Put on Your Sunday Clothes Lyrics
Put on Your Sunday Clothes
CorneliusOut there
There's a world outside of Yonkers
Way out there beyond this hick town, Barnaby
There's a slick town, Barnaby
Out there
Full of shine and full of sparkle
Close your eyes and see it glisten, Barnaby
Listen, Barnaby...
Put on your Sunday clothes, there's lots of world out there
Get out the brillantine and dime cigars
We're gonna find adventure in the evening air
Girls in white
In a perfumed night
Where the lights are bright as the stars!
Put on your Sunday clothes, we're gonna ride through town
In one of those new horsedrawn open cars
Cornelius & Barnaby
We'll see the shows
At Delmonico's
And we'll close the town in a whirl
And we won't come home until we've kissed a girl!
Dolly
Put on your Sunday clothes when you feel down and out
Strut down the street and have your picture took
Dressed like a dream your spirits seem to turn about
Both
That Sunday shine
Is a certain sign
That you feel as fine as you look!
Dolly & Ambrose
Beneath your parasol, the world is all a smile
That makes you feel brand new down to your toes
Dolly, Ambrose, Cornelius, & Barnaby
Get out your feathers
Your patent leathers
Your beads and buckles and bows
For there's no blue Monday in your Sunday clothes!
Townspeople, All
Put on your Sunday clothes when you feel down and out
Strut down the street and have your picture took
Dressed like a dream your spirits seem to turn about
That Sunday shine is a certain sign
That you feel as fine as you look!
Beneath your parasol, the world is all a smile
That makes you feel brand new down to your toes
Get out your feathers
Your patent leathers
Your beads and buckles and bows
For there's no blue Monday in your Sunday clothes!
Beneath your bowler brim the world's a simple song
A lovely lilt that makes you tilt your nose
Get out your slickers, your flannel knickers
Your red suspenders and hose
For there's no blue Monday in your Sunday clothes!
Dolly
Ermengarde, stop sniveling - Don't cry on the valises!
We haven't missed the train, thank the Lord!
Lovely, you're improving - Now get all 11 pieces,
We're 7 minutes late.
All Aboard!
All
All Aboard! All Aboard!
All Aboard! All Aboard!
Put on your Sunday clothes there's lots of world out there
Put on your silk cravat and patent shoes
We're gonna find adventure in the evening air
To town we'll trot
To a smoky spot
Where the girls are hot as a fuse!
Put on your silk high hat and at the turned up cuff
We'll wear a hand made grey suede buttoned glove
We'll join the Astors
At Tony Pastor's
And this I'm positive of
That we won't come home
That we won't come home
No we won't come home until we fall in love!
Put on your silk high hat and at the turned up cuff
We'll wear a hand made grey suede buttoned glove
We'll join the Astors
At Tony Pastor's
And this I'm positive of
That we won't come home
That we won't come home
No we won't come home until we fall in love!
Song Overview

Song Credits
- Featuring: Original Broadway Cast of Hello, Dolly!, Charles Nelson Reilly, Carol Channing, Jerry Dodge, Igors Gavon
- Producer: Andy Wiswell
- Composer: Jerry Herman
- Release Date: 1964
- Genre: Musical Theatre
- Instruments: Orchestra, Piano, Brass, Strings, Percussion
- Album: Hello, Dolly! (Original Broadway Cast Recording)
- Label: RCA Victor
- Language: English
- Track #: 4
- Mood: Uplifting, Theatrical, Whimsical
Song Meaning and Annotations

"Put on Your Sunday Clothes" from *Hello, Dolly!* is the kind of Broadway number that doesn’t knock gently — it kicks the door in, waving a parasol and shouting, “Let’s go living!” The song is a brassy, buoyant invitation to leave the drudgery of small-town monotony behind and chase the glamorous, bustling pulse of the city. It’s all about hope, transformation, and — let’s not mince words — dressing to the nines while doing it.
Opening Verse
Out there / There's a world outside of Yonkers Way out there beyond this hick town, Barnaby
Cornelius Hackl, our eager young clerk, bursts open the world map, pointing beyond the dusty corners of Yonkers. The song starts as a reverie, a little speech of liberation — the gospel of get-up-and-go. This isn’t just about geography; it’s a metaphysical shift. “Yonkers” becomes a metaphor for routine and resignation. “Out there” becomes a dreamer's compass.
Chorus
Put on your Sunday clothes, there's lots of world out there Get out the brilliantine and dime cigars
This chorus is a sartorial sermon. The “Sunday clothes” symbolize more than just garments — they’re armor, aspiration, a ticket to self-worth. The act of dressing up is a kind of psychological reset, not vanity but valor. The imagery — brilliantine, dime cigars, silk cravats — evokes an Edwardian era where social climbing and style went hand in hand. It's optimism tailored and buttoned.
Dolly’s Interjection
Put on your Sunday clothes when you feel down and out Strut down the street and have your picture took
Enter Dolly Levi, the eternal fixer and flamboyant socialite. Her verse is motivational with a wink — she doesn’t just cheer you up, she prescribes flair. In Dolly’s world, sadness is no match for satin gloves. “Have your picture took” — it’s a perfectly old-fashioned phrasing that underlines the time period, while suggesting visibility and pride. You *matter*, so make yourself seen.
Town Finale
We won’t come home until we fall in love!
The crescendo hits like a parade marching right through your living room. The entire cast joins in, swelling into communal joy. There’s a touch of absurdity here — who sets out with *love* as a mandatory destination? But that’s Broadway logic: emotions are amplified, and the ordinary becomes epic. The promise isn’t just romance; it’s belonging, excitement, reinvention.
Musically, Jerry Herman’s composition is pure musical theater gold — a pastiche of turn-of-the-century American marches and vaudeville swing. It’s got the bounce of Sousa with the sass of Tin Pan Alley. The brass section carries the song like a horse-drawn carriage speeding toward possibility.
Similar Songs

- "The Wells Fargo Wagon" – Meredith Willson (The Music Man)
Both songs explode with small-town characters anticipating big changes. “Wells Fargo Wagon” is about a mail delivery — trivial, yet turned into a jubilant event. Like “Put on Your Sunday Clothes,” it highlights the drama of the everyday and wraps it in collective hope, brass, and full cast harmonies. - "Consider Yourself" – Lionel Bart (Oliver!)
This number from *Oliver!* is another community singalong, full of cheek and charm. While “Put on Your Sunday Clothes” is about stepping into a new world, “Consider Yourself” is about being welcomed into one. Both rely on warmth, repetition, and layered vocals that snowball into something irresistibly feel-good. - "You're Never Fully Dressed Without a Smile" – Charles Strouse (Annie)
Here, like in Dolly’s verse, clothes are metaphorical — it’s not about garments, but attitude. This song spins a similar theme: your outer appearance affects your inner state. Both champion self-presentation as a pathway to joy. Their upbeat tempos and peppy arrangements make them kindred spirits across decades.
Questions and Answers

- What is the main message of “Put on Your Sunday Clothes”?
- At its heart, the song encourages self-belief and adventure. It suggests that transforming your outlook can start with changing your outfit — a symbolic fresh start powered by style and confidence.
- Why is Yonkers mentioned at the beginning?
- Yonkers represents provincial life, the mundane. Cornelius dreams of escaping its limitations. It sets up a classic musical theater motif: the yearning for more.
- How does this song reflect the time period it was written in?
- Premiering in 1964 but set in the 1890s, it’s nostalgic by design. It romanticizes turn-of-the-century American optimism, when cities sparkled with opportunity and even a hat could change your life.
- What’s the role of Dolly in this song?
- Dolly Levi serves as a charismatic guide, chiming in with advice and flair. She elevates the song from a simple dream of escape into a declaration of joyful self-expression.
- Why is the ensemble so important in this number?
- The growing chorus mirrors the song’s central theme: individual hope blooming into collective excitement. It turns personal fantasy into shared celebration, a hallmark of Broadway's golden age.
Fan and Media Reactions
“Every time this song plays, I feel like grabbing a cane and strutting into 1890s Manhattan.” – YouTube user, ClaraBrighton
“Wall-E brought me here... and I stayed for the pure joy. This is musical theatre magic.” – JonathanFloyd91
“I played Barnaby in high school — best moment of my teenage life. This song is a time machine.” – MarcusTenor
“Dolly’s entrance always gives me chills. She owns that stage like it’s Fifth Avenue.” – StageDoorSara
“There’s something so innocent and exciting about it — makes you believe in the promise of a new day.” – BroadyFan78