and novelty cuts across the 60s–90s.
- © Copyrights: Disney-affiliated publishers
Questions and Answers
- Where does the song sit in the film?
- In the middle stretch, as Osh Popham (Burl Ives) spins a friendly yarn that turns into a full community dance.
- Who wrote it and why that title?
- The Sherman Brothers wrote it for Summer Magic. The “ugly” is perspective - the point is that beauty arrives when you’re welcomed.
- Did it chart?
- No major chart impact is documented for the 1963 single, but it became a durable catalog piece via Disney albums and TV blocks.
- Any notable modern versions?
- Los Lobos cut a relaxed, rootsy take for their 2009 covers set - proof the tune travels across styles.
- Why do kids remember it decades later?
- Repetition that’s fun to say, a chorus you can act out, and a story that ends with everyone invited.
Awards and Chart Positions
No major awards are tied to this single. The song’s cultural mileage comes from its film placement, recurring life on Disney compilations, and later covers rather than from weekly chart peaks.
How to Sing?
Key and feel. Many listings place the soundtrack cut around B? major at roughly 131 bpm - an easy walking tempo for clap-along choruses.
Range and placement. Sits comfortably for baritone lead with ensemble echo lines. Keep vowels short and smile into “ball” and “crawl” to keep the bounce forward.
Ensemble tips. Treat the chorus like a campfire round: melody center, light thirds above, a unison bass below. Handclaps on 2 and 4 keep kids locked in.
Story beats. Verse 1 = problem. Chorus = community solution. Verse 2 = party. Bridge = comic tableau. Verse 3 = romance hint. Don’t oversing - the charm is in the wink.