New York Lyrics – Two Strangers
New York Lyrics
It’s the capital city of the USA
[Robin]
It’s not
[Dougal]
The city I swore I would see for myself one day
[Robin]
But you’ve actually been to New York before?
[Dougal]
Yes! Uh, no, but I’ve seen Home Alone 2 quite a few times
[Robin]
Are you serious?
[Dougal]
There’s pizza for breakfast
There’s steam in the air
It’s candy, not sweets, and the streets are called sidewalks there
[Robin]
Right
[Dougal]
My town where everyone has an apartment to spare with a skyline view
And even improbable dreams come true
Where everything comes with a smile, a high-five, and a side of cheese
I’m down on my knees
[Robin]
That’s our train!
[Dougal]
New York
I’m already talkin’ the talk
New York
I’m already poppin’ the cork
'Cause I’m ready
I’m ready to be in New York
Are they ready?
Are they ready for me in New York?
Is that Times Square?
[Robin]
Nope, that’s Queens
[Dougal]
Awesome!
She’s called the Big Apple
And no one knows why
But she’s my kind of town and I’m her kind of street smart guy
I’ll stroll up the Broadway
I’ll order a beer
I’ll scream at the Statue of Liberty
"Hey, lady, I’m walkin’ here!"
My home, the city of stories where everything’s seventy stories high
Where everyone kisses their blues goodbye
The cinema city I’ve waited the whole of my life to see
"Are you talkin’ to me?"
Is that what I think it is?
[Robin]
What do you think it is?
[Dougal]
New York
I’m already talkin’ the talk in
New York
I’m already poppin’ the cork
'Cause I’m ready
I’m ready to be in New York
Are they ready?
Are you ready for me in New York?
[Robin]
OK, I’m just gonna… yeah
[Dougal]
It’s a city of angels
It’s a city of sin
It’s a city of immigrants, buddy, I’ll fit right in
The land of the brave
The home of the free
The Liberty City, where even my father wants to hang out with me
Home, there’s snow in the city tomorrow, just see it come twinkling down
And that’s why they all call it Tinseltown
There’s hundreds of thousands of people just living the dream out there
And there’s love in the air
[Robin]
Okay, we’re about to leave the train, and then we’re gonna be in New York
[Dougal]
Yes
[Robin]
You’re not gonna freak out?
[Dougal]
No!
New York
I’m already talkin’ the talk in
New York
I’m already poppin’ the cork
'Cause I’m ready
I’m ready to be in New York
Yes, I’m ready
Are they ready for me in New York?
For two whole days
I’ll literally be in New York
NYC, JFK, FBI, CIA
See, I’m already talkin’ the talk
And I’m ready
I’m ready to be in New York
Yes I’m ready
Are you ready for me?
Are you ready for me?
Are you ready for me?
In New York
Song Overview

“New York” opens Two Strangers (Carry a Cake Across New York) like a pop-bright prologue. It’s Dougal’s headlong tourist fantasia colliding with Robin’s eye-rolling reality check - a rom-com meet-chaos set to earworm hooks. The single first dropped as a Studio Cast Recording on January 12, 2024, then returned on the EP in February and the full Original London Cast album that July, tracking the show’s quick hop from Kiln Theatre to the West End and beyond.
Review & Highlights

Review
“New York” works because it lets naivety swing like a pendulum between charming and ridiculous. The lyrics binge on movie tropes, junk-food Americana, and a bucket list shouted through a subway echo. A four-on-the-floor bounce and bright pit-band colors keep everything grinning while Robin’s interjections puncture the balloon. It’s show tune DNA spliced with chart-pop brevity - verse, lift, chorus, repeat - and it never outstays its 3-and-a-bit minutes. Production is crisp: vocals sit forward, percussion clicks with transit-line momentum, and the orchestrations tuck in sly woodwinds and brassy nudges to wink at classic Broadway.
Plot
The number is Dougal’s arrival fantasy: a Brit in transit hyping the city before he even sees it. He mislabels landmarks, mixes up nicknames, and quotes films at random. Robin, late for work and allergic to wide-eyed myths, tries to keep him on the right platform. By the button, he’s still convinced the city will love him back - and the show has set up their odd-couple road map for the next 36 hours. You hear the conflict before you see it: his chorus swells; her asides cut clean across. The tension is funny but it’s also the point - expectation vs. experience.
Creation History
Song by writing team Jim Barne and Kit Buchan, arranged and orchestrated by Lux Pyramid, whose production credit on the studio and video releases gives the track its sleek snap. The staged version premiered at Kiln Theatre in 2023 and transferred to the Criterion Theatre in April 2024; the show later announced a Broadway bow following its A.R.T. run.
Key takeaways
- Tourist myth vs. local reality is the comic engine, and it sings loud.
- Pop-length form makes the opener radio-friendly without losing theatre bite.
- Lyrics drop cinephile breadcrumbs to sketch Dougal’s second-hand America.
Song Meaning and Annotations

At heart, “New York” is about projection. Dougal sings the city he thinks he knows; Robin keeps him tethered to the map. That push-pull sets the musical’s tone: optimism that borders on delusion meets hard-earned pragmatism.
The genre blend matters. You can hear classic Broadway patter bleeding into modern pop phrasing, like a busker covering a show tune through AirPods. Groove-wise it sits in uptempo pop-rock with tight kit, handclaps, and punchy bass - enough propulsion to feel like a train pulling out of the station.
The emotional arc starts goofy then tips toward defiance. Dougal throws out catchphrases because he wants the city to answer back. When Robin says “That’s Queens,” he doesn’t hear correction; he hears opportunity. That’s why the chorus pivots from “I’m ready to be in New York” to “Are they ready for me?” - bravado as bubble wrap.
“Hey, lady, I’m walkin’ here!”
Dougal borrows swagger he didn’t earn. That call-back to late-60s New York street cinema plants him in a mythic city that only partially overlaps the real one.
“Are you talkin’ to me?”
Another movie mirror. He measures himself against De Niro’s loner, except he’s a ray of sunshine, not a powder keg. The mismatch is the joke, and the character beat.
The Liberty City
When he says this, the slip is telling. He’s speaking a video game New York. The lyric lets modern fandom leak into the Broadway frame - a neat, very 2020s touch.
Tinseltown
Wrong coast, right vibe. Dougal is so high on possibility he conflates New York’s snow-globe sparkle with Hollywood’s shine. It’s funny and slightly aching - he’s trying to manifest belonging.
“Are you ready for me? Are you ready for me? Are you ready for me?”
This repeated dare telegraphs the character’s armor. In some versions the line shifts to “Is it ready for me, are they ready for me, are you ready for me?” - widening the imagined audience from city to crowd to one person. That’s the show in miniature: public myth melting into private stakes.

Production, instrumentation, and color
Lux Pyramid’s production keeps the vocal front-and-center, as if you’re seated row C and Dougal is singing straight down the lens. Drums lock to a steady pulse, piano comping punches beats two and four, and the winds peek through with cartoon sparkle. It’s tastefully compressed, ready for playlists as much as for curtain-up.
Language, idioms, and symbolism
Idioms like “talkin’ the talk” and “poppin’ the cork” sell ambition as party trick. The Statue of Liberty shout - “Hey, lady, I’m walkin’ here!” - turns a national icon into a straight man for Dougal’s bit. Film quotes become talismans. Misnamings - “Liberty City,” “Tinseltown” - symbolize how second-hand culture shapes first impressions.
Context and culture
Placed in the 2023-24 London theatre ecosystem, the song’s meme-literacy feels right. West End Live audiences picked it up quickly; the official performance clips show the tune landing outside the proscenium, which explains its streaming life.
Key Facts
- Artist: Two Strangers (Carry A Cake Across New York) company - vocals by Sam Tutty & Dujonna Gift
- Featured: Sam Tutty, Dujonna Gift
- Composer: Jim Barne; Lyricist: Kit Buchan
- Producer: Lux Pyramid
- Release Date: Single - January 12, 2024; EP - February 21, 2024; Original London Cast album - July 26, 2024
- Genre: Musical theatre, pop
- Instruments: rhythm section, piano/keys, winds/brass, strings
- Label / Rights: If I Believed Ltd
- Mood: exuberant, cheeky, hopeful
- Length: 3:22
- Track #: 1 on the Original London Cast Recording
- Language: English
- Album: Two Strangers (Carry a Cake Across New York) [Original London Cast Recording]
- Music style: uptempo pop-rock show tune with patter elements
- © Copyrights: © 2024 If I Believed Ltd
Questions and Answers
- Who produced the single version of “New York”?
- Lux Pyramid - also credited with orchestrations on the stage production.
- When did “New York” first release to streaming?
- January 12, 2024 as a Studio Cast single, followed by the 8-track EP on February 21, 2024.
- Where does the song sit in the show?
- It opens the story - Dougal’s arrival fantasy - and introduces the push-pull with Robin.
- What are the most obvious movie call-backs in the lyrics?
- Midnight Cowboy’s street snarl and Taxi Driver’s mirror monologue - both repurposed as playful bravado.
- Did the cast perform it outside the theatre?
- Yes - notably at West End LIVE 2024, where the song’s call-and-response chorus played like a festival hook.
Awards and Chart Positions
UK charts: the Original London Cast Recording peaked at no. 28 on the Official Album Downloads Chart and no. 14 on the Official Soundtrack Albums Chart in August 2024.
Streaming milestone: by early July 2024, producers touted more than two million streams for music from the show ahead of the full album release.
Additional Info
The official “New York” video doubles as a calling card for the show’s tone - bright, close-mic’d, and unembarrassed to be catchy. If you’re hearing hints of classic Broadway brass nudging through the modern mix, that’s deliberate - Lux Pyramid’s orchestrations bridge eras without fuss.
The show’s path mirrors the song’s optimism: Kiln Theatre smash, Criterion transfer in April 2024, North American premiere at A.R.T. in May 2025, and Broadway set for fall 2025 at the Longacre Theatre. For a rom-com with two principals and a cake, that’s quite the skyline.
