Ain't Too Proud Lyrics – All Songs from the Musical

Cover for Ain't Too Proud album

Ain't Too Proud Lyrics: Song List

About the "Ain't Too Proud" Stage Show

Ain’t Too Proud is a 2018 jukebox musical with music and lyrics by The Temptations and a book by Dominique Morisseau. Based on the story of The Temptations, the musical had a series of regional productions.
Release date of the musical: 2018

"Ain't Too Proud Lyrics" – Soundtrack Guide & Song Meanings

Ain't Too Proud trailer thumbnail
The Temptations’ catalog becomes plot, argument, and alibi.

Review

This musical sells you harmony, then insists harmony is work.

It is a hits parade with bruises under the satin.

Because it is a jukebox show, the lyrics arrive pre-famous.

That fame becomes a weapon inside the scenes.

When the men sing love, the plot argues about power.

When they sing pride, the plot asks who gets paid.

The sound stays rooted in Motown, doo-wop, and soul.

Later, it turns toward psychedelic social commentary.

That shift changes how the text lands onstage.

The crooning becomes self-defense, then turns into accusation.

Otis Williams often functions as the show’s compass.

He frames the story, then watches it crack.

That narration keeps the arc fast, and sometimes blunt.

It also lets songs act like memories, not just performances.

One key tactic is ordering songs for drama, not discography.

Dominique Morisseau and Des McAnuff shaped that sequence together.

The result is clean momentum, with messy consequences.

How it was made

The book is credited to Dominique Morisseau.

The story is based on Otis Williams’ memoir with Patricia Romanowski.

Morisseau described the songs as a co-writer, not a soundtrack.

She also stressed choreography as story, not decoration.

One early scene detail comes straight from Williams’ recollection.

Melvin Franklin hides behind a tree while Otis asks his mother.

Morisseau has said she did not invent that beat.

Williams has described an 18-year path toward a stage version.

He links it to his manager, Shelly Berger, and long planning.

He also connects the Broadway show to the 1988 book’s afterlife.

On Broadway, Des McAnuff directed, with Sergio Trujillo choreographing.

The design team leans on period polish, plus concert adrenaline.

Key tracks & scenes

"The Way You Do the Things You Do" (Eddie Kendricks)

The Scene:
Act I opens like a live set. Lights snap on clean. The group locks formation.
Lyrical Meaning:
The lyrics flirt, but the subtext auditions. Each line is proof of blend.

"My Girl" (David Ruffin)

The Scene:
A spotlight finds Ruffin. The others frame him like backing angels. Suits glow under warm bulbs.
Lyrical Meaning:
It sells devotion, yet it also crowns a lead. That crown starts the jealousy engine.

"Ain't Too Proud to Beg" (David Ruffin)

The Scene:
The tempo hardens. Choreography hits like argument. The stage reads as a pressure cooker.
Lyrical Meaning:
Begging sounds romantic, but it is control anxiety. Pride becomes a rhythm problem.

"If You Don't Know Me By Now" (Company, often centered on Josephine)

The Scene:
Home life interrupts the tour glow. Light cools. The room feels smaller than the arena.
Lyrical Meaning:
The lyric is a verdict on absence. Fame cannot translate intimacy fast enough.

"War" (Company)

The Scene:
Act II pivots toward public crisis. Projections and headlines collide. The groove turns confrontational.
Lyrical Meaning:
The words refuse romance entirely. They force the group to pick a civic stance.

"Ball of Confusion (That's What the World is Today)" (Company)

The Scene:
The stage becomes cluttered with noise. Lighting flickers in nervous pulses. The ensemble moves like unrest.
Lyrical Meaning:
It lists disasters like a ledger. The song makes chaos feel structured, then cruel.

"Just My Imagination (Running Away with Me)" (Eddie Kendricks)

The Scene:
A gentler number arrives at a breaking point. The staging often isolates Eddie. The dream looks safer than the band.
Lyrical Meaning:
Fantasy becomes a quiet exit plan. The lyric floats, because reality has teeth.

"Papa Was a Rollin' Stone" (Company)

The Scene:
The band spreads out across the stage. Shadows lengthen. Each voice interrogates a shared myth.
Lyrical Meaning:
It is a family courtroom in song. The lyric asks what legacy costs, and who pays.

2025/2026 live updates

The Broadway run ended on January 16, 2022.

The West End run ended on September 17, 2023.

A second U.S. tour cast was announced in August 2024.

Rudy Foster, Lowes Moore, and Jameson Clanton were among the leads.

The official site continues to list that touring company roster.

In 2026, the show is booked for The Muny in St. Louis.

The dates run July 27 through August 2, 2026.

That booking signals continued demand for large outdoor houses.

For licensing, MTI has acquired rights, but general release remains restricted.

Schools and regional theatres should watch MTI for the release window.

Notes & trivia

  • The show is based on Otis Williams’ memoir with Patricia Romanowski.
  • Morisseau has said the songs guided story choices and sequence.
  • The study guide notes “War” was written for the Temptations, but reassigned.
  • The same guide ties Act II protest numbers to era politics.
  • Otis Williams describes an 18-year journey to a stage production.
  • The original Broadway cast album rolled out digitally on March 22, 2019.
  • MTI reports the title is currently unavailable for general licensing release.

Reception

Critics often agree on one thing, the music hits hard.

They split on the book’s depth and pacing.

“When it’s in motion, it’s a force almost as irresistible.”
“Thrillingly performed and dramatically static.”

Over time, the conversation has shifted toward craft.

Choreography and vocal blend are the durable selling points.

Technical info

  • Composer: Music and lyrics from the Legendary Motown Catalog.
  • Lyricist: Various Motown writers, credited through the catalog.
  • Premiere date: August 31, 2017, Berkeley Repertory Theatre.
  • Genre: Jukebox bio-musical.
  • Current rights holder: Music Theatre International (MTI), for licensing.

FAQ

Is Ain't Too Proud a true story?
It is based on Otis Williams’ memoir. The show also compresses events for stage rhythm.
Who wrote the book of the musical?
Dominique Morisseau wrote the book. Otis Williams is credited as the story source.
Does the show have an original cast recording?
Yes. The Broadway cast recording released digitally on March 22, 2019.
Is Ain't Too Proud touring in 2026?
It has at least one major 2026 booking. The Muny lists July 27 to August 2, 2026.
Can my theatre license the show right now?
MTI lists the title as restricted. The general licensing release date is not posted.

Key contributors

Name Role Contribution
Dominique Morisseau Book Shapes biography into scenes, and selects songs for plot pressure.
Des McAnuff Director Builds concert energy, while keeping chronology legible.
Sergio Trujillo Choreography Translates Temptations precision into athletic theatre language.
Kenny Seymour Music supervision and arrangements Balances Motown authenticity with modern theatre dynamics.
Robert Brill Scenic design Creates a fast-shifting performance world, built for tours.
Paul Tazewell Costume design Uses silhouette and color to mark eras and status.
Howell Binkley Lighting design Moves between club warmth and arena brightness, often within one song.
Peter Nigrini Projection design Feeds the timeline, media, and cultural weather into the stage picture.
Steve Canyon Kennedy and Walter Trarbach Sound design Protects vocal blend, while keeping the band punchy.

Sources: Ain't Too Proud Official Site, TDF Stages, LondonTheatre.co.uk, Los Angeles Times, The Guardian, Playbill, IBDB, MTI Shows, The Muny.

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