Our Lady of the Underground Lyrics
Persephone, CompanyOur Lady of the Underground
[PERSEPHONE]I don’t know about you, boys
But if you’re like me
Then hanging around this old manhole
Is bringing you down
Six-feet-under
Getting under your skin
Cabin fever is a-setting in
You’re stir crazy!
You’re stuck in a rut!
Or you could use a little pick-me-up
I can give you what it is you crave
A little something from the good old days
I got the wind right here in a jar
I got the rain on tap at the bar
I got sunshine up on the shelf
Allow me to introduce myself:
Brother, what’s my name?
My name is-
[COMPANY]
Our Lady of the Underground!
[PERSEPHONE]
Brother, what’s my name?
[COMPANY]
Our Lady of Ways!
Our Lady of Means!
[PERSEPHONE]
Brother, what’s my name?
My name is…
[COMPANY]
Our Lady of the Upside Down!
[PERSEPHONE]
Wanna know my name?
I’ll tell you my name-
Persephone!
Come here, brother- let me guess:
It’s the little things you miss
Spring flowers
Autumn leaves
Ask me, brother, and you shall receive
Or maybe these just ain’t enough
Maybe you’re looking for some stronger stuff
I got a sight for the sorest eye
When’s the last time you saw the sky?
Wipe away your tears, brother
Brother, I know how you feel
I can see you’re blinded by the sadness of it all
But look a little closer and
Everything will be revealed
Look a little closer and
There’s a crack in the wall!
[PERSEPHONE introduces the band]
You want stars? [COMPANY cheers] I got a skyful!
Put a quarter in the slot, you’ll get an eyeful
You want the moon?
I got her too
She’s right here waiting in my pay-per-view
How long’s it been?
A little moonshine ain’t no sin
One at a time, boys,
Straight line
What the boss don’t know,
The boss won’t mind
Song Overview

“Our Lady of the Underground” flips the lights back on at the top of Act II - Persephone runs a speakeasy behind Hades’ back and sells the memory of weather by the glass. The track arrived in the first digital drop of the Broadway cast album roll-out in early June 2019, before the full set landed in late July.
Review & Highlights

Creation History
The Broadway cast album rolled out in waves - and this number was one of the first out of the gate at 12:01 AM in the initial “character drop,” then more highlights followed on June 7, with the complete 40-track album arriving July 26, 2019.
Onstage, it opens Act II, immediately reframing the underworld as a club where Persephone works the room.
Review. It’s a tipsy waltz through cabaret, folk-blues, and brass-kissed jazz. Gray leans into patter, teasing the crowd and the band, while the groove slides like a bar cart on wheels. The hook isn’t just catchy - it’s an invitation to misbehave. You can hear the trombone wink, the drums shuffle, the violin sting.
Plot. After Hades’ indoctrination number, Persephone cracks the mask. She offers contraband - wind in a jar, rain on tap - and a survival kit for life six-feet-under. The lyrics double as contraband catalog and pep talk, and by the end you’ve met the house band and the house rules.
Verse 1
She clocks the gloom, sells the cure. The patter is pure barkeep - quick, flirty, transactional.
Chorus
Call-and-response with Hermes and the workers turns her into a saint of bad ideas. It’s church, if church had a cover charge.
Exchange/Bridge
She breaks the fourth wall to introduce the players, which mirrors the line about a “crack in the wall.” The room becomes the show.
Final Build
By the last pass, the band is roaring and the hustle looks almost holy. The lyrics leave you half-convinced that moonshine counts as mercy.
Song Meaning and Annotations

Persephone throws a party to survive. The scene frames her as a hostess, dealer, and reluctant queen, hustling joy in a town built on exhaustion.
“Step into my office.”That opener mirrors Hades’ language from before, a cheeky echo that undercuts his authority. After the smirk comes the sales pitch.
The tone toggles between mockery and warmth. She ribs the men, then feeds them weather.
“Boys.”Even the word lands with a little growl - poking at Hades’ macho posture while she builds her own crowd control.
Hadestown isn’t just underground - it’s under your skin.
“Then hanging around this old manhole is bringing you down - Six-feet-under - Getting under your skin.”The imagery piles on to say what the workers won’t: this place is a sewer with nicer lighting.
Monotony becomes diagnosis.
“Cabin fever is a-setting in.”Isolation is the business model; Persephone’s speakeasy is the pressure valve.
What’s for sale? Nostalgia and weather, mostly.
“Oh you could use a little pick-me-up - I can give you what it is you crave.”She’s dealing sensations from the upper world because the underworld won’t give them back for free.
Identity gets slippery down here, so she rebrands herself with the room’s help.
“Brother, what’s my name? ... Our Lady of the Underground!”The chorus refuses to say “Persephone” at first, which hints at fear, ritual, and the way titles can shield the person behind them.
Persephone’s empathy cuts through the patter.
“I know how you feel.”She’s complicit and trapped - a hostess who can’t stop topping off the glasses even as she thirsts for the sky.
She promises a rip in the fabric and delivers it.
“There’s a crack in the wall!”Then she quite literally breaks the fourth wall by introducing the band. The meta gag works because the show’s wall is Hades’ wall - any crack is a victory.

The second half slips back into huckster mode.
“Put a quarter in the slot, you’ll get an eyeful.”Consumer joy replaces real sky. The metaphor lands because it’s fun - and because it’s sad.
Production, instrumentation, style
Trombone, violin, cello, guitar, piano-accordion, bass, and drums lay down a louche, late-night shuffle - the exact band Persephone names on the record. Orchestrations and production credits confirm the lineup and the show’s folk-jazz DNA.
Key Facts
- Artist: Amber Gray & Hadestown Original Broadway Company
- Composer-Lyricist: Anaïs Mitchell
- Producers: Todd Sickafoose, David Lai, Anaïs Mitchell
- Release Date: June 4, 2019 - initial digital drop ahead of the full album
- Album: Hadestown (Original Broadway Cast Recording) - full release July 26, 2019
- Length: 5:24
- Track #: 21
- Label: Hadestown Broadway/Sing It Again
- Genre/Style: Broadway, folk-blues, jazz-inflected cabaret
- Instruments on record: Trombone, cello, violin, drums, bass, guitar, piano-accordion
- Mood: sly, convivial, rebellious
- Language: English
Questions and Answers
- Is “Our Lady of the Underground” the first song of Act II?
- Yes. It opens Act II and resets the tone after “Why We Build the Wall.”
- When did this track hit streaming during the rollout?
- It was part of the first midnight drop announced June 3, 2019, with more highlights added June 7 and the complete album on July 26, 2019.
- Who sings it on the Original Broadway Cast Recording?
- Amber Gray as Persephone, backed by the Hadestown Original Broadway Company.
- Any notable guest renditions outside the original cast?
- Yes. Ani DiFranco, Allison Russell, and Yola have all performed the number during later Broadway stints and features.
- Is there an official audio upload for this track?
- Yes - the label’s topic upload on YouTube uses the cast album master.
Awards and Chart Positions
Album honors. The Hadestown (Original Broadway Cast Recording) won Best Musical Theater Album at the 62nd Grammy Awards.
Album charts. US Billboard 200 peak no. 49, US Independent Albums no. 4, and US Cast Albums no. 1.
How to Sing “Our Lady of the Underground”?
Range & placement. The role sits in a comfortable mezzo-alto pocket for a female voice, with speech-song patter and sly slides more important than high notes. Amber Gray’s Broadway turn defined the swaggering template.
Style. Think speakeasy host - conversational, conspiratorial, a little tipsy. Keep consonants crisp so the jokes land, then loosen into the held lines.
Band-led phrasing. Let the trombone fills and drum shuffle cue your breaths. Don’t rush the banter - sit behind the beat like you own the room.
Character beats. Lightly tease the crowd on the call-and-response (“Brother, what’s my name?”), then soften on the empathy lines. That push-pull is the trick.
Additional Info
- Opening Act II status is consistent across production guides and press notes.
- Official audio is available on major platforms and YouTube’s topic channel.
- Live features and guest turns keep the number rotating - see clips with Ani DiFranco, Allison Russell, and Yola.