Buddie, Beware Lyrics — Anything Goes

Buddie, Beware Lyrics

Buddie, Beware

[ERMA]
Come on, fellas, gettin' married's for the birds.
Who needs it?

[CREW]
We do!

[ERMA]
Yeah?

Buddie, beware,
Buddie, better take care,
Though at heart I'm a pearl
I'm a difficult girl,
So, buddie, beware.

When i go to a show,
I prefer the first row.
When invited to dine
I can't eat without wine.
So, buddie beware.

During Christmas holidays
I develop taking ways
And I'm not at all anti
Pretty things Santy
Brings from Cartier's.

Your devotion I prize
But you must realize, my boys,
Other girl's luxuries
Are my necessities,
So, buddie, beware.

I must warn you that I'm
simply never on time,
So, buddie, beware.

Somehow I don't feel
nice when I wear a
dress twice,
So, buddie, beware.

Buddie, beware.
Buddie, better take care.
Since the day i was weened,
I'm a caviar fiend.
So buddie, beware.

I feel I should put you right.
As I lie in bed at night
While the twinkling stars gleam on,
With my cold cream on
I'm a lovely sight.
And another thing too,
When I'm married to you, my sweet,
If to come home you fail,
I'll open all your mail,
So, buddie, beware.

[Thanks to Ellie Fishman for corrections]



Song Overview

Buddie, Beware lyrics by Cole Porter
Cole Porter gives Reno a warning song that feels like a wink, then snaps into real boundaries.

Review and Highlights

Quick summary

  • Work: Anything Goes (opened November 21, 1934).
  • Original 1934 credit: Reno Sweeney.
  • Common revival credit: Erma Latour with Sailors.
  • Placement: Act II, late enough to feel like a decision, not just flirting.
  • Music feel: Bright tempo, clear lyric, the kind of number that lands on comic timing and attitude.
Scene from Buddie, Beware by Cole Porter
"Buddie, Beware" often plays like a quick spotlight: a warning wrapped in charm.

Anything Goes (1934) - stage musical - non-diegetic. This is the show speaking in nightclub shorthand: do not get attached, do not get fooled, keep your balance when temptation shows up with a smile. The hook is that it sounds light while drawing a line. Porter writes it like friendly advice, but the performer can make it sting with one well-placed pause.

When Reno sings it, the warning reads as experience. She has seen this movie, she knows how it ends, and she is choosing to stay in control. When Erma gets it in later editions, the same words can turn into a playful trap, like she is daring someone to ignore the warning. Either way, the number is a small engine of tension, because a warning in a farce is never just a warning. It is a setup.

Key takeaways: Keep the rhythm buoyant, keep the consonants crisp, and treat the title phrase like a punchline that doubles as a boundary.

Creation History

Production records for the original Broadway run list "Buddie, Beware" in Act II with Reno Sweeney as the singer credit. Later Broadway revivals reshuffled assignments, and the 1987 revival records credit it to Erma and Sailors. As stated in the Morgan Library catalog, the vocal score was published by Harms in New York in 1934 as a first-edition sheet music item. According to the Levy Sheet Music Collection listing, the publication details match that 1934 Harms imprint and even note guitar-family instrumentation options, suggesting it was designed to travel beyond the theatre quickly.

Song Meaning and Annotations

Cole Porter Buddie, Beware performance moment
Video moments that reveal the meaning: the playful delivery, then the lyric that quietly insists on self-respect.

Plot

Anything Goes sets its lovers and schemers loose on the SS American, then lets reputation and desire collide in public. By Act II, the ship is buzzing with scandal, arrests, and romantic reversals. "Buddie, Beware" arrives as a corrective: a character insists on caution right when the plot is encouraging rash moves. That contrast is the point. It throws a little shadow across the party lights.

Song Meaning

The meaning is pragmatic: watch your heart, watch your timing, watch the people who sell sweetness too easily. But the deeper message is about agency. The singer is not begging for love, they are managing risk. The lyric treats romance like a game where the smartest player keeps their dignity intact.

Annotations

IBDB credits the song to Reno Sweeney in the 1934 production record.

That credit makes the warning feel earned. Reno is a public performer, so she knows how charm can be staged and how quickly an audience can confuse fantasy with a promise.

IBDB credits the song to Erma and Sailors in the 1987 Broadway revival.

This reassignment changes the flavor. Erma is often written as bold and opportunistic, so the warning can read like mischievous instruction. The sailors add a chorus-energy frame, which can turn the scene into a teasing, public game.

Musicnotes lists a moderate tempo and a published vocal range suited to clear lyric delivery.

That fits the song's job. This is not a long-phrase belter moment. It is a rhythm-and-words number where the audience should understand every cautionary turn.

The 1934 sheet music was published by Harms in New York as a first-edition vocal score.

That paper trail helps explain why the song feels neatly self-contained. It was built to survive as a standalone tune, even while serving a specific stage moment.

Shot of Buddie, Beware by Cole Porter
A fast smile, a slower warning, and a melody that keeps moving anyway.
Rhythm, phrasing, and the comic edge

The easiest way to sink the number is to smooth it out. The lyric wants bite. Keep the phrasing speech-forward and let tiny hesitations do the acting. The title phrase should land like the singer is tapping a glass to get the room's attention.

Technical Information (Quick Facts)

  • Song: Buddie, Beware
  • Artist: Cole Porter
  • Featured: N/A
  • Composer: Cole Porter
  • Producer: Recording-dependent
  • Release Date: November 21, 1934 (Broadway premiere context)
  • Genre: Musical theatre; character number
  • Instruments: Voice; orchestra or piano-vocal-guitar arrangement
  • Label: Recording-dependent
  • Mood: Playful, sharp, cautionary
  • Length: About 3:28 on the 2011 Broadway cast track listing
  • Track #: Track 17 on one widely circulated cast-album track list
  • Language: English
  • Album (if any): Anything Goes (2011 New Broadway Cast Recording)
  • Music style: Swing-era Broadway with lyric-first pacing
  • Poetic meter: Accentual, speech-forward phrasing

Frequently Asked Questions

Who sings this in the original 1934 Broadway record?
IBDB lists "Buddie, Beware" sung by Reno Sweeney in Act II.
Why do some revivals give it to Erma?
IBDB records for the 1987 Broadway revival credit Erma and Sailors, reflecting how revised editions redistributed songs to sharpen character comedy.
Is it a plot-heavy song?
It is more of a character-and-attitude number. It signals caution and self-control inside a story that keeps tempting people into reckless choices.
What is the main theme?
A warning about charm, romance, and keeping your dignity when attraction gets loud.
Was the song published as sheet music in 1934?
Yes. The Morgan Library and Levy collection both catalog a 1934 Harms publication for the vocal score.
What tempo and key show up in common digital sheet music metadata?
Musicnotes lists C major as the published key and a tempo marked q equals 104, with a printed vocal range C4 to E5.
Is there a widely available recording?
Yes. The 2011 Broadway cast recording includes the track and is distributed on major streaming platforms.
How long is the 2011 cast track?
Listings for the 2011 cast track show a duration around 3 minutes 28 seconds, depending on platform metadata.

Additional Info

This is one of those Porter titles that sounds like a throwaway joke until you stage it. Once it is in a character's mouth, it becomes a tactic. The singer is managing the room. That is why the number survives edition shifts. Reno can use it as experienced advice. Erma can use it as bait. The warning stays the same, the intention changes.

According to IBDB, the singer credit difference between 1934 and 1987 is not minor bookkeeping. It changes the scene geometry. One version centers a star in a spotlight, the other turns it into a group tease with sailors as the frame. As stated in the Morgan Library catalog, the first-edition Harms sheet music confirms the number was treated as a standalone vocal score item in 1934, which fits how neatly it plays outside the plot when performed in concert settings.

Key Contributors

Entity Type Relationship statement
Cole Porter Person Cole Porter wrote the music and lyrics for the number.
Anything Goes Work Anything Goes places the number in Act II and reassigns its singer credit across editions.
Reno Sweeney Role Reno Sweeney is credited as the singer in the 1934 production record.
Erma Latour Role Erma Latour is credited with Sailors in the 1987 revival record.
The Broadway League (IBDB) Organization IBDB documents song lists and singer credits for Broadway productions.
Harms Inc. Organization Harms published the 1934 vocal score sheet music.
The Morgan Library and Museum Organization The Morgan catalog describes the 1934 first-edition vocal score item.
Levy Sheet Music Collection Organization The Levy collection catalogs a 1934 Harms imprint with instrumentation notes.
Musicnotes Organization Musicnotes lists published key, tempo, and vocal range metadata for a common PVG edition.

How to Sing Buddie, Beware

Reliable sheet music metadata gives practical anchors. Musicnotes lists C major as the published key, tempo marked Moderato with q equals 104, and a printed vocal range of C4 to E5. Use that as the baseline, then let character drive the choices. This song is more about attitude than athletics.

  1. Tempo: Keep it at an easy walk. If it gets too fast, the warning turns into chatter. If it gets too slow, it starts to sound preachy.
  2. Diction: Treat the title phrase like a spotlight cue. Crisp consonants, clean vowels, no swallowed syllables.
  3. Breathing: Take small, quiet breaths between thought units. The singer should sound in control, not winded.
  4. Flow and rhythm: Speak-sing the setup lines, then lock into steadier time when the refrain repeats so the hook lands with certainty.
  5. Accents: Stress the caution words and lighten the filler. It should feel like friendly advice that is also a dare.
  6. Key choice: If E5 sits tight, transpose down a step or two. The confidence in the tone matters more than hitting a printed key.
  7. Acting: Decide who the warning is for. Is it for the other person, or for yourself? That choice changes every pause.
  8. Pitfalls: Avoid mugging. Play it cool and let the lyric do the work.

Sources

Sources: IBDB original production record, IBDB 1987 revival record, The Morgan Library and Museum catalog record, Levy Sheet Music Collection record, Musicnotes PVG metadata page, Cole Porter sheet music bibliography, YouTube 2011 soundtrack upload, Spotify and Discogs cast track listings



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