What Do You Do With A B.A. In English? (Reprise) Lyrics — Avenue Q
What Do You Do With A B.A. In English? (Reprise) Lyrics
What do you do
With a B.A. in English?
Oh, look! A "for rent" sign!
Oh, my God! You’re Gary Coleman!
Gary Coleman:
Yes, I am!
Newcomer:
Say, can you tell me where to find the super?
Gary Coleman:
I am the super.
Newcomer:
Well, listen - I wanna ask you about the apartment for rent?
Gary Coleman:
Oh, sure!
Princeton:
Wait a minute!
Wait a minute, that’s it!
Kate Monster:
What?
Princeton:
My PURPOSE!
Look at this kid, here, all fresh faced and new
and not knowing anything! He has no idea
what he’s in for! He thinks the hard part’s over,
but it’s not! And maybe he needs a little help! Maybe
my purpose is to take everything I’m learning
and put it - put it into a SHOW!
Brian:
Are you high?
Newcomer:
And I’m not some young kid who doesn’t know anything.
Fuck you!
Song Overview
"What Do You Do With A B.A. In English? (Reprise)" is Avenue Q bringing Princeton back to where he started, then twisting the question into a late-show punchline. A newcomer arrives looking for the same apartment, carrying the same degree, and sounding like the next version of Princeton before life on Avenue Q knocked the shine off him. That mirror effect matters. The reprise is brief, but it snaps the whole musical into focus. Princeton sees his old self walk through the door, and suddenly the search for purpose stops feeling private. It becomes a pattern.

Review and Highlights
This reprise is tiny, but it earns its place. The original "What Do You Do With A B.A. In English?" opens the show with Princeton drifting into adulthood, resume in hand, purpose nowhere in sight. The reprise brings that setup back just before the ending, and the effect is sharper than nostalgia. It is not just a callback. It is a loop. Someone else is now standing where Princeton once stood, which gives the joke a sad little echo. Life keeps sending the same confused graduate into the same bad economy, the same thin prospects, the same cheap apartment hunt. Broadway polish, quarter-life panic.
According to Masterworks Broadway's synopsis note for the off-Broadway album, the newcomer's arrival makes Princeton realize his purpose may be to create a show about struggling through your twenties. That is the number's real payload. The reprise does not only mirror the opening. It triggers Princeton's last big idea, which the neighborhood immediately mocks. Good call, frankly. The show understands that a revelation can be sincere and ridiculous at the same time.
Key Takeaways
- It is a short callback to the opening degree-and-purpose setup.
- A newcomer mirrors Princeton's earlier arrival on Avenue Q.
- The moment pushes Princeton toward his final purpose idea.
- On the cast album, it is paired with "There s A Fine, Fine Line (Reprise)."

Avenue Q (2003) - stage musical reprise - diegetic. The scene arrives late in Act II, after several loose ends start tying themselves together. A newcomer appears looking for the apartment and asking the same question Princeton asked at the top of the show. It matters because the repetition makes the whole neighborhood feel like a cycle, not a one-off crisis.
Appearances in Film, TV, and Stage Media - no confirmed film adaptation use was found. The reprise is mainly known through the original Broadway cast recording, Masterworks Broadway album notes, and licensed stage productions.
Creation History
Avenue Q transferred to Broadway's John Golden Theatre in July 2003 after its Vineyard Theatre run, and this reprise remained part of the show's closing stretch. Playbill's cast-recording coverage lists the original Broadway album as recorded on August 10, 2003 and released on October 7, 2003 by RCA Victor. On that album, the reprise is not isolated as a separate track. It appears inside track 20, paired with "There s A Fine, Fine Line (Reprise)." Discogs and major digital listings credit John Tartaglia, Rick Lyon, and Stephanie D'Abruzzo as lead vocals on the combined track, while broader cast credits include Natalie Venetia Belcon, Ann Harada, Jordan Gelber, and Jennifer Barnhart.
Lyricist Analysis
This is reprise writing doing exactly what it should do - less text, more resonance. Lopez and Marx do not need to explain the joke again because the audience already knows the original song's premise. A degree in English, no clear path, no useful map. By bringing that question back through a newcomer, the writers turn a personal complaint into a generational one. The craft is in the compression. A familiar phrase returns, but now it carries narrative memory, irony, and a faint chill. Princeton is no longer just the guy asking the question. He is the guy hearing it from someone else and realizing how little the world has changed.
Song Meaning and Annotations

Plot
Kate and Princeton have begun to patch things up. Then a newcomer arrives asking about the vacancy and carrying the same academic baggage Princeton carried at the start. That encounter jolts Princeton into one final stab at purpose: maybe he should put everything he has learned into a musical about being lost in your twenties. The others respond with mockery, which leads straight into "For Now."
Song Meaning
The reprise means that confusion is not unique. Princeton's crisis felt huge because it was his. The newcomer proves it is structural. The same uncertainty keeps reproducing itself. In Avenue Q, that idea is both funny and bleak. A degree does not hand you meaning. It hands you a question. The mood here is comic, reflective, and a little bruised, even as the show heads toward its closing warmth.
Annotations
What do you do with a B.A. in English?
In the opening number, the line sounds like a fresh complaint. In reprise form, it sounds like a system error repeating itself. Same degree, same uncertainty, same shrug from the world.
A newcomer to the street.
Masterworks Broadway's synopsis uses that exact framing, and it matters because the newcomer is not just a new character. He is a mirror. The show turns Princeton into someone who can finally see his own story from the outside.
Princeton finally realize his purpose.
That is the key turn in the Masterworks Broadway note. The reprise does not answer the degree question in any practical sense. It answers it artistically. Princeton decides that maybe his purpose is to make meaning out of confusion itself. That is funny, self-serving, and weirdly apt.
As stated in Masterworks Broadway's synopsis note, everyone immediately agrees that Princeton's idea is a bad one. That detail keeps the moment from floating away on self-importance. Avenue Q never lets revelation get too dressed up. It puts a pie in its face and keeps going.
Genre and style fusion
This is musical theater callback writing with comedy sketch timing. The music borrows its force from memory rather than expansion. The audience fills in the emotional space because the melody and premise are already familiar.
Emotional arc
The arc is quick. Recognition, reflection, then a burst of shaky purpose. Princeton sees his old self in the newcomer and tries to turn that recognition into a plan before the show closes the curtain on him.
Historical and cultural touchpoints
The reprise hits a very early-2000s nerve: educated drift, underemployment, and the gap between credentials and meaning. Avenue Q reached Broadway audiences right as quarter-life confusion was becoming a recognizable pop-culture condition. According to the Tony Awards records, the musical won Best Musical and Best Original Score in 2004, which says plenty about how well that voice landed.
Production and instrumentation
The piece survives on continuity more than spectacle. It appears inside a combined late-album track running 1:44 on Amazon Music and is treated by Apple Music as track 20 on the original cast recording. The orchestration stays light and pit-friendly so the text lands first and the scene can pivot fast into the finale.
Metaphors and symbols
The degree itself is the central symbol. It stands for promise without direction, education without an instruction manual. In the reprise, that symbol gets handed from Princeton to the newcomer like a baton. Not exactly a happy inheritance.

Technical Information (Quick Facts)
- Song: What Do You Do With A B.A. In English? (Reprise)
- Artist: Avenue Q original Broadway cast
- Featured: Newcomer, Princeton, ensemble reaction
- Composer: Robert Lopez, Jeff Marx
- Producer: Jay David Saks
- Release Date: October 7, 2003
- Genre: Musical theater, comic reprise
- Instruments: Voice, piano, guitar, pit orchestra
- Label: RCA Victor
- Mood: Reflective, comic, restless
- Length: Part of track 20, combined runtime 1:44 with "There s A Fine, Fine Line (Reprise)"
- Track #: 20 on the original Broadway cast recording
- Language: English
- Album: Avenue Q (Original Broadway Cast Recording)
- Music style: Brief callback reprise inside a combined late-show track
- Poetic meter: Conversational accentual phrasing drawn from the opening song's motif
Frequently Asked Questions
- Is "What Do You Do With A B.A. In English? (Reprise)" a separate track on the cast album?
- No. On the original Broadway cast recording it is paired with "There s A Fine, Fine Line (Reprise)" as track 20.
- Where does the reprise happen in the story?
- It appears late in Act II, after Kate and Princeton start repairing their relationship and just before "For Now."
- Who sings the combined reprise track?
- Discogs lists John Tartaglia, Rick Lyon, and Stephanie D'Abruzzo as lead vocals on the combined track, while larger digital listings include the broader ensemble cast for the cue.
- What does the reprise change from the original song?
- It shifts the degree question from one man's private panic to a repeated social pattern. Princeton hears his old problem coming from someone else.
- Why is the newcomer important?
- Because the newcomer functions like a reflection of Princeton at the beginning of the story. That mirror is what sparks Princeton's final purpose idea.
- Did the reprise chart on its own?
- No reliable evidence points to a standalone single release, chart run, or certification for the reprise.
- Was the Avenue Q cast album recognized by major awards?
- Yes. GRAMMY.com lists Avenue Q - The Musical as a nominee for Best Musical Show Album, and the show won major Tony Awards in 2004.
- Is this reprise more comic or serious?
- Both, but the comedy wins on the surface. The scene is funny because it repeats the opening setup, yet the repetition also makes the underlying uncertainty feel more real.
Awards and Chart Positions
No reliable source shows a separate chart history, certification trail, or standalone award record for this reprise. Its recognition sits inside the larger Avenue Q score and album. According to the Tony Awards records, Avenue Q won Best Musical and Best Original Score in 2004. GRAMMY.com lists Avenue Q - The Musical as a nominee for Best Musical Show Album.
| Year | Body | Recognition | Result |
|---|---|---|---|
| 2004 | Tony Awards | Best Musical - Avenue Q | Won |
| 2004 | Tony Awards | Best Original Score - Robert Lopez and Jeff Marx | Won |
| 2005 | GRAMMY Awards | Best Musical Show Album - Avenue Q - The Musical | Nominated |
Additional Info
- Playbill's 2003 cast-album track list identifies track 20 as "There s a Fine, Fine Line" (reprise) / "What Do You Do With a BA in English?" (reprise).
- Amazon Music lists the combined track at 1:44, while Apple Music also places it at track 20 on the original Broadway cast recording.
- Masterworks Broadway's synopsis note says the newcomer makes Princeton realize his purpose may be to put on a show about struggling through your twenties, and that everyone else thinks it is a terrible plan.
- That last beat is one reason the reprise works. It gives Princeton a revelation, then immediately undercuts him before the finale. Nice touch.
Key Contributors
| Entity | Type | Relationship |
|---|---|---|
| Robert Lopez | Person | Co-wrote music and lyrics for "What Do You Do With A B.A. In English? (Reprise)" |
| Jeff Marx | Person | Co-wrote music and lyrics for "What Do You Do With A B.A. In English? (Reprise)" |
| Jeff Whitty | Person | Wrote the book for Avenue Q |
| John Tartaglia | Person | Lead vocal credit on the combined reprise track and performer of Princeton |
| Rick Lyon | Person | Lead vocal credit on the combined reprise track and original cast performer |
| Stephanie D'Abruzzo | Person | Lead vocal credit on the combined reprise track and performer of Kate Monster |
| Jay David Saks | Person | Produced the original Broadway cast recording |
| RCA Victor | Organization | Released the original Broadway cast album |
| John Golden Theatre | Venue | Hosted the original Broadway production |
Sources
Data verified via Playbill cast-recording coverage, Masterworks Broadway synopsis notes, Discogs and major digital music listings for the combined reprise track, Tony Awards winner records, GRAMMY artist and awards pages, and YouTube album-upload listings.
Music video
Avenue Q Lyrics: Song List
- Act 1
- The Avenue Q Theme
- What Do You Do with a B.A. in English?
- It Sucks To Be Me
- If You Were Gay
- Purpose
- Everyone's A Little Bit Racist
- The Internet Is For Porn
- Mix Tape
- I'm Not Wearing Underwear Today
- Special
- You Can Be as Loud as the Hell You Want
- Fantasies Come True
- My Girlfriend, Who Lives in Canada
- There's a Fine, Fine Line
- Act 2
- There Is Life Outside Your Apartment
- The More You Ruv Someone
- Schadenfreude
- I Wish I Could Go Back to College
- The Money Song
- School for Monsters/The Money Song (Reprise)
- There's A Fine, Fine Line (Reprise)
- What Do You Do With A B.A. In English? (Reprise)
- For Now
- Tear It Up And Throw It Away