The garden in Pau Lyrics — Aspects of Love
The garden in Pau Lyrics
I trust you're staying for the vintage?
JENNY (to GEORGE)
Oh, he mustn't miss it!
ROSE
Alex, promise me you won't run off just yet!
JENNY
There's lots of room!
ALEX (shrugs and smiles)
I'm in no hurry --
If it won't worry you...
This could be something you'll regret!
ROSE
Oh, no!
That's really disappointing!
GEORGE
What on earth's the matter?
ROSE
Giulietta won't be with us this weekend.
GEORGE
What's happened now?
ROSE
Same situation.
GEORGE
That girl's relationships
Are too involved to comprehend!
ALEX
Looks like I'll never meet your friend.
GEORGE (rising)
One day you will, old chap.
It's time I took my nap.
Good Lord, the time has really flown!
ROSE
I'd better run along.
You'll have to manage on your own!
ALEX (to himself)
Part of me was always in these hills...
This is where my eyes were opened...
When life was young and we had time...
I wonder why she brought me back here...
Why invite me?
Why entice me?
Why rekindle old emotions...?
Song Overview
"The Garden at Pau" is the kind of scene title that tells you the real action is not the scenery. Pau is where people come back, where they pretend they are calm, where they count who is standing too close to whom. This short ensemble cue drops the main household into one shared space and lets the tension show in daylight.
Review and Highlights
Quick summary
- Work: Aspects of Love (1989) - stage musical scene in Act II.
- Scene focus: George, Jenny, Rose, and Alex together, in Pau.
- Album role: a brief return-to-Pau bridge after the Venice detour.
- Cast recording detail: Disc 2, Track 9, about 2:00 on the 1989 release.
- Why it matters: it stages the household as a watchful group, not separate pairs.
Aspects of Love (1989) - stage musical - not. Act II, Pau garden scene with George, Jenny, Rose, and Alex (cast track runs about 0:00-2:00). Why it matters: it turns the love story into a group problem, where every glance has a witness and every choice has a price.
This is not written as a big tune you hum on the bus. It is written as a pressure check. After Giulietta gets her clear-eyed Venice moment, the show snaps back to Pau and says: fine, now watch these four people share air.
I hear it as a family portrait that cannot sit still. Rose brings heat. George brings rules. Alex brings charm that sometimes reads like avoidance. Jenny brings the one thing the adults cannot control: time. The song keeps the line moving, as if the music is politely refusing to let anyone stop and explain themselves.
Key takeaways
- Group staging: the scene works because nobody gets privacy.
- Text-first writing: it plays like dialogue that happens to be sung.
- Plot gearing: it sets up the next run of Pau scenes and the later "Version 2" mirror.
- Character framing: everyone is present, so control and jealousy show without being named.
Creation History
The original London cast album was released in late summer 1989, with Andrew Lloyd Webber credited as producer and Martin Levan as engineer, and with recording and mixing data pointing to Olympic Studios in Barnes. That studio polish matters with scene cues like this: the orchestra stays supportive while the vocals keep the story in front. According to the Official Charts Company, the cast album became a rare chart event for theatre, which helped keep even the smaller narrative tracks in public circulation.
Song Meaning and Annotations
Plot
In Act II, the score travels: Paris theatre life, then Venice reflection, then back to Pau for the household that keeps absorbing everyone else’s choices. This cue sits right after Giulietta’s "There Is More to Love" and before "Mermaid Song" in the Act II sequence. The show returns to the villa, gathers the four Pau anchors into one place, and lets the day-to-day calm carry a faint threat.
Song Meaning
The meaning is less about romance and more about surveillance. A garden should be open, even forgiving. Here, open space does the opposite. When characters sing outside, there is nowhere to hide behind doors, and the audience can read the group balance in real time.
If you want a one-line take: love in this house is never private. It is negotiated, observed, and quietly graded. "The Garden at Pau" acts like the score turning a lamp on and making everyone stand in it.
Annotations
"The Garden at Pau - George, Jenny, Rose and Alex."
StageAgent song list
The credit line is the clue. This is not a duet problem. It is a four-person room, which means the music has to do social geometry, not just feelings.
"Disc 2 - Track 9 - 2:00."
MusicBrainz release tracklist
Two minutes can be plenty when a show is sung-through. It does not need to resolve anything. It needs to reposition the pieces so the next scenes hit harder.
"There are two tracks titled 'The Garden at Pau' on the 1989 release."
MusicBrainz release tracklist
That repetition is not a typo. It is a device. The story revisits Pau again and again, and the score underlines how the same place can feel different when the relationships shift.
Rhythm, tone, and the way it moves
The writing stays tidy on purpose. It keeps the scene feeling civil, even when the story underneath is not. The vocals sit close to speech rhythm, and the orchestra colors the edges rather than trying to win the moment. That restraint makes the scene feel like a polite argument in a place where politeness can be a weapon.
Place as a trigger
Pau is the score’s home base, but it never feels neutral. In the 2023 West End revival, as described by The Guardian, the show still leans on the pull of nostalgia and the way familiar spaces can make messy relationships look normal. The garden scene plays into that idea: beauty outside, consequences inside.
Technical Information (Quick Facts)
- Song: The Garden at Pau
- Artist: Original London Cast of Aspects of Love
- Featured: Michael Ball (Alex); Ann Crumb (Rose); Kevin Colson (George); Diana Morrison (Jenny)
- Composer: Andrew Lloyd Webber
- Lyricists: Don Black; Charles Hart
- Producer: Andrew Lloyd Webber
- Release Date: August 30, 1989
- Genre: Musical theatre
- Instruments: Voices; theatre orchestra
- Label: Really Useful - Polydor
- Mood: Sunlit, watchful, tense under the surface
- Length: 2:00
- Track #: Disc 2, Track 9
- Language: English
- Album (if any): Aspects of Love (1989 original London cast)
- Music style: Sung-through scene cue with operetta polish
- Poetic meter: Speech-rhythm phrasing
Frequently Asked Questions
- Who sings this scene in the show?
- It is sung by George, Jenny, Rose, and Alex in the Act II sequence.
- Where does it sit in Act II?
- It follows "There Is More to Love" and leads into "Mermaid Song" on the Act II run.
- Is it a full stand-alone song?
- It plays more like a sung-through scene cue. The goal is to move story and group dynamics, not to stop for a big chorus.
- Why return to Pau right after Venice?
- Venice gives Giulietta a clean viewpoint. Pau brings you back to the household where everyone has skin in the game and nobody can pretend they do not.
- Why is the garden setting important?
- Outside space removes privacy. That is useful for a scene that wants the audience to watch the whole group balance, not separate pairs.
- How long is the cast recording track?
- About two minutes on the 1989 original London cast release.
- Why are there two tracks with the same title on the album?
- The show revisits the same place at different points in the story. The recording reflects that by presenting two similarly titled cues, often treated as separate versions.
- Does this track chart on its own?
- No. The chart story is tied to the cast album and to the show’s best-known singles, not to short scene cues.
- Which performers are commonly credited on recordings for this track?
- Listings for live and remastered editions often credit Michael Ball, Kevin Colson, Diana Morrison, and Ann Crumb, aligning with the character group.
- What should a listener pay attention to here?
- How quickly the music shifts the focus from private thought to public tension. Four people on one scene changes everything.
Awards and Chart Positions
"The Garden at Pau" is not a single, so it does not carry its own chart run. The bigger story sits around the album and the show. According to the Official Charts Company, the Original Cast album reached peak position 1 in the UK, with its first chart date on September 16, 1989 and a long chart run. The Broadway production picked up major award attention in 1990, including Tony nominations and multiple Drama Desk nominations listed by Playbill.
| Item | Body | Result | Date |
|---|---|---|---|
| Aspects of Love - Original Cast album | UK Official Albums Chart | Peak 1; 29 weeks (Top 100) | First chart date: September 16, 1989 |
| Aspects of Love - Broadway production | Tony Awards | Multiple nominations (including musical, book, score, featured performances) | 1990 |
| Aspects of Love - Broadway production | Drama Desk Awards | Multiple nominations (including Outstanding Musical) | 1990 |
| Aspects of Love - cast recording | BRIT Awards | Nominee: Soundtrack-Cast Recording | 1990 |
Additional Info
A small detail that changes how you read the Act II sequence: the 1989 cast release lists two tracks titled "The Garden at Pau" on Disc 2, one at about 2:00 and another later at about 2:58. Stage listings often label the second as a separate version with a different vocal grouping. On a sung-through score, that is a quiet way of saying the place stays the same while the relationships do not.
The piece has also kept showing up in new contexts. In the 2023 West End revival, The Guardian noted Michael Ball returning to the show in a different role, a neat reminder that time is one of the story’s main engines. That casting history does not change this scene cue, but it colors how audiences hear Pau as a memory-space.
Key Contributors
| Entity | Type | Relationship (S-V-O) |
|---|---|---|
| Andrew Lloyd Webber | Person | Andrew Lloyd Webber composed the score and produced the cast recording. |
| Don Black | Person | Don Black wrote lyrics for the musical. |
| Charles Hart | Person | Charles Hart wrote lyrics for the musical. |
| Michael Ball | Person | Michael Ball performed Alex on the original London cast recording. |
| Ann Crumb | Person | Ann Crumb performed Rose on the original London cast recording. |
| Kevin Colson | Person | Kevin Colson performed George on the original London cast recording. |
| Diana Morrison | Person | Diana Morrison performed Jenny on the original London cast recording. |
| Martin Levan | Person | Martin Levan engineered tracks on the 1989 cast album. |
| Olympic Studios (Barnes, London) | Organization | Olympic Studios hosted recording and mixing for the 1989 release metadata. |
| Really Useful - Polydor | Organization | Really Useful - Polydor released the original cast album in the UK. |
| Aspects of Love (David Garnett) | Work | David Garnett wrote the source novel adapted into the musical. |
| Pau | Place | Pau serves as the villa setting that anchors the Act II household scenes. |
Sources
Sources: MusicBrainz - Aspects of Love (1989 original London cast) release tracklist and release event; StageAgent - Aspects of Love songs and singer list; Official Charts Company - ASPECTS OF LOVE (Original Cast) album chart stats; Playbill - Aspects of Love Broadway production awards listing; Tony Awards - 1990 nominees; BRIT Award for Soundtrack-Cast Recording nominees list; Concord Theatricals - Aspects of Love show description; The Guardian - Aspects of Love review (2023 revival); YouTube - Aspects Of Love (Original 1989 London Cast) track upload (The Garden at Pau).
Music video
Aspects of Love Lyrics: Song List
- Act 1
- Love Changes Everything
- A Small Theatre in Montphile
- Parlez-vous Francais?
- The Railway Station
- Seeing is Believing
- The House in Pau
- An Art Exhibition in Paris
- A Memory of a Happy Moment
- In Many Rooms in the House at Pau
- On the Terrace
- Outside the Bedroom
- Chanson d'Enfance
- At the House at Pau
- Everybody Loves A Hero
- George's flat in Paris
- First Orchestral Interlude
- She'd Be Far Better Off with You
- Second Orchestral interlude
- Stop. Wait. Please.
- A registry office
- A Military Camp in Malaysia
- Act 2
- Orchestral introduction to Act 2
- A theatre in Paris
- Leading Lady
- At the Stage Door
- George's House at Pau
- Other Pleasures
- A Cafe in Venice
- There is More to Love
- The garden in Pau
- Mermaid Song
- The Country Side Around the House
- The Garden at Pau
- On the terrace
- The First Man You Remember
- The Vineyard at Pau
- Up in the Pyrenees
- George's Study at Pau
- Journey of a Lifetime
- Falling
- Jenny's Bedroom in Paris
- Hand Me the Wine And the Dice
- A Hey Loft
- On the Terrace
- Anything But Lonely