What Could Be Better Lyrics
What Could Be Better
LIZZIEHe'll maybe have my smile
And your hair
Who tell 'till the baby comes?
He'll maybe have my style
And your flair
And play fabulous drums
Just think:
Inside me our genes have found their niche
They link, and out'll come one tap dancing kid
With perfect pitch
What could be better than your own little clone
Who'll reproduce all your talents
Plus a hint of my own
Consider:
This kid could be a one man band if we let her
DANNY
Her?
LIZZIE
Your sense of key and my great vibrato
Your melody and my obligato
That's what we've got, oh,
What could be better than that?
Right, Danny? Danny? DANNY!
DANNY
I'm thinking...
I'm picturing my lips and your eyes
LIZZIE
For a boy that's a perfect pair
DANNY
I'm picturing my hips and your thights
LIZZIE
That is very unfair
DANNY
No, no, I know
No one can predict what bird we'll hatch
But we're such genetic gems
That God can mix and match
What could be better than if our little spawn
Got all his brains from his dad
And from his mom got his brawn?
Imagine what one tiny mix-up could net her
LIZZIE
Him
DANNY
Your button nose and my bushy eye-brown
BOTH
You for the low brow, me for the high brow
Your brow and my brow, what could be better than that?
DANNY
Hey, that's a good sound. Do it again!
BOTH
La, la, la, la...
DANNY
Uh, Liz... How come?
LIZZIE
I was careful, I swear it! I never forgot it! I don't know how it happened!
DANNY
Maybe it's just that no barrier on earth can stand up against the vigorous lashing army of my sperm!
LIZZIE
That mus be it...
Picture a flailing spermatozoan
Not even knowing where he is going
What's that ahead? A diaphragm! Screw it!
He knows he's dead. My god, he slips through it!
Suddenly he's alone in the river
Now he muyst seize the chance to deliver
Rounding the bend, the egg starts to glimmer
Is this the end for our little swimmer?
Catching the tide, he sails towards the mystery
Set to collide and change all of history!
BOTH
What could be better than a family extension?
A genetic duet,
A little two part invention
LIZZIE
I say: Consider what we'll have in hand when we get her
DANNY
Him!
LIZZIE
So?
DANNY
Yes!
LIZZIE
YES!!!
BOTH
We're going to have a baby!
LIZZIE
And not get married
DANNY
Now, hold on...
LIZZIE
Your sense of mission, my sense of duty
Your disposition my inner beauty
DANNY
Your intuition, my sense of timing
LIZZIE
Your composition, my crazy rhyming
BOTH
Matching of taste that's really uncanny
LIZZIE
My little waist
DANNY
My little fanny
BOTH
Lizzie and Danny, what could be better than that?
Song Overview
"What Could Be Better?" is Baby's first rush of private delight before the larger complications of parenthood begin to crowd in. In the 1983 Broadway version, Danny and Lizzie sing it right after the opening shock that three women are pregnant under three very different circumstances. That placement is everything. The song catches the youngest couple at the exact moment when panic and excitement are still wrestling, and for a few bright minutes excitement wins.

Review and Highlights
"What Could Be Better?" is one of those early-show duets that has to do two jobs at once. It needs to feel spontaneous, like two people talking themselves into a future on the fly, and it needs to plant a real emotional stake in the story before things get harder. Baby pulls that off nicely. Danny and Lizzie are not polished adults making a measured plan. They are young, broke, impulsive, and suddenly trying to turn surprise into confidence. The song lets them sound thrilled without pretending they have everything sorted out.
That tone is the key. A weaker number would drown the scene in sugar. This one keeps a little nervous air in the room. The title sounds simple, almost innocent, but it carries a little dare inside it. What could be better? Love, a baby, the chance to begin. Fine. But the question also hints at what the audience already suspects - plenty could go wrong, and probably will. That tension gives the duet lift.
David Shire writes the melody with enough forward motion to feel like momentum, not just sentiment. Richard Maltby Jr. keeps the lyric close to speech, which helps the couple sound contemporary rather than wrapped in old-fashioned musical-comedy lace. According to MTI's show materials, Baby follows three couples dealing with impending parenthood at different stages of life, and "What Could Be Better?" is the first real glimpse of the youngest pair trying to make joy out of uncertainty. It is not the whole show in miniature, exactly, but it is one of its cleanest emotional snapshots.

Baby (1983 Broadway cast recording) - romantic stage duet - diegetic. The number belongs to Danny and Lizzie, the student couple at the beginning of adult life, and it arrives after the opening revelation that Lizzie is pregnant. In dramatic terms, the song is their first attempt to rename surprise as possibility.
Key Takeaways
- The song captures young optimism before the musical turns toward harder choices.
- Its central dramatic trick is letting delight and uncertainty coexist.
- The original cast recording keeps the number intimate, quick, and actor-driven rather than grand.
Creation History
"What Could Be Better?" was written for Baby, with music by David Shire, lyrics by Richard Maltby Jr., and a book by Sybille Pearson. The original Broadway production opened at the Ethel Barrymore Theatre on December 4, 1983. On current digital listings of the original cast album, the track is credited to Liz Callaway and Todd Graff and appears as song three on the album sequence. That matters because its early placement is part of its job. The number arrives before the show has fully shown its teeth, so it gets to live in the warmer light of first reactions. Later songs will complicate the mood. This one gets to believe, at least for a while.
Lyricist Analysis
Maltby writes this duet in a clean conversational line, which is exactly right for Danny and Lizzie. They are not people who would naturally burst into ornate declarations. The lyric has to sound like quick thinking made musical. That means short, direct phrases, clear stresses, and a refrain that can carry hope without sounding pompous. The title phrase does that well. It lands like an excited shrug with a smile attached.
Prosodically, the song leans toward speech-rhythm, but Shire's melodic shape gives the lines a lift that keeps them from reading as plain dialogue. That combination is one of the score's strengths. Baby belongs to a modern book-musical tradition where character voice matters more than verbal fireworks for their own sake. So the craft here is not about dazzling rhyme density. It is about making two young people sound believable while still giving them a song worth remembering.
The lyric also benefits from strategic openness. "What could be better?" is not a detailed manifesto. It is a mood line. That leaves room for the audience to hear both the characters' idealism and the unspoken costs waiting just offstage. Nice little balance. Simple phrasing, bigger shadow.
Song Meaning and Annotations

Plot
Baby opens by revealing that three women are pregnant, each under very different circumstances. Danny and Lizzie are the youngest of the couples, still building adult life from scratch. "What Could Be Better?" gives them the first sustained response to that news. Before money, timing, and fear fully take over, they let themselves imagine the pregnancy as a beginning rather than a trap.
Song Meaning
The meaning of "What Could Be Better?" is hopeful improvisation. Danny and Lizzie do not have a stable blueprint, but they do have each other and, in this moment, a willingness to treat surprise as promise. The song is not blind to risk. It simply refuses to let risk speak first. That is why it plays so well early in the show. It offers a genuine burst of optimism without pretending optimism is the whole story.
There is also a broader Baby theme running underneath it - timing. Older couples in the musical worry about whether this has come too late or after too much waiting. Danny and Lizzie have the opposite problem. Their future has arrived before they have fully rehearsed adulthood. So the duet becomes a little act of self-invention. They sing the life they hope they can grow into.
Annotations
What could be better?
The title phrase works as both celebration and defense. It sounds joyful, but it also sounds like the kind of sentence people say when they are trying to keep fear from getting the first line. That double use gives the song its pulse.
The song follows the opening revelation that three women are pregnant under three very different sets of circumstances.
This context from MTI is essential. The duet is not floating on its own. It is part of a comparison structure that lets the audience measure age, timing, and readiness across the whole show.
Liz Callaway and Todd Graff sing the original cast recording track.
That pairing matters because the number depends on youthful chemistry rather than vocal grandeur. The song needs two performers who can sound delighted, slightly dazed, and very much alive in the moment.
Genre and style fusion
The song sits in contemporary Broadway romance-duet territory, closer to character-based 1980s musical theater than to old-school operetta sweetness. It uses the shape of a love duet, but the subject is really shared possibility under pressure.
Emotional arc
The emotional movement goes from shock to chosen joy. That move may not last forever, but in the scene it feels real. The number earns its brightness because it follows a genuine jolt.
Cultural and historical touchpoints
Baby emerged in the early 1980s as a Broadway musical willing to treat pregnancy and adulthood as messy, modern, adult subjects rather than sanitized family fare. According to IBDB and Playbill, the show's original production received seven Tony nominations, which reflects how strongly that grown-up framing landed in its Broadway moment.
Production and instrumentation
On the original cast recording, the arrangement supports the text instead of overpowering it. That is smart. A duet like this depends on the audience hearing every shift in tone. The song needs warmth and movement, not orchestral muscle-flexing.
Metaphors and key phrases
The title is the big phrase, and it does most of the symbolic work. It turns a life change into a rhetorical celebration. The future is not described in detail because the characters do not know it in detail. They know only the feeling of leaning toward it.

What I like most here is the restraint. The song does not try to sound wiser than its characters. It lets them be young enough to mean what they are saying and young enough not to see the full bill yet. That is honest writing.
Technical Information (Quick Facts)
- Song: What Could Be Better?
- Artist: Baby original Broadway cast
- Featured: Liz Callaway, Todd Graff
- Composer: David Shire
- Producer: Original cast album producer not reliably confirmed in the sources reviewed
- Release Date: Original cast recording era 1984; current digital listing dated July 5, 2024
- Genre: Musical theatre, Broadway duet
- Instruments: Orchestra, duet vocals
- Label: JAY Records on current digital listing
- Mood: hopeful, romantic, anticipatory
- Length: 2:31
- Track #: 3
- Language: English
- Album: Baby (Original Broadway Cast)
- Music style: contemporary 1980s Broadway romantic duet
- Poetic meter: speech-rhythm with refrain emphasis
Frequently Asked Questions
- Who sings "What Could Be Better?" in the original Baby cast recording?
- Current digital listings credit Liz Callaway and Todd Graff on the track.
- What is the song about?
- It is about Danny and Lizzie trying to greet unexpected pregnancy with optimism and love before the harder questions fully arrive.
- Where does it appear in the show?
- It comes very early, just after the opening revelations that set the three pregnancy storylines in motion.
- Is it a love duet or a plot song?
- It is both. The duet deepens Danny and Lizzie's bond while also showing how they initially frame the pregnancy.
- Why does the title matter so much?
- Because the phrase sounds celebratory while quietly holding back fear. It is the show's first big statement of hopeful uncertainty.
- How does it fit the larger structure of Baby?
- It serves as the youngest couple's answer to the same life event that other couples experience very differently, which helps define the musical's comparison-based design.
- Did Baby receive awards recognition?
- Yes. The original Broadway production received seven Tony Award nominations, including Best Musical and Best Original Score.
- Is there a later notable performance of the song?
- Yes. Later revivals and concert performances have featured it, and Playbill highlighted the 2021 return of the site-specific Off-Broadway production with rehearsal footage that included "What Could Be Better?"
Awards and Chart Positions
No reliable chart history or certifications were found for the original cast recording track itself. The parent musical received major awards recognition. According to IBDB and Playbill, Baby earned seven Tony Award nominations, including Best Musical, Best Original Score for David Shire and Richard Maltby Jr., and Best Book of a Musical for Sybille Pearson.
| Award year | Body | Category | Result |
|---|---|---|---|
| 1984 | Tony Awards | Best Musical | Nominee |
| 1984 | Tony Awards | Best Original Score | Nominee |
| 1984 | Tony Awards | Best Book of a Musical | Nominee |
| 1984 | Tony Awards | Best Direction of a Musical | Nominee |
| 1984 | Tony Awards | Best Choreography | Nominee |
| 1984 | Tony Awards | Best Featured Actress in a Musical | Nominee |
| 1984 | Tony Awards | Best Featured Actor in a Musical | Nominee |
Additional Info
- MTI continues to list "What Could Be Better?" prominently in the Baby song list, which says something about the number's value as a defining early duet in the score.
- Playbill noted that rehearsal footage for the 2021 return of the site-specific Off-Broadway Baby included this song, evidence that it remained a favored showcase piece in later stagings.
- A 2016 reunion performance by original cast members Liz Callaway and Todd Graff gave the song a second life for theater fans who wanted to hear the number with the original duo again.
Key Contributors
| Entity | Type | Relationship | Linked work or role |
|---|---|---|---|
| David Shire | Person | composed | "What Could Be Better?" |
| Richard Maltby Jr. | Person | wrote lyrics for | "What Could Be Better?" |
| Sybille Pearson | Person | wrote book for | Baby |
| Liz Callaway | Person | performed | original cast recording track |
| Todd Graff | Person | performed | original cast recording track |
| JAY Records | Organization | issued digital release | Baby (Original Broadway Cast) |
| Ethel Barrymore Theatre | Venue | hosted | original Broadway production |
Sources
Data verified via MTI show materials, Playbill and IBDB production records, Apple Music digital track listings for the original cast album, and later rehearsal or reunion coverage used to trace performance history. The YouTube figure uses a track upload only to anchor a workable image placeholder.