Chanson Lyrics
Chanson
[DENISE]Chaque jour est un jour comme les autres deux jours
Le potage, l'ouvrage, peut-être l'amour
Le soleil, il voyage, le mode fait un tour
Ainsi c'est toujours le même
Every day as you do what you do every day
You see the same faces who fill the café
And if some of those faces have new things to say
Nothing is really different
And the wind changes course and the moon changes phase
And the world spins around with the greens and the grays
And you never take time out to think of the ways
Everything might be different
And then one day, suddenly, something can happen
It may be quite simple, it may be quite small
But all of a sudden, your stew tastes different
And you hear a gull cry in a different key
And you see with new eyes, and the faces you see
Are the people you don't know at all
And the someone who touches your hair every day
Touches you now in a different way
And you may want to run or you may want to stay forever
And since life is the cry of a gull and the taste of your stew
And the way that he feels when he touches you
Now your whole life is different
Now your whole life is new
Chaque jour est un jour comme les autres deux jours
Le potage, l'ouvrage, peut-être l'amour
Le soleil, il voyage, le mode fait un tour
Ainsi c'est toujours le même
LA LA LA LA LA LA LA LA LA LA
LA LA LA LA LA LA LA LA LA LA
EVERY DAY AS YOU DO WHAT YOU DO EVERY DAY
YOU SEE THE SAME FACES WHO FILL THE CAFE
AND IF SOME OF THOSE FACES HAVE NEW THINGS TO SAY
NOTHING IS REALLY DIFFERENT.
Reprise:
AND SINCE LIFE IS THE CRY OF THE GULL
AND THE TASTE OF YOUR STEW
AND THE WAY THAT YOU FEEL
WHEN HE TOUCHES YOU
NOW YOUR WHOLE LIFE IS DIFFERENT
NOW YOUR WHOLE LIFE IS NEW...
Song Overview
"Chanson" is the village curtain-raiser in The Baker's Wife. Denise sings it as morning life stirs in Concorde, the small French town where Stephen Schwartz and Joseph Stein set their bittersweet fable. The song does not behave like a big opening anthem. It is smaller, more observant, more scented with coffee and bread crust. That is its job. It lays out the village mood, introduces routine before disruption, and gives the musical its first hint of French color. In the later, licensed versions of the show, Denise keeps the number and reprises it, which says a lot about how central its point of view became.
Review and Highlights
"Chanson" opens The Baker's Wife with a soft hand instead of a brass shove. Good choice. Denise is not trying to sell the town as a postcard. She is living in it, looking at the same faces, the same feuds, the same habits, and sensing that one small shift could change everything. The number works because it sounds lived-in. Schwartz wrote a score steeped in French musical atmosphere, and this first song lets that influence drift in without turning into parody. It also gives Denise an unusual function in musical theater: she is not the heroine, yet she becomes the local witness, the one who sees the village with clear eyes.
Key takeaways:
- It is the show's opening song and establishes Concorde before the baker arrives.
- Denise sings it as an observer, not as a plot-driving lead, which gives the musical a wider social frame.
- The style borrows French color and cabaret lightness rather than standard Broadway opener muscle.
- The song returned in reprises and survived into later revisions, which shows how essential its dramatic function became.
The Baker's Wife (1976) - stage musical number - diegetic within the village setting. The song appears at the top of Act One and, in later versions, Denise also reprises it. It matters because it frames Concorde as a place of routine, gossip, and tiny grudges before outsiders and desire stir the pot. According to the 2024 Playbill report on the Menier Chocolate Factory revival, "Chanson" remains one of the score's signature titles, still listed alongside better-known songs such as "Gifts of Love" and "Proud Lady."
Creation History
The Baker's Wife has one of those musical-theater histories that people still talk about over drinks. Stephen Schwartz wrote the music and lyrics, Joseph Stein wrote the book, and the show was based on La Femme de Boulanger by Marcel Pagnol and Jean Giono. The 1976 production played a pre-Broadway road route that opened in Los Angeles on May 11, 1976, ran through San Francisco, St. Louis, Boston, and ended at the Kennedy Center in Washington on November 13, 1976. It never reached Broadway, but the score would not die. "Chanson" was recorded for the 1976 cast album, sung by Teri Ralston, and later preserved on the 2014 remastered digital edition as track 1, running 3:44. That recording history matters because the song helped define the show's cult life long after the original production stalled.
Lyricist Analysis
Schwartz writes "Chanson" with deceptive ease. The lyric sounds casual, almost tossed off, but its construction is precise. Denise is not making a philosophical speech. She is noticing. That means the language needs to feel light on its feet, conversational, and quietly tuned to repetition. The title itself helps. A "chanson" is simply a song, but in this context it also signals French mood, intimacy, and a touch of cafe culture.
The meter leans toward fluid speech-rhythm rather than a strict march. Lines settle, then move again, which suits a character who is working while thinking. You can hear Schwartz resisting the temptation to over-decorate. Smart move. Denise is not a Paris fantasy; she is a woman in a provincial town, and the lyric keeps one apron string tied to ordinary life.
Phonetically, the song likes open vowels and smooth phrase endings, which helps the melody float. The rhyme work is gentle rather than showy. Even when the number hints that life can suddenly change, it does so in a tone of observation, not melodrama. This is where Schwartz's craftsmanship shows. He knows the opening number does not always need to announce itself with a megaphone. Sometimes it is enough to set the temperature correctly.
Song Meaning and Annotations
Plot
"Chanson" introduces Concorde before the main conflict takes hold. Denise, wife of the cafe owner, moves through her daily tasks and watches a village that seems fixed in place. The town is all habit, complaint, and repetition. Then the new baker and his younger wife arrive, and that balance begins to wobble. In that sense, the song is less about event than about atmosphere. It tells you what normal feels like so the rest of the show can tell you what disruption costs.
Song Meaning
The meaning sits in contrast. Denise sings from inside routine, but the lyric already hints that routine is fragile. Life can turn. A stranger can arrive. A marriage can unsettle a whole town. A village that looked permanent can suddenly reveal its nerves. That is why the song matters more than its modest scale might suggest. It plants the show's central idea early: ordinary communities are full of hidden heat.
There is also a subtler layer. Denise is not one of the lovers at the center of the musical, yet she becomes its weather vane. Through her, the town gains memory and perspective. She sees the old sameness, but she also senses possibility. The number becomes a quiet meditation on how change enters daily life - not with trumpets, but with a small tremor in the air.
Annotations
Chanson
The title does a lot of work. It names the number in French, which instantly places the score in a different sound world, but it also keeps things modest. This is not "Opening" or some big declarative slogan. It is just a song. That understatement fits Denise perfectly.
Set in a small French provincial village in the 1930's
Stephen Schwartz's official show page gives the key frame. The song belongs to a place that is provincial, comic, and a little closed in. Denise's observations make more sense once that small-town pressure is in view.
I always think of "Chanson", the opening number of THE BAKER'S WIFE as Jessie's song.
Stephen Schwartz wrote that in a forum archive about his daughter Jessie. It is a lovely detail because it suggests the number held a personal tenderness for him, not just a structural function in the score.
Theme and message
The main theme is the tension between routine and possibility. Denise knows the village by heart, yet the song never treats daily life as dead. There is always the chance that something can alter the pattern. That is the little spark under the number.
Mood and dramatic arc
The mood is warm, observant, lightly wistful. It starts with familiarity and ends with a quiet opening toward change. No fireworks. No hard pivot. Just a soft turning of the head toward what might happen next.
Style, rhythm, and instrumentation
Schwartz has said that before writing the score he spent time playing Debussy, Satie, Ravel, French folk tunes, and songs from old French music-hall albums. You can hear that influence in "Chanson." Not as imitation, but as atmosphere. The rhythm moves with ease, the harmony feels brushed rather than hammered, and the whole piece sits closer to cafe elegance than Broadway brassiness.
Cultural and historical touchpoints
The show is rooted in a French source and set in the 1930s, but it was written by American musical-theater artists in the 1970s. "Chanson" captures that blend well. It is a Broadway composer's idea of French local life, filtered through affection and craft. According to the official Schwartz notes, the score kept evolving through later revisions, yet Denise's song remained part of the show's identity.
Metaphors and key phrases
What matters most is not a single grand metaphor but the village itself. Concorde becomes a symbol of settled life that only looks stable from a distance. Denise's song treats the town almost like dough before baking - shaped, familiar, seemingly fixed, yet still ready to rise or collapse depending on what enters the mix.
One fascinating wrinkle: Ovrtur notes that the song titled "Chanson" in the Los Angeles run was not the same number later added for Denise. That is catnip for theater historians. It means the song's history is tied to the show's long rewrite process, and the Denise version most listeners know is part of the score's later refinement rather than a frozen first draft.
Technical Information (Quick Facts)
- Song: Chanson
- Artist: Teri Ralston
- Featured: Members of the 1976 original cast
- Composer: Stephen Schwartz
- Producer: Dennis Anderson
- Release Date: 1976; remastered digital edition released January 8, 2014
- Genre: Show tune, musical theater, character song
- Instruments: Orchestra
- Label: 2014 remastered digital edition issued under Bruce Yeko
- Mood: Gentle, observant, wistful
- Length: 3:44
- Track #: 1 on the 2014 remastered album
- Language: English, with French coloring in concept and staging
- Album: The Baker's Wife (Members of 1976 Original Cast) [Remastered]
- Music style: French-tinged Broadway opening number
- Poetic meter: Conversational lyric phrasing with lightly lilting stress patterns
Frequently Asked Questions
- Who sings "Chanson" in the 1976 cast recording?
- Teri Ralston sings the number as Denise on the 1976 cast recording and on the 2014 remastered digital edition.
- Who wrote "Chanson"?
- Stephen Schwartz wrote both the music and lyrics, with Joseph Stein writing the book for the musical that surrounds it.
- Where does the song appear in the show?
- It opens the musical and introduces village life in Concorde before the baker and his wife upset the town's routine.
- What is Denise doing during the song?
- She is tending to daily cafe work while observing the village around her, which makes the number feel grounded instead of theatrical for theater's sake.
- Why is the song called "Chanson"?
- The French title helps set the sound world and the setting, but it also keeps the number modest and intimate, fitting Denise's viewpoint.
- Is "Chanson" a major plot song?
- Not in the sense of a confrontation or confession. It is more like the village's opening breath, giving context and atmosphere that the later drama needs.
- Did the song survive later revisions of The Baker's Wife?
- Yes. Denise keeps the song in later documented versions, and the score also includes reprises, which shows the number stayed important as the show evolved.
- Was The Baker's Wife a Broadway musical in 1976?
- No. The 1976 production was a road tryout that never reached Broadway, though the score later gained a devoted following.
- Is there another well-known recording of "Chanson"?
- Yes. The 1989 London cast recording includes the song sung by Jill Martin, and Stephen Schwartz's recordings page also lists an Emily Skinner version from Snapshots.
- Did "Chanson" receive chart placements or awards?
- No reliable chart or award data for the song itself turned up in the available sources, so it is better treated as a cult cast-album track than a chart item.
Additional Info
- Stephen Schwartz's official show page still lists "Chanson" first in the score, which underlines how strongly the opening concept survived later shaping.
- According to Stephen Schwartz's songwriting advice archive, French composers and folk material helped seed the musical language of The Baker's Wife. That context makes "Chanson" easier to hear for what it is doing.
- The 2024 Menier Chocolate Factory revival announcement in Playbill named "Chanson" among the score's signature songs, proof that the number remains part of the show's public identity even when "Meadowlark" tends to dominate the conversation.
- Ovrtur records that the Los Angeles program's "Chanson" was not the same Denise song later associated with the title, a reminder that this show kept changing under pressure during its tryout life.
Key Contributors
| Entity | Type | Relationship |
|---|---|---|
| Stephen Schwartz | Person | Wrote music and lyrics for The Baker's Wife and "Chanson" |
| Joseph Stein | Person | Wrote the book for The Baker's Wife |
| Teri Ralston | Person | Sang "Chanson" on the 1976 cast recording and played Denise |
| Denise | Work role | Village observer whose song opens the musical |
| Concorde | Location in the work | Small French village introduced through the song |
| Marcel Pagnol | Person | Co-created the source film material behind the musical |
| Jean Giono | Person | Co-created the source film material behind the musical |
| Bruce Yeko | Person | Issued the 2014 remastered digital edition |
Sources
Data verified via Stephen Schwartz's official show page and forum archive, Ovrtur production and recording records, Apple Music remaster metadata, Shazam and Discogs recording metadata, MTI show materials, and Playbill reporting on the 2024 Menier revival.