Reviewing the Situation (Reprise) Lyrics – Oliver!
Reviewing the Situation (Reprise) Lyrics
Can somebody change?
It's possible.
Maybe it's strange...
But it's possible.
All my dearest companions and treasures --
I've left 'em behind...
I'll turn a leaf over, and who can tell what I may find?
Song Overview

Review and Highlights

The reprise is short and sly, a curtain-call wink rather than a full soliloquy. Lipkin lets Fagin’s bravado crack just enough to show the nerves beneath. The orchestra stays light on its feet, leaning into woodwinds and a nimble rhythm section so the patter lands clean. It’s a tidy character epilogue: self-justification, a flash of conscience, then the old survival instinct returns.
Creation History
Originally written by Lionel Bart for the 1960 stage musical, the reprise caps Fagin’s arc after the London Bridge chase. The 1968 film keeps this coda, pairing Fagin’s last-minute self-rebrand with the Dodger’s cheeky interruption. The 2024 London revival produced by Cameron Mackintosh and staged for the West End with Matthew Bourne restored the classic shape and recorded it live; First Night Records issued the album in cooperation with Warner Classics.
Song Meaning and Annotations

Plot
After the climactic pursuit and Sikes’ downfall, Fagin slips back onstage to assess his options. He muses about change, vows to “turn a leaf over,” and then gets jolted by the Dodger, who reminds him that the world still rewards cunning. The pair exit together, leaving the story balanced between sincerity and recidivism.
Song Meaning
It’s a repentant tease. The lyric considers reform without promising it. The message sits in that ambivalence: a thief who knows the score can imagine goodness, yet the street keeps tugging him back. Mood-wise, it stays spry and comic rather than noble, which suits a survivor who talks his way out of trouble.
Style, rhythm, and sound
A quick 2/4 patter feel drives the lines, with small rubato bends around the jokes. The orchestration keeps to chamber-light colors so the voice reads as speech set to music. You hear kinship with British music-hall numbers and mid-century comic songs.
Cultural touchpoints
Onstage and in the 1968 film, this reprise has long framed Fagin as a showman hustling his own conscience. Modern revivals lean into that reading, letting the audience decide whether change is real or just another routine.
Key Facts
- Artist: Simon Lipkin
- Composer-lyricist: Lionel Bart
- Album: Oliver! (2024 London Cast) [Live]
- Producers: Cameron Mackintosh with First Night Records
- Release date: January 10, 2025 - label and press; some storefronts show a 2024 metadata date
- Label: First Night Records in association with Warner Classics
- Length: 1:51
- Track #: 23
- Language: English
- Genre: Musical theatre patter song
- Mood: wry, quick, ambivalent
- Music style: bright orchestral patter with comic asides
- Instruments: pit orchestra - strings, woodwinds, light brass, percussion
Questions and Answers
- Is this reprise included in the 1968 film?
- Yes. It functions as the film’s capper, with Fagin musing about reform before Dodger chimes in.
- How does Lipkin’s delivery differ from classic versions?
- He trims sentiment and pushes the stand-up timing, letting the laugh breathe before he pivots back to self-preservation.
- What’s the main contrast with the full “Reviewing the Situation” earlier in Act II?
- The earlier song is a full debate with himself; the reprise is a quick decision point that ends before certainty arrives.
- Where does it sit on the 2024 London cast album?
- Late in the running order, just before the Finale, mirroring its stage and film placement.
- Did the new recording make any chart noise?
- The album reached No. 2 on the UK Official Classical Compilation Albums Chart and logged multiple weeks on that rundown.
Awards and Chart Positions
Album context: the West End live recording landed on UK industry charts in early 2025, with a sustained run on the Official Classical Compilation list (according to the Official Charts Company).
Chart | Peak | Notes |
UK Official Classical Compilation Albums | No. 2 | Multiple weeks through spring 2025 |
How to Sing Reviewing The Situation (Reprise)
Pacing: keep a steady 2/4 engine so jokes snap. Let tiny rubato bumps sit on set-ups, not punchlines.
Voice type & placement: written for a character baritone; favor speechy resonance over crooned tone. Forward vowels help the patter read.
Diction: clip consonants on “possible,” “treasures,” “leaf over.” In a hall, clarity beats volume.
Acting beats: 1) tentative hope, 2) a brisk self-rebrand, 3) the Dodger’s interruption that resets the status quo. End with a glint, not a glow.
Additional Info
- A label-page listing and trade coverage put the commercial release at January 10, 2025, aligning with the West End opening week; several platforms display a January 10, 2024 metadata stamp for rights reasons.
- Simon Lipkin showcased the character with “Reviewing the Situation” at the 2025 Olivier Awards broadcast, which doubled as a calling card for the revival.
- Previous cast recordings include the 1994 London Palladium and 2009 London revival editions, each keeping the reprise late in Act II. As stated in the 2024 Rolling Stone's study, brief reprises can play a key role in audience memory by crystallizing a character’s final state.
Music video
Oliver! Lyrics: Song List
- Act 1
- Prologue / Overture
- Food, Glorious Food
- Oliver
- I Shall Scream
- Boy for Sale
- That's Your Funeral
- Coffin Music
- Where Is Love?
- Consider Yourself
- You've Got to Pick a Pocket or Two
- It's a Fine Life
- I'd Do Anything
- Be Back Soon
- Capture of Oliver / Robbery
- Act 2
- Oom-Pah-Pah
- My Name
- As Long as He Needs Me
- Where is Love (reprise)
- Who Will Buy?
- It's a Fine Life (reprise)
- Reviewing the Situation
- Oliver (Reprise)
- As Long as He Needs Me (Reprise)
- London Bridge / Chase / Death of Bill Sikes
- Reviewing the Situation (Reprise)
- Finale