Wo ging die Liebe hin? / How Do You Make Love Stay? Lyrics — Artus Excalibur

Wo ging die Liebe hin? / How Do You Make Love Stay? Lyrics

Guinevere

Wo ging die Liebe hin? / How Do You Make Love Stay?

Man kann zu zweit so furchtbar einsam sein
Ich war nie so allein
Wie ich nun es bin
Wo ging die Liebe hin?

Und trotzdem kann sich doch mein Herz nicht wehr’n
Muss sich nach ihm verzehr’n
Sagt mir – wo liegt da der Sinn?
Wo ging die Liebe hin?

Mir ist, als liefe ich dem Wind hinterher
Als sehnt' ich mich nach einem Stern
Oft stehe ich so nah bei ihm
Doch er scheint mir trotzdem kalt und fern

Man kann zu zweit so furchtbar einsam sein,
Ich war nie so allein
Wie ich nun es bin
Wo liegt da der Sinn?
Wo ging die Liebe hin?





ENGLISH LYRICS:

One can be so terribly lonely together,
I was never so alone
As I am now,
Where did the love go?

And yet, my heart cannot resist,
It must yearn for him,
Tell me – where is the sense in that?
Where did the love go?

It feels as if I am chasing the wind,
As if I long for a star,
Often I stand so close to him,
Yet he still seems cold and far.

One can be so terribly lonely together,
I was never so alone
As I am now,
Where is the sense in that?
Where did the love go?



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Song Overview

Wo ging die Liebe hin lyrics by Annemieke van Dam
Annemieke van Dam sings 'Wo ging die Liebe hin' lyrics in a widely shared stage clip.

Review and Highlights

Quick summary

  • Work: Artus - Excalibur (world premiere: March 15, 2014, Theater St. Gallen)
  • Song role: Guinevere solo in Act II, sung when war and distance have eaten away at the marriage
  • Story effect: turns court politics into a private loss, then sets up the Lancelot-Guinevere closeness that follows
  • Sound: a pop-theatre lament that stays conversational, then opens into a refrain that feels like a held breath breaking
  • Recorded voice: commonly listed as Annemieke van Dam on the 2014 release
Scene from Wo ging die Liebe hin by Annemieke van Dam
'Wo ging die Liebe hin' in the stage clip.

Artus - Excalibur (2014) - stage musical - non-diegetic. The plot timing matters: Artus has declared war, Merlin cannot pull him back, and Guinevere is left holding the emotional bill. She is not complaining about attention. She is naming the moment a shared dream starts to feel like a closed door.

This number is quietly brutal because it refuses to romanticize suffering. The first lines land like a plain fact, almost too plain to be theatre - two people can stand side by side and still feel stranded. Then the refrain hits, and the language starts chasing answers it cannot catch. Frank Wildhorn writes the melody to match that chase: short phrases that keep returning to the same question, as if repeating it might fix the situation.

Creation History

The musical was developed for Theater St. Gallen with music by Frank Wildhorn, lyrics by Robin Lerner, and German translation by Nina Schneider. In published plot summaries, this solo comes after Morgana's introspective turn and before the story pushes Guinevere and Lancelot closer. That placement is not decorative. It is the bridge from public war to private temptation.

Song Meaning and Annotations

Annemieke van Dam performing Wo ging die Liebe hin
Video moments that reveal the meaning.

Plot

Act II accelerates into conflict. After the assassination attempt and Ector's death, Artus becomes single-minded about revenge. Guinevere tries to steady him, but the bond that looked unshakable in Act I starts thinning out under pressure. She sings here when she realizes the war is already taking its first casualty at home: the relationship itself. The next beats are telling - Lancelot comforts her, and the triangle stops being a rumor and becomes a risk.

Song Meaning

The meaning is grief without a funeral. Guinevere is mourning something that still exists on paper: a marriage, a crown, a future. Yet the warmth has drained away, and she cannot find the moment it happened. The text treats love like a place you can lose your way out of, which is why the refrain keeps returning to the same question. The mood is lonely, but also alert: she knows what comes next if she stays unseen for too long.

Annotations

"Man kann zu zweit so furchtbar einsam sein"

A line that sounds like a proverb, which is why it cuts. She is not using royal language. She is describing a normal human disaster, made worse by the fact that everyone is watching.

"Mir ist, als liefe ich dem Wind hinterher"

That image is pure pursuit with no finish line. It paints love as something you cannot grab by force, no matter how fast you run. The rhythm of the verse often mirrors that feeling: forward motion, no arrival.

"Oft stehe ich so nah bei ihm, doch er scheint mir trotzdem kalt und fern"

This is the song's camera angle. Physical closeness, emotional distance. In the story, it also explains why comfort from someone else can feel like oxygen, even when it should not.

Shot of Wo ging die Liebe hin by Annemieke van Dam
A brief glimpse from the performance clip.
Production and musical cues

Driving rhythm: the accompaniment tends to keep a steady undercurrent so the vocal can sound like thought in real time, not a staged declaration.

Arc: statement - search - surrender to the question. The refrain does not solve anything, and that is the point.

Touchpoint: It sits in the lineage of Guinevere ballads that treat Camelot as a human project, not a legend. The crown does not protect her from feeling replaced by the war.

Technical Information (Quick Facts)

  • Song: Wo ging die Liebe hin (alternate title: How Do You Make Love Stay?)
  • Artist: Annemieke van Dam
  • Featured: Solo (Guinevere)
  • Composer: Frank Wildhorn
  • Lyricist: Robin Lerner
  • Book: Ivan Menchell
  • German translation: Nina Schneider
  • Arrangements and orchestrations: Koen Schoots
  • Release Date: April 4, 2014
  • Genre: Musical theatre; pop ballad
  • Instruments: band and orchestral layers (cast recording context)
  • Label: HitSquad Records
  • Mood: reflective, pleading, quietly tense
  • Length: 2:33
  • Track #: 11 (album track lists commonly place it here)
  • Language: German
  • Album: Artus Excalibur - Das Musical
  • Music style: story-led ballad with a repeating question hook
  • Poetic meter: accentual phrasing that leans speech-like in the verse, then regularizes in the refrain

Frequently Asked Questions

Who sings the song in the musical?
Guinevere sings it as a solo, and the 2014 St. Gallen cast recording credit is commonly tied to Annemieke van Dam.
Where does it sit in Act II?
After the war preparations have hardened Artus and before the story moves Guinevere and Lancelot closer in shared grief.
What is the main idea in the text?
Love has not exploded. It has evaporated, and she cannot pinpoint when it happened.
Why does the refrain keep returning to a question?
Because uncertainty is the conflict. She is stuck in a loop of wanting a reason that does not exist.
Is it a breakup song?
It is a pre-break. The relationship still exists publicly, but the private bond feels missing.
How does it connect to the Lancelot storyline?
It explains why comfort from him lands so strongly, and why closeness becomes tempting rather than merely friendly.
Is the English title an official alternate name?
Yes, it is widely used in published song lists and summaries as the paired English title.
How long is the studio track?
Major digital listings show 2:33.
Is there a separate single-chart history?
Not commonly documented for this track alone; the better sourced chart note is about the album release performance.
What makes the song feel so intimate on stage?
It is written in plain speech-like phrases, which invites an actor to play thought rather than play spectacle.

Awards and Chart Positions

There is no widely published, separate singles-chart run for this song. The stronger, documented milestone is the concept recording release tied to the St. Gallen production: as stated in Playbill magazine, the album was released on April 3, 2014 and entered the No. 1 slot on Amazon and iTunes in Germany at launch.

Item Metric Date Scope
Artus - Excalibur (concept recording) No. 1 on German Amazon and iTunes (reported) April 3, 2014 Platform charts (album), not an official national singles chart

Additional Info

This track does a sneaky piece of character work: Guinevere is often treated as a symbol in Arthur stories, but here she is allowed to be ordinary. She is not arguing policy. She is trying to understand absence. That ordinary language also makes the later choices sting more, because the audience has heard how hard she tried to stay loyal inside a room that kept getting colder.

Key Contributors

Entity Type Relationship (S-V-O)
Frank Wildhorn Person Wildhorn composed Artus - Excalibur.
Robin Lerner Person Lerner wrote the lyrics for Artus - Excalibur.
Ivan Menchell Person Menchell wrote the book for Artus - Excalibur.
Nina Schneider Person Schneider translated the show into German for the St. Gallen production.
Koen Schoots Person Schoots created arrangements and orchestrations for the production build.
Annemieke van Dam Person van Dam originated Guinevere in the 2014 St. Gallen premiere cast and appears on the recording.
Theater St. Gallen Organization Theater St. Gallen premiered Artus - Excalibur on March 15, 2014.
HitSquad Records Organization HitSquad Records released the 2014 album.

How to Sing Wo ging die Liebe hin

Practice data services commonly tag the studio track around 146 BPM and a C sharp major key center. Treat those as a map, not a rule. The real challenge is control: the song sounds like thought, and thought does not yell.

  1. Tempo: Start under tempo, then work up to the faster pulse without losing the conversational feel. Count the rests, they are part of the acting.
  2. Diction: Keep consonants clear on the question words and the loneliness phrases. The text must land like a confession.
  3. Breathing: Mark breaths before longer lines so you do not snatch air mid-thought.
  4. Flow and rhythm: Let the verse ride speech rhythm. In the refrain, widen the vowels and keep the pitch steady, like you are trying not to cry.
  5. Dynamics: Build intensity by adding focus, not volume. The strongest moment is often the calmest one with the sharpest meaning.
  6. Character color: Play pride first, then let the hurt seep in. Guinevere is a queen, even when she is breaking.
  7. Mic and placement: Keep the sound forward on softer lines. If you let it fall back, the lyric loses its knife.
  8. Pitfalls: Do not rush the repeated question. Each return should feel like a new attempt to be understood.

Sources

Sources: Playbill (April 3, 2014 concept recording chart note), Wikipedia (Artus-Excalibur plot and song list), Apple Music (release date and duration), LyricTranslate (text excerpts), buehnenlichter.de (album track listing placement), YouTube (stage clip), musicstax (tempo and key tagging)



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