The Monkey's Uncle (The Monkey's Uncle) Lyrics — Disney: 60 Years of Musical Magic
The Monkey's Uncle (The Monkey's Uncle) Lyrics
She loves the monkey's uncle!
Yeah! Yeah!
She loves the monkey's uncle!
Whoa! Whoa!
She loves the monkey's uncle!
And the monkey's uncle's ape for me!
Well, I don't care what the whole world thinks
She loves the monkey's uncle!
Call us a couple of missing links
She loves the monkey's uncle!
Love all his monkey shines
Every day is Valentine's
I love the monkey's uncle
And the monkey's uncle's ape for me
Ape for me!
Uh-Huh!
She loves the monkey's uncle!
Yeah! Yeah!
She loves the monkey's uncle!
Whoa! Whoa!
She loves the monkey's uncle!
And the monkey's uncle's ape for me!
Listen, my heart jumps like a clown
She loves the monkey's uncle!
Feels like the circus just came to town
She loves the monkey's uncle!
I'd live in jungle gym
In order to be with him
I love the monkey's uncle
And I wish I were the monkey's aunt!
Monkey's aunt!
Whoa! Whoa! Whoa! Whoa! Whoa!
On the day he marries me
What a nutty family tree
A bride, a groom, a chimpanzee
Let them say he's the booby prize
She loves the monkey's uncle!
He's the guy I idolize
She loves the monkey's uncle!
Love all his monkey shines
Every day is Valentine's
I love the monkey's uncle
And the monkey's uncle's ape for me
Ape for me!
Uh-Huh!
She loves the monkey's uncle!
Yeah! Yeah!
She loves the monkey's uncle!
Whoa! Whoa!
She loves the monkey's uncle!
And I'm mad about his chimpanzee!
Song Overview
Review and Highlights
Quick summary
- Work: Title theme for the 1965 Walt Disney comedy film The Monkey's Uncle, heard over the opening credits.
- Voices: Annette Funicello leads, with The Beach Boys stacked behind her in bright, surf-pop harmonies.
- Writers: Richard M. Sherman and Robert B. Sherman, leaning into teen-dance energy rather than storybook waltz.
- Signature move: A chant-like hook that keeps switching gears between flirtation and pure novelty.
- What it sounds like: Disney melody craft wearing a mid-60s pop jacket - quick tempo, big refrains, and a grin you can hear.
The Monkey's Uncle (1965) - film theme - not diegetic. It plays over the opening credits (approx. 00:00-02:30), functioning like a neon sign: you are not in a serious campus movie, you are in a cartoon-bright world where a chimp can sit at the center of the gag. The best Disney title songs do this fast, and this one does it with a backbeat.
What still lands, decades later, is the collision of two clean-cut brands that should not fit so perfectly. Funicello sings with a clear, forward pop tone, and then the Beach Boys harmonies sweep in like a wave, turning a novelty premise into something oddly propulsive. The refrain is designed to be shouted in a gym, but the verses move with the kind of tight internal rhyme the Sherman Brothers used when they wanted a lyric to bounce.
Key takeaways: the groove is the joke, the harmonies are the glue, and the lyric keeps raising the stakes until the punchline becomes the family tree itself. I have covered a lot of soundtrack singles, and this one has the rare trait of sounding like it was built for radio and for the projector at the same time.
Creation History
The song arrived as a cross-promotion engine: a film tie-in released as a 45 on Buena Vista, pitched hard to teen audiences, and presented as a pop record rather than a theatrical showpiece. Trade papers framed it as a likely chart climber, with both Billboard and Record World spotlighting the single and its heavy promotion. If you want the cleanest summary of why it worked, it is this: the Sherman Brothers wrote a hook simple enough for mass sing-along, then the Beach Boys coloring gave it a contemporary sheen that kept it from sounding like a nursery tune in disguise.
Song Meaning and Annotations
Plot
As a title theme, the song does not narrate the film in detail. Instead, it introduces the film's comic logic: romance, teen slang, and a monkey-related twist that escalates from silly crush to a mock-serious declaration of loyalty. Think of it as a musical headline. You get the premise, you get the tone, and you get the promise that the next 80 minutes will keep choosing fun over plausibility.
Song Meaning
The meaning is deliberately simple: love looks ridiculous from the outside, and that is fine. The lyric borrows an old idiom and flips it into a badge of pride, like a couple daring the world to laugh. Under the novelty paint, there is a classic teen-pop posture: "call us weird, we are still together." The mood is bright, fast, and slightly mischievous, with the vocal stack pushing the sense of community - as if the chorus is a crowd at a dance backing the lead singer's joke.
Annotations
She loves the monkey's uncle.
This hook is built like a cheer. It is less about description than about rhythm, a percussive phrase you can clap to. The repetition turns the idiom into a slogan.
Call us a couple of missing links.
Here the lyric leans into self-mockery, borrowing the language of old-school taunts. The point is not science, it is social pressure: they are being judged, and they are laughing first.
What a nutty family tree.
The Sherman Brothers land the punchline by widening the frame. It is not just a crush - it is a whole comic universe where romance and absurdity sit at the same table.
Genre blend and rhythm
Musically, it is a teen-dance rocker with surf-pop harmony polish. The tempo sits in the fast lane, and the rhythmic emphasis makes the lyric feel like it is bouncing on a trampoline. That push-pull between lead vocal clarity and group harmony blur is the trick: it keeps the song moving while staying easy to sing along with.
Emotional arc
The arc goes from teasing to defiance. First comes the giggle, then the couple doubles down, then the chorus turns it into a public celebration. That is why it works as an opening-credits theme: it tells you the film will treat embarrassment as entertainment, not tragedy.
Cultural touchpoints
The track sits in a very specific mid-60s space: Disney courting the teen market, pop radio welcoming novelty records, and vocal groups making harmony a selling point. As stated in Billboard, the single was framed in the language of contemporary "teen dance beat" rather than stagecraft, which says a lot about the intended audience.
Technical Information
- Artist: Annette Funicello with The Beach Boys
- Featured: The Beach Boys (backing vocals)
- Composer: Richard M. Sherman; Robert B. Sherman
- Producer: Not consistently credited in the public disc listings consulted
- Release Date: February 24, 1965 (US single listing)
- Label: Buena Vista (Vista) - catalog F-440
- Genre: Soundtrack pop; teen novelty; surf-pop harmony
- Instruments: Lead and group vocals; rock rhythm section feel (drums, electric guitar, bass), plus handclap-style emphasis
- Mood: Playful, bright, dance-forward
- Length: About 2:32
- Track #: Varies by compilation
- Language: English
- Album: Appears on later Sherman Brothers and Annette compilations
- Music style: Hook-first pop with stacked harmony chorus
- Poetic meter: Mixed, with trochaic, chant-like refrains and quick internal rhymes
Questions and Answers
- Who sings the lead on the recording?
- Annette Funicello carries the lead, with The Beach Boys providing the layered backing vocals that define the chorus impact.
- Is it written for the film or borrowed from elsewhere?
- It was written as the title song for the 1965 Disney film, built to set tone immediately in the opening credits.
- What makes it sound different from many Disney film songs of the era?
- It is structured like a teen single: tight runtime, chant-ready hook, and a pop rhythm that points toward dance-floor utility more than narrative detail.
- Why bring in The Beach Boys at all?
- Harmony was a pop currency in 1965. Their vocal stack turns a novelty lyric into something radio-competitive, adding sheen and momentum.
- What is the core idea behind the lyric?
- It frames unconventional love as a joke you own. The singer invites the teasing, then flips it into celebration.
- Does the song spoil the film's plot?
- No. It signals a comic universe and a chimp-centered gimmick, but it does not outline the story beats.
- Is it diegetic in the film?
- No - it functions as an opening-credits theme rather than something characters perform within the story world.
- What is a practical way to approach the chorus?
- Think in layers: sing a clean lead line, then imagine the harmony block as a separate instrument. The chorus lands when you keep rhythm crisp.
- Are there notable later covers?
- Yes. A teen-oriented cover version was released by Devo 2.0 in the 2000s as part of a Disney compilation series.
- Where does it sit in the Sherman Brothers catalogue?
- It is a playful outlier - less story-driven than their big theatrical numbers, but unmistakable in how efficiently it turns wordplay into melody.
Awards and Chart Positions
No major awards or formal soundtrack honors are commonly associated with this track. Its story is more about industrial muscle than trophy rooms: the single was promoted as a potential hit in the trade press, with Billboard placing it in a pop spotlight column and Record World running an aggressive campaign narrative around its teen marketing push.
| Category | Verified note |
|---|---|
| Trade press positioning | Highlighted as a pop single with hit potential in mid-1965 coverage. |
| Hot 100 chart peak | No definitive peak position located in the sources consulted for this profile. |
| Certifications | No widely documented certification found. |
How to Sing The Monkey's Uncle
Tempo and key (common reference points): Streaming metadata frequently tags the track around 161 BPM, with a key center often labeled G sharp major (enharmonic to A flat major). Treat these as practical rehearsal targets rather than sacred text.
- Tempo first: Practice the chorus at half speed, then climb in steps until the syllables stay clean at performance pace.
- Diction: Keep the repeated hook crisp. Consonants drive the groove here more than long vowels.
- Breathing: Plan quick "sip" breaths at the ends of short phrases. The fast tempo punishes oversized inhalations.
- Flow and rhythm: Think of the refrain as a cheer. Lock to the beat and let the lyric ride the pulse.
- Accents: Lean slightly into the first stressed syllable of each hook phrase. That is where the chant becomes catchy.
- Ensemble and doubles: If you have singers, assign one person the lead and build simple thirds above and below on the refrain. The harmony block is the signature color.
- Mic approach: On a microphone, keep distance steady through the refrain to avoid level jumps. The chorus wants energy, not distortion.
- Common pitfalls: Rushing the words, swallowing consonants, and over-singing the novelty. Smile in the tone, but keep pitch disciplined.
Practice materials: A metronome set to 161 BPM, plus a short loop of the chorus for harmony drilling. If you are solo, record a simple backing vocal stack and rehearse the lead against it.
Additional Info
One reason the track keeps resurfacing on compilations is its neat trick: it compresses the Disney-house style into a pop single without losing that family-friendly sparkle. According to The Hollywood Reporter, Funicello's musical career included key Disney-linked singles, and this one is remembered as a late-era pairing that bridged her screen persona with a contemporary pop sound.
There is also a second life through covers. The Devo 2.0 version in the 2000s is a reminder that the song's main asset is not period instrumentation but structure: a hook that survives new production clothes and still lands as a sing-along.
Key Contributors
| Entity | Type | Relationship (S-V-O) |
|---|---|---|
| Annette Funicello | Person | Annette Funicello - performs - the lead vocal on the recording. |
| The Beach Boys | MusicGroup | The Beach Boys - provide - backing vocals and harmony stack. |
| Richard M. Sherman | Person | Richard M. Sherman - co-wrote - the song's music and lyrics. |
| Robert B. Sherman | Person | Robert B. Sherman - co-wrote - the song's music and lyrics. |
| Buena Vista (Vista) | Organization | Buena Vista (Vista) - released - the US single as catalog F-440. |
| Walt Disney Productions | Organization | Walt Disney Productions - produced - the 1965 film using the song as its opening theme. |
| Record World | Organization | Record World - advertised - the single with a major teen-promotion pitch. |
| Billboard | Organization | Billboard - spotlighted - the single in a mid-1965 pop column. |
Sources: Billboard (July 10, 1965 issue), Record World (July 3, 1965 issue), IMDb soundtrack listing for The Monkey's Uncle, 45cat discography entry for Vista F-440, Discogs release entry for The Monkey's Uncle, AllMusic track page, Wikipedia entry for The Monkey's Uncle (film), Musicstax and Tunebat track metadata, Disneymania Volume 4 listing coverage
Music video
Disney: 60 Years of Musical Magic Lyrics: Song List
- Volume One
- A Whole New World (Aladdin)
- Circle of Life (Lion King)
- Beauty and the Beast (Beauty and the Beast)
- Under the Sea (The Little Mermaid)
- Hakuna Matata (Lion King)
- Kiss the Girl (The Little Mermaid)
- I Just Can't Wait to Be King (Lion King)
- Poor Unfortunate Souls (The Little Mermaid)
- Chim Chim Cher-ee (Mary Poppins)
- Jolly Holiday (Mary Poppins)
- A Spoonful of Sugar (Mary Poppins)
- Let's Get Together (The Parent Trap)
- The Monkey's Uncle (The Monkey's Uncle)
- The Ugly Bug Ball (Summer Magic)
- The Spectrum Song (Walt Disney's Wonderful World of Color)
- Colonel Hathi's March (The Jungle Book)
- A Whale of a Tale (20,000 Leagues Under the Sea)
- You Can Fly! You Can Fly! You Can Fly! (Peter Pan)
- The Work Song (Cinderella)
- A Dream is a Wish Your Heart Makes (Cinderella)
- Zip-A-Dee-Doo-Dah (Song of the South)
- Dance of the Reed Flutes (Fantasia)
- Love Is a Song (Bembi)
- Someday My Prince Will Come (Snow White and the Seven Dwarfs)
- Minnie's Yoo Hoo! (Mickey's Follies)
- Volume Two
- Be Our Guest (Beauty & The Beast)
- Can You Feel the Love Tonight (The Lion King)
- Part of Your World (The Little Mermaid)
- One Jump Ahead (Alladin)
- Gaston (Beauty And the Beast)
- Something There (Beauty And the Beast)
- Supercalifragilisticexpialidocious (Mary Poppins)
- Candle on the Water (Pete's Dragon)
- Main Street Electrical Parade (Disneyland)
- The Age of Not Believing (Bedknobs and Broomsticks)
- The Bare Necessities (The Jungle Book)
- Feed the Birds (Mary Poppins)
- Best of Friends (The Fox and the Hound)
- Let's Go Fly a Kite (Mary Poppins)
- It's a Small World (Disneyland)
- The Tiki, Tiki, Tiki Room (Disneyland)
- Mickey Mouse Club March (Mickey Mouse Club)
- On the Front Porch (Summer Magic)
- The Second Star to the Right (Peter Pan)
- Ev'rybody Has a Laughing Place (Song of the South)
- Bibbidi-Bobbidi-Boo (Cinderella)
- So This is Love (Cinderella)
- When You Wish Upon a Star (Pinocchio)
- Heigh-Ho (Snowwhite & the 7 Dwarfs)
- Who's Afraid of the Big Bad Wolf (The 3 Little Pigs)
- Volume Three
- Colors of the Wind (Pocahontas)
- You've Got a Friend in Me (Toy Story)
- Be Prepared (The Lion King)
- Out There (The Hunchback of Notre Dame)
- Family (James & The Giant Peach)
- Les Poissons (The Little Mermaid)
- Mine, Mine, Mine (Pocahontas)
- Jack's Lament (The Nightmare Before Christmas)
- My Name Is James (Jame & The Giant Peach)
- Heffalumps and Woozles (Winnie the Pooh and the Blustery Day)
- The Mob Song (Beauty & The Beast)
- Portobello Road (Bedknobs and Broomsticks)
- Stay Awake (Mary Poppins)
- I Wan'na Be Like You (The Jungle Book)
- Oo-De-Lally (Robin Hood)
- Are We Dancing (The Happiest Millionaire)
- Once Upon a Dream (Sleeping Beauty)
- Bella Notte (Lady and the Tramp)
- Following the Leader (Peter Pan)
- Trust in Me (The Jungle Book)
- The Ballad of Davy Crockett (Davy Crockett)
- I'm Professor Ludwig Von Drake (Walt Disney's Wonderful World of Color)
- Pink Elephants on Parade (Dumbo)
- Little April Shower (Bambi)
- The Silly Song (Snow White & the 7 Dwarfs)
- Volume Four
- One Last Hope (Hercules)
- A Guy Like You (The Hunchback of Norte Dame)
- On the Open Road (A Goofy Movie)
- Just Around the Riverbend (Pocahontas)
- Home (Beauty & the Beast (Broadway Musical))
- Fantasmic! (Disneyland)
- Oogie Boogie's Song (The Nightmare Before Christmas)
- I Will Go Sailing No More (Toy Story)
- Substitutiary Locomotion (Bedknobs and Broomsticks)
- Stop, Look, and Listen/I'm No Fool (Mickey Mouse Club)
- Love (Robin Hood)
- Thomas O'Malley Cat (The Aristocats)
- That's What Friends Are For (The Jungle Book)
- Winnie the Pooh
- Femininity (Summer Magic)
- Ten Feet Off the Ground (The One and Only, Genuine, Original Family Band)
- The Siamese Cat Song (Lady and the Tramp)
- Enjoy It! (In Search of the Castaways (film))
- Give a Little Whistle (Pinocchio)
- Oh, Sing Sweet Nightingale (Cinderella)
- I Wonder (Sleeping Beauty)
- Looking for Romance / I Bring You A Song (Bambi)
- Baby Mine (Dumbo)
- I'm Wishing/One Song (Snow White & the 7 Dwarfs)
- Volume Five
- I'll Make a Man Out of You (Mulan)
- I Won't Say / I'm in Love (Hercules)
- God Help the Outcasts (The Hunchback of Notre Dame)
- If I Can't Love Her (Beauty and the Beast)
- Steady As The Beating Drum (Pocahontas)
- Belle (Beauty & the Beast)
- Strange Things (Toy Story)
- Cruella De Vil (101 Dalmatians)
- Eating the Peach (James and the Giant Peach)
- Seize the Day (Newsies)
- What's This? (The Nightmare Before Christmas)
- Lavender Blue / Dilly Dilly (So Dear to My Heart)
- The Rain Rain Rain Came Down Down Down (Winnie the Pooh and the Blustery Day)
- A Step in the Right Direction (Bedknobs and Broomsticks)
- Boo Bop Bopbop Bop (Pete's Dragon)
- Yo Ho / A Pirate's Life for Me (Disneyland)
- My Own Home (The Jungle Book)
- Ev'rybody Wants to Be a Cat (The Aristocats)
- In a World of My Own (Alice in Wonderland)
- You Belong to My Heart (The 3 Caballeros)
- Humphrey Hop (In the Bag)
- He's a Tramp (Lady and the Tramp)
- How Do You Do? (Song of the South)
- When I See an Elephant Fly (Dumbo)
- I've Got No Strings (Pinocchio)