You're Welcome Lyrics – Heathers
You're Welcome Lyrics
Aw, you can't just leave...
[Ram] (spoken)
Not when you're dressed like that...
[Veronica] (spoken)
Dressed like what? This is what I always wear
[Kurt] (spoken)
Yeah and it's torture!
[Ram] (spoken)
How can you expect us to control ourselves
when you look like that?
[Veronica]
Dear Diary
Here we are in the dark fifty yards from my car
I could climb that tree, I'd never get that far...
They're a hundred pounds heavier, they have my keys
I'm a rat in a trap, correction:
I'm the cheese
[Kurt]
Hey there girl, ignore this fool
He tries to play cool while he’s dribbling drool
[Ram]
Just trying to say in our friendly way
That you’ve gotten hotter like every day
[Kurt]
OW!!
[Ram]
Hey there girl, avoid this punk
He’s hungry for a hunk of the junk in your trunk
[Kurt]
There is no lie that dog won’t try
When a tasty treat like you walks by, cause
[Kurt/Ram]
Once, you were geeky and nerdy
Now you’re flirty, freaky, and dirty
[Ram]
You were nothing and nobody...
[Kurt]
...but now you’re good enough to
[Kurt/Ram]
Get with me! HUH!
You’re welcome, look where you are
You’re welcome, you’ve won a football star!
You’re welcome
[Ram]
Baby, what's that smell?
[Kurt]
That's the smell of me lovin' you well
[Kurt/Ram]
You're welcome!
[They both "beat-box"]
[Veronica]
This is not a drill
This is not a bad dream
In a cow pasture, no one can hear you scream
Never break their stare, stay awake, stay aware
You're not in real danger 'til they grab your hair
[Ram]
Come back girl, now don’t play hurt
If you don’t want me starin’, why you wearin’ that skirt?
[Kurt]
We can’t be tamed and we can’t be blamed
It’s all your fault that we’re inflamed!
[Kurt/Ram]
Cause once, you were grody and grotty
[Ram]
Now you’ve got a body like a Maserati!
[Kurt/Ram]
Stroke my fur, make me purr-
[Kurt]
Hey! You wanted to be
[Kurt/Ram]
Popular!
[Kurt]
Hit me!
[Ram]
HUH!
[Kurt/Ram]
You’re welcome, look where you are
You’re welcome, come get your football star
You’re welcome
[Ram]
You've joined the pros!
[Kurt]
Once we squeeze you
You'll stay "squoze"
[Ram]
You’re welcome in my lap, welcome on my knee
[Kurt]
Well, come on and get grabby in the grass with me!
[Veronica]
I got one last chance to save my ass
What was that move from my self-defence class?
[Ram]
I’ll steal your heart like a thief
Bring you sweet relief
[Kurt]
Call me Wendy cause you never wonder
[Kurt/Ram]
‘Where’s the beef?’
[Veronica]
They're a powder keg
So don't yell or beg
Stay friendly
Then gently, accidentally sweep the leg
[Kurt/Ram]
No! Oh gross! This mud stinks!
[Veronica]
You’re welcome
[Kurt]
Back up fool you reak!
[Veronica]
You’re welcome
[Ram]
Well you smell like a sewage leak
[Veronica]
You’re welcome
[Kurt]
Wait dude, I'm pretty sure, this ain't mud it's
[Kurt/Ram]
Cow manure!
[Veronica]
You’re welcome
[Kurt/Ram]
Ah! It's everywhere!
[Veronica]
You’re welcome
[Kurt/Ram]
Hold on it's in my hair!
[Veronica]
You’re welcome
[Kurt/Ram]
Hey girl, now let's not dwell
On the smell you can tell I could still be loving you well
[Veronica]
'Swell'
[Kurt/Ram]
No, I'll be loving her well
[Veronica]
See you in hell!
[Kurt/Ram]
No, I'll be loving her well
No I'll be, I'll be, I'll be, I'll be
Lovin', lovin', lovin', lovin', lovin' her well!
[All]
You’re welcome! You’re welcome! You’re welcome!?
Song Overview

“You’re Welcome” is the West End era fix-up that replaced “Blue,” sharpening the scene where Veronica fends off Kurt and Ram. The track landed on the 2019 Heathers the Musical (Original West End Cast Recording) from Sh-K-Boom/Ghostlight, and the writers publicly detailed why they retired “Blue” and wrote this tougher, smarter number for later productions.
Personal Review
This cut is the show’s attitude check: the lyrics point the camera at rape culture and rip up the punch-line. As performed by Carrie Hope Fletcher, Christopher Chung and Dominic Andersen, “You’re Welcome” moves like a comic song but lands like a warning siren. The hook flips entitlement into humiliation, and the groove gives Veronica just enough air to outthink the jocks. One-line snapshot: a cat-and-mouse scene where the mouse learns counter-moves in real time.
Song Meaning and Annotations

The number reframes Veronica’s POV. She narrates her fear, calculates exits, then takes control. That’s the authors’ point: give her agency, not just a rhyme scheme.
“It lacked any real or human insight into the idea of date rape… ‘You’re Welcome’ doesn’t shy away from showing that Veronica is in real danger.”The new lyric lets us sit inside her head while the beatbox bravado unravels.
The song needles victim-blaming by putting the excuses in the boys’ mouths, where they sound as thin as they are loud.
“How can you expect us to control ourselves when you look like that?”Veronica’s diary asides slice through the posturing and keep the pulse anxious and alert.
It also keeps the universe of the show intact: the same school bands and cheers reappear as ominous echoes.
“Hey yo, Westerberg… Westerberg will knock you out and send you straight to hell!”That chant becomes foreshadowing in the act-two crisis, binding the school’s pep to its peril.
Musically it trades the earlier list-song for a tighter pop-rap chassis, with call-and-response catcalls, spoken-word diary lines, and a beatbreak that collapses into slapstick payback.
“Stay friendly, then gently, accidentally sweep the leg.”Comedy is weaponized as defense, not denial.
The line between fantasy and threat is razor thin here.
“This is not a drill… in a cow pasture, no one can hear you scream.”The staging uses darkness, distance from safety, and the boys’ faux-playfulness to make the danger legible without glorifying it.
Culture note: replacing “Blue” was an artistic and ethical reset that many companies have since adopted.
“By the time you read this, the song ‘Blue’ will have been retired… ‘You’re Welcome’ replaces it for future productions.”The rewrite became canonical in the West End cast recording and in subsequent licenses.
Message
A blunt thesis about consent and agency. The lyrics move Veronica from target to tactician without airbrushing the risk.
“Dear Diary… I’m a rat in a trap, correction: I’m the cheese.”The trap is social and physical; the escape is strategy.
Emotional tone
Jokey surface, clenched core. The song starts with taunts and ends with catharsis, not conquest.
“You’re welcome.”Repeated as a taunt turned back on the taunters, it’s a neat little judo flip.
Historical context
Written amid wider conversations about harassment and “locker room talk,” the number rejects the shrug of the 80s teen-comedy trope.
“We can’t be blamed… boys will be boys.”The show calls nonsense and scripts a counterexample.
Production
On record, Sh-K-Boom/Ghostlight captured a punchier, drier mix than the Off-Broadway album’s sheen, matching the rewrite’s clarity with a crisp rhythm section, vocal beatbox, and tight ensemble ad-libs.
Instrumentation
Drum kit and programmed hits underpin chant-style hooks; low brass stabs and rhythm guitars accent the catcall refrains; the sound design leaves breath for spoken interjections, emphasizing proximity and threat.
Analysis of key phrases and idioms
“Popular” is treated as a poisoned prize. The car-commercial metaphor (“body like a Maserati”) reduces a girl to an object; the lyric sets that dehumanization up so the staging can trash it, literally, with manure.
Creation history
O’Keefe and Murphy explained retiring “Blue” and coding Veronica’s fear and action into “You’re Welcome” in a public track-by-track breakdown, and that shift was baked into the 2019 West End cast album release.
Verse Highlights

Verse 1
Diary-as-soliloquy sets the chessboard: distance to safety, weight disadvantage, missing keys. The internal rhyme keeps adrenaline high while information lands.
Chorus
“You’re welcome” arrives as smarmy self-congratulation from the boys, then boomerangs as Veronica’s victory tag after the self-defense beat.
Bridge
Beatbox break plus escalating taunts simulate crowd pressure; Veronica’s aside about her self-defense class telegraphs the reversal without draining tension.
Key Facts

- Featured: Carrie Hope Fletcher (Veronica), Christopher Chung (Kurt), Dominic Andersen (Ram) & Original West End Cast of Heathers.
- Producers: Michael Croiter with Kevin Murphy & Laurence O’Keefe.
- Composers/Lyricists: Laurence O’Keefe & Kevin Murphy.
- Release date: March 1, 2019 (Original West End Cast Recording).
- Label: Sh-K-Boom/Ghostlight Records.
- Genre: Musical theatre pop-rock with rap-adjacent patter.
- Language: English.
- Album: Heathers the Musical (Original West End Cast Recording).
- Notable later release: “You’re Welcome (Bonus Track)” by Jason Gotay, Corey Cott & Alyse Alan Louis on the 2025 World Premiere Cast Recording [Deluxe Edition].
- Stage usage: Replaces “Blue” in licensed productions and West End; Riverdale’s 2019 Heathers episode staged other numbers from the High School Edition.
Questions and Answers
- Why did the writers replace “Blue” with “You’re Welcome”?
- They felt “Blue” trivialized harassment and lacked insight; “You’re Welcome” centers Veronica’s fear, agency, and escape in the scene.
- Where can I hear the definitive recording?
- On the 2019 West End cast album released by Sh-K-Boom/Ghostlight; it’s the version embedded in most current productions.
- Is there an alternate studio version?
- Yes, a 2025 bonus-track cover by Jason Gotay, Corey Cott & Alyse Alan Louis appears on the World Premiere Cast Recording [Deluxe Edition].
- Does the TV episode Riverdale: Big Fun include this number?
- No. The episode draws from the High School Edition but spotlights other songs; “You’re Welcome” isn’t on its setlist.
- How does the chant “Hey yo, Westerberg” connect to this scene?
- It’s the school’s pep motif that later reappears as ominous chorus in the act-two showdown, tying teen bravado to impending danger.
Awards and Chart Positions
The West End cast recording carrying “You’re Welcome” made an impact on multiple Official Charts tallies in the UK, including soundtrack-adjacent categories. The title also appears in Riverdale-era cultural coverage that revived interest in the score.
- UK Official Soundtrack Albums: appearances across soundtrack/specialist lists for Heathers cast recordings.
- Official Charts Company artist pages: chart history entries linked to Heathers West End cast participants and album listings.
- 2025 Deluxe Edition: renewed attention with new bonus tracks, including “You’re Welcome.”
Music video
Heathers Lyrics: Song List
- Act 1
- Beautiful
- Candy Store
- Fight for Me
- Freeze Your Brain
- Big Fun
- Dead Girl Walking
- The Me Inside of Me
- Blue
- Our Love Is God
- Act 2
- My Dead Gay Son
- Seventeen
- Shine a Light
- Lifeboat
- Shine a Light (reprise)
- Kindergarten Boyfriend
- Yo Girl
- Meant to Be Yours
- Dead Girl Walking (Reprise)
- I Am Damaged
- Seventeen (reprise)
- Other Songs
- Candy Store Playoff
- Blue Reprise
- Prom or Hell?
- Hey, Yo Westerberg
- You're Welcome
- Never Shut Up Again
- I Say No
- Spoken Scenes and Transition Tracks
- It’s Been Three Weeks
- Transition to Croquet
- Ow Ow Ow/Transition to Party
- Pinata Of Doom
- Veronicas Chandler Nightmare