A Small Theatre in Montphile Lyrics — Aspects of Love
A Small Theatre in Montphile Lyrics
The master builder is dead!
OTHER VOICES
His head is all smashed in.... He fell right into the quarry.
HILDE (ROSE) (turns to RAGNAR and says quietly)
I can't see him up there now.
RAGNAR
This is terrible. So in fact he couldn't do it.
HILDE (ROSE) (with a kind of quiet, bewildered triumph)
But he got right to the top.
My...my...master builder!
ROSE
The toast of the town?
The hit of the year?
The birth of a star?
The end of a career!
MARCEL
Darling, these things happen...
ROSE
You turn round and tell us
We're closed for two weeks!
MARCEL
Rose, I thought of everything...
ROSE
You thought of nothing!
MARCEL
...There are posters in the streets
And banners in the squares.
Scream away, feel free,
But at Ibsen, not at me...
ROSE (interrupting)
Why did I agree
To accept this bloody tour?
The only thing in store
Is two weeks of nothing!
ACTORS (in the background, to one another)
Win some, lose some...
What the hell...
ROSE
Working till I drop
For an audience of four:
Three nuns and your mother...
MARCEL
It's no good complaining...
ROSE
And she only bothered
Because it was raining!
MARCEL
Love...
ROSE
Don't call me 'Love'!
MARCEL
This isn't personal.
ACTORS (departing, to one another)
I don't care... The theatre's my life...
MARCEL
We will start the tour again
In Lyon in two weeks!
Rose, the people there
Are all Ibsen mad, I swear!
Come on, show me a smile!
ROSE (turning away)
God, I'm not in the mood...
MARCEL
What's a fortnight or so?
ROSE
With no money or food...
MARCEL
Don't be glum...
ACTORS
Don't let's be downhearted!
ROSE
Don't waste your breath.
ACTORS
We'll get by...
MARCEL
Now Rose, you must meet this young man!
He's a dedicated fan --
Been in every evening!
ROSE
Marcel, don't run away --
I can see your little plan.
ALEX (approaching nervously)
It's an honor, mam'selle,
I could watch you for hours...
You can't have forgotten,
I threw you the flowers...
Mam'selle, seeing you on stage
Has changed my life!
ACTORS (exiting, to one another and to ROSE)
Join us in the cafe
In the square!
ROSE
See you...
The cafe...
The square...
ALEX (to ROSE, tentatively)
Would you let me walk you there...?
Song Overview
Review and Highlights
Quick summary
- What it is: A short, scene-driving number early in Aspects of Love (1989), set at a struggling provincial theatre in France.
- Who is involved on stage: Rose Vibert, her producer Marcel, another actress, and the teenage admirer Alex - it plays like backstage noise turning into destiny.
- What it does: It introduces Rose at work, under pressure, and plants the first spark of Alex's obsession in plain daylight.
- Spelling note: The location is commonly listed as Montpellier; some song lists print "Montphile," but cast recording tracklists and plot summaries point to Montpellier.
Aspects of Love (1989) - stage musical - diegetic. Act One, 1947: Rose is in rehearsal and performance mode, living inside a production that is falling apart. This placement matters because it shows her craft first, then her vulnerabilities - and it lets Alex meet the performer before he meets the person.
This is not the kind of track people hum while doing the dishes. It is a little slice of theatre realism, all elbows and stage-door chatter, with a quick tempo of information. But that is the charm. Lloyd Webber writes it like a camera cut: the play-within-the-play, the producer trying to keep the lights on, the actress already exhausted, and a boy in the corner staring like he has discovered religion.
- Key takeaways: brisk pacing, character-first writing, and a clever bit of misdirection - you think it is just comedy relief, then it becomes the origin story.
- Performance trick: sell the busyness. If it sounds too polished, the scene loses its smell of dust and panic.
- Listener payoff: you hear the show building its world without a lecture - one compact scene, and you know what Rose is up against.
Creation History
Aspects of Love was created by Andrew Lloyd Webber (music and book) with lyrics by Don Black and Charles Hart, adapted from David Garnett's novel. The original London cast recording captured this number as part of the Act One Montpellier sequence, and a later remastered edition in 2005 restored material that had been trimmed for disc length in the first release. As stated in Concord Theatricals' show listing, the musical was positioned as a major two-act drama with a mix of big ballads and scene-setting ensemble pieces, and this track is firmly in the second category: it exists to get the story moving.
Song Meaning and Annotations
Plot
In 1947, Rose Vibert is a working actress in Montpellier, stuck in a production that is not going well. Marcel, the producer, tries to soothe the situation and keep momentum, and in walks Alex - young, eager, and instantly taken. The number frames Rose as someone who survives by performing, while Alex is still learning what performance can do to a person watching from the dark.
Song Meaning
The meaning lives in the setup. It is not a philosophical statement, it is a snapshot: theatre as livelihood, theatre as chaos, theatre as a magnet for longing. The show uses the bustle of a small venue to make one point quietly loud: this relationship begins in a workplace, not a moonlit fantasy. Alex falls in love with the idea of Rose while she is busy trying to get through the night.
Annotations
"The Master Builder is dead"
A grim joke, and a practical one. The line tells you they are staging Ibsen, and it also hints at the mood: high drama squeezed into a modest space. If the company sounds frazzled, good - they are supposed to.
"The toast of the town"
It lands like forced optimism. In a small theatre, hype is often part of the job description, even when the audience is thin and the receipts are thinner.
"The birth of a star"
This is the show winking at Rose's self-mythology. She wants the big life, the big rooms, the big applause. The irony is that her biggest consequences start here, in the cramped version of that dream.
Style and rhythm
Think of it as sung dialogue with momentum. The phrasing snaps, the ensemble texture keeps shifting, and the scene feels crowded on purpose. It is the opposite of a stand-still ballad: everybody is moving, everybody wants something, and the music keeps the elbows out.
Emotional arc
The surface is frantic and funny, but the emotional hinge is Alex. He is the quiet intensity inside the noise. The show is telling you, early, that he watches, he remembers, and he is about to build a whole life around that habit.
Technical Information (Quick Facts)
- Song: A Small Theatre in Montpellier
- Artist: Original London Cast of Aspects of Love (featured performers on the track include Ann Crumb and Paul Bentley)
- Featured: Ensemble (cast)
- Composer: Andrew Lloyd Webber
- Producer: Andrew Lloyd Webber (cast recording producer credit commonly listed under the show album)
- Release Date: 1989 (original London cast recording)
- Genre: Musical theatre, ensemble scene
- Instruments: Voice, orchestra (theatre pit arrangement)
- Label: Really Useful Records (release listings vary by territory and edition)
- Mood: Brisk, theatrical, slightly frantic
- Length: 2:11 (live track listing on major services)
- Track #: Act One, early Montpellier sequence (often listed as Disc 1, Track 2 on cast album tracklists)
- Language: English
- Album (if any): Aspects of Love (Original London Cast Recording) - remastered edition released later
- Music style: Character ensemble writing with rapid-fire lines
- Poetic meter: Mixed spoken-sung stresses (flexible, dialogue-led)
Frequently Asked Questions
- Is it Montpellier or Montphile?
- Most tracklists and plot summaries use Montpellier. Some printed song lists show "Montphile," which appears to be a persistent typo rather than a different setting.
- Who sings this number in the original staging?
- Rose leads the scene with Marcel, another actress, and Alex folding in as the admirer who suddenly matters.
- Where does it sit in the story?
- Act One, 1947, right after the prologue. It is the first proper look at Rose's professional world and the moment Alex meets her.
- Why does the show start Rose in a work scene?
- It prevents her from being introduced as a fantasy. She is a worker first, then an object of desire, and that order shapes the power dynamics.
- Is this a stand-alone song people cover?
- Not much. It is usually performed inside the full show or in cast-album listening sessions, because it relies on context and quick character interplay.
- What is the function of the Ibsen reference?
- It signals taste and ambition, but also a bit of doom. The play-within-the-play adds a layer of drama that mirrors the mess about to unfold offstage.
- How long is the cast recording track?
- Major services list it at about 2 minutes and 11 seconds, which matches its job: fast scene, clean exit.
- Does the 2005 remaster change this track?
- The remastered edition is known for restoring material that was cut from the original album for length; the broader album context is expanded, even when an individual scene track stays compact.
- What should a performer prioritize?
- Clarity and timing. It has to feel like real backstage talk that happens to be sung, not like a recital piece.
Additional Info
One reason this scene sticks is that it acts like a pressure gauge. You hear Rose complain, you hear Marcel patch the leaks, and you can almost smell the makeup table. Then Alex appears, and the tone tilts: the show quietly swaps from workplace comedy into the first chapter of a long, inconvenient attachment.
There is also something very Lloyd Webber about the pacing. He does not waste time. A lot of musicals take several songs to show you a performer at work, their ambition, their desperation, and their charm. This one does it in a couple of minutes and moves on. According to a University of Thessaloniki thesis on British megamusicals, the Montpellier sequence functions as a rapid cut between the play and Alex meeting Rose backstage, treating theatre space like a cinematic montage.
Key Contributors
| Entity | Type | Relationship (S-V-O) |
|---|---|---|
| Andrew Lloyd Webber | Person | Andrew Lloyd Webber composed the music and wrote the musical's book. |
| Don Black | Person | Don Black co-wrote the lyrics for the musical. |
| Charles Hart | Person | Charles Hart co-wrote the lyrics for the musical. |
| Ann Crumb | Person | Ann Crumb performed as Rose Vibert on the original London cast recording. |
| Paul Bentley | Person | Paul Bentley performed as Marcel on the original London cast recording. |
| Aspects of Love | Work | Aspects of Love includes the Montpellier scene as the early Act One setup. |
| Montpellier | Location | The story places Rose's struggling production in Montpellier in 1947. |
| Really Useful Records | Organization | Really Useful Records released editions of the original London cast album. |
Sources
Sources: Andrew Lloyd Webber Show Licensing, Concord Theatricals, Discogs release listing for the Original London Cast album, Spotify track listing, YouTube (The Orchard Enterprises provided-to-YouTube upload), Aspects of Love plot summary reference, University of Thessaloniki megamusical thesis PDF
Music video
Aspects of Love Lyrics: Song List
- Act 1
- Love Changes Everything
- A Small Theatre in Montphile
- Parlez-vous Francais?
- The Railway Station
- Seeing is Believing
- The House in Pau
- An Art Exhibition in Paris
- A Memory of a Happy Moment
- In Many Rooms in the House at Pau
- On the Terrace
- Outside the Bedroom
- Chanson d'Enfance
- At the House at Pau
- Everybody Loves A Hero
- George's flat in Paris
- First Orchestral Interlude
- She'd Be Far Better Off with You
- Second Orchestral interlude
- Stop. Wait. Please.
- A registry office
- A Military Camp in Malaysia
- Act 2
- Orchestral introduction to Act 2
- A theatre in Paris
- Leading Lady
- At the Stage Door
- George's House at Pau
- Other Pleasures
- A Cafe in Venice
- There is More to Love
- The garden in Pau
- Mermaid Song
- The Country Side Around the House
- The Garden at Pau
- On the terrace
- The First Man You Remember
- The Vineyard at Pau
- Up in the Pyrenees
- George's Study at Pau
- Journey of a Lifetime
- Falling
- Jenny's Bedroom in Paris
- Hand Me the Wine And the Dice
- A Hey Loft
- On the Terrace
- Anything But Lonely