Stay Alive Lyrics
Stay Alive
[ELIZA]Stay alive…
[ELIZA/ANGELICA/ENSEMBLE WOMEN]
Stay alive…
[HAMILTON]
I have never seen the General so despondent
I have taken over writing all his correspondence
Congress writes, “George, attack the British forces.”
I shoot back, we have resorted to eating our horses
Local merchants deny us equipment, assistance
They only take British money, so sing a song of sixpence
[WASHINGTON]
The cavalry’s not coming
[HAMILTON]
Sir!
[WASHINGTON]
Alex, listen. There’s only one way for us to win this
Provoke outrage, outright
[HAMILTON]
That’s right
[WASHINGTON]
Don’t engage, strike by night
Remain relentless ‘til their troops take flight
[HAMILTON]
Make it impossible to justify the cost of the fight
[WASHINGTON]
Outrun
[HAMILTON]
Outrun
[WASHINGTON]
Outlast
[HAMILTON]
Outlast
[WASHINGTON]
Hit ‘em quick, get out fast
[HAMILTON]
Chick-a-plao!
[WASHINGTON]
Stay alive ‘til this horror show is past
We’re gonna fly a lot of flags half-mast
[HAMILTON/LAURENS/LAFAYETTE]
Raise a glass!
[MULLIGAN]
I go back to New York and my apprenticeship
[LAFAYETTE]
I ask for French aid, I pray that France has sent a ship
[LAURENS]
I stay at work with Hamilton
We write essays against slavery
And every day’s a test of our camaraderie
And bravery
[HAMILTON]
We cut supply lines, we steal contraband
We pick and choose our battles and places to take a stand
And ev’ry day
“Sir, entrust me with a command,”
And ev’ry day
[WASHINGTON]
No
[HAMILTON]
He dismisses me out of hand
[HAMILTON]
Instead of me
He promotes
Charles Lee
Makes him second-in-command:
[LEE]
Charles Lee. [ELIZA/ANGELICA]
Stay alive...
[LEE]
I’m a General. Whee!!!!
[HAMILTON]
Yeah. He’s not the choice I would have gone with
[HAMILTON/LAURENS/LAFAYETTE]
He shits the bed at the Battle of Monmouth
[WASHINGTON]
Ev’ryone attack!
[LEE]
Retreat!
[WASHINGTON]
Attack!
[LEE]
Retreat!
[WASHINGTON]
What are you doing, Lee? Get back on your feet!
[LEE]
But there’s so many of them!
[WASHINGTON]
I’m sorry, is this not your speed?!
Hamilton!
[HAMILTON]
Ready, sir!
[WASHINGTON]
Have Lafayette take the lead!
[HAMILTON]
Yes, sir!
[LAURENS]
A thousand soldiers die in a hundred degree heat
[LAFAYETTE]
As we snatch a stalemate from the jaws of defeat
[HAMILTON]
Charles Lee was left behind
Without a pot to piss in
He started sayin’ this to anybody who would listen:
[LEE]
Washington cannot be left alone to his devices
Indecisive, from crisis to crisis
The best thing he can do for the revolution
Is turn n’ go back to plantin’ tobacco in Mount Vernon
[COMPANY]
Oo!!
[WASHINGTON]
Don’t do a thing. History will prove him wrong
[HAMILTON]
But, sir!
[WASHINGTON]
We have a war to fight, let’s move along
[LAURENS]
Strong words from Lee, someone oughta hold him to it
[HAMILTON]
I can’t disobey direct orders
[LAURENS]
Then I’ll do it
Alexander, you’re the closest friend I’ve got
[HAMILTON]
Laurens, do not throw away your shot
Song Overview

Song Credits
- Producers: Bill Sherman, Alex Lacamoire, Black Thought, ?uestlove & Lin-Manuel Miranda
- Writer: Lin-Manuel Miranda
- Publisher: PECF, New World Music, Warner Music Group, Warner/Chappell & 5000 Broadway Music
- Violin: Mario Gotoh & Erin Benim
- Viola: Mario Gotoh
- Synthesizer: Randy Cohen
- Programmer: Scott Wasserman
- Percussion: Benny Reiner
- Orchestration: Alex Lacamoire
- Mixing Engineer: Tim Latham
- Mastering Engineer: Tom Coyne
- Keyboards: Richard Hammond, Kurt Crowley, Benny Reiner & Alex Lacamoire
- Harp: Laura Sherman
- Guitar: Robin Macatangay
- Drums: Andres Forero
- Drum Programmer: Randy Cohen
- Cello: Anja Wood
- Bass: Richard Hammond
- Banjo: Robin Macatangay
- Vocals: Original Broadway Cast of Hamilton, Lin-Manuel Miranda, Phillipa Soo, Daveed Diggs, Anthony Ramos, Jon Rua & Christopher Jackson
- Conductor: Alex Lacamoire
- Recorded At: Avatar Studios
- Released on: September 25, 2015
Song Meaning and Annotations

“Stay Alive” is a musical war cry — not for glory, but for endurance. It’s an ensemble piece, more like a military dispatch turned into music, unfolding as Hamilton’s circle endures hunger, disillusionment, and fractured leadership during the Revolutionary War. The phrase "stay alive" becomes both literal and symbolic, echoing across battlefields and bedrooms alike.
“Congress writes, ‘George, attack the British forces.’ / I shoot back, we have resorted to eating our horses.”
Right from the jump, Miranda throws us into wartime absurdity. There’s bleak humor tucked into that line, but also the desperation of a makeshift army held together by ink and faith. Washington and Hamilton aren’t just generals and aides — they’re underdogs in a stacked deck, scheming their way to victory without the luxury of resources or trust.
Chaos, Command, and Clashing Egos
This track is less a single narrative than a fragmented military log. It darts between camp updates, failed promotions, and frustrated camaraderie. Washington and Hamilton plan guerrilla tactics while Hamilton yearns for a command of his own — a power dynamic simmering with tension.
“Instead of me, he promotes Charles Lee.”
Enter Lee. A swaggering, unqualified replacement who proceeds to completely fumble command. His comical “Whee!” is all the audience needs to groan alongside Hamilton. The song’s tension peaks when strategy turns to spectacle, and Hamilton watches a disaster unfold from the sidelines.
Historical Revisions & Narrative Compression
Time bends here — we zoom from Valley Forge in 1777 to the Battle of Monmouth in 1778, then ahead to duels and duress. But the historical acrobatics serve the narrative: this is a musical, not a museum. Miranda compresses years of military frustration into a few minutes of clashing ideologies and clunky leadership.
Layered Voices, Inner Wars
The recurring whisper of “stay alive…” from Eliza and Angelica, almost ghostlike, haunts the background. It’s a reminder: this isn’t just war strategy — it’s survival as a moral imperative. Hamilton is being begged to outlive his legacy, not just write it. We, as listeners, are invited to witness the conflict between purpose and patience.
Similar Songs

- “Right Hand Man” – Original Broadway Cast of Hamilton
This is the song where Washington and Hamilton begin their partnership. Like “Stay Alive,” it blends rapid-fire military jargon with emotional stakes. Both portray leadership as lonely and riddled with compromise, though “Right Hand Man” leans more into recruitment while “Stay Alive” is about retention — of troops, of morale, of life. - “The Battle of Yorktown (The World Turned Upside Down)” – Original Broadway Cast
If “Stay Alive” is about surviving the war, “Yorktown” is about winning it. Both songs have militaristic rhythms and ensemble vocals that cascade into rallying cries. They bookend the war’s emotional tone: one in chaos, one in climax. - “Non-Stop” – Original Broadway Cast of Hamilton
This track shares “Stay Alive’s” pacing, jumping between voices and subplots with barely a breath in between. They both show Hamilton as a man driven to the edge, haunted by mortality but fueled by ambition. The structure of layered repetition creates a rhythmic anxiety that mirrors wartime paranoia.
Questions and Answers

- Why is the song titled “Stay Alive”?
- It reflects both the physical struggle of war and the emotional plea of Eliza for Hamilton to endure. The phrase becomes a mantra — for soldiers, lovers, and rebels alike.
- Is the historical timeline accurate in “Stay Alive”?
- No. The events span several years but are presented out of chronological order. This serves the musical’s pacing and emotional arc rather than strict historical fidelity.
- What is Charles Lee’s role in the song?
- He’s comic relief and cautionary tale. His bumbling performance at Monmouth contrasts with Hamilton’s suppressed potential, highlighting bad leadership and missed chances.
- Why does Hamilton keep getting denied a command?
- Washington sees Hamilton’s promise but also fears his impulsiveness. The denial builds dramatic tension and highlights their push-pull mentor relationship.
- What is the emotional tone of the song?
- Frustrated, frantic, and filled with barely-contained rage. But underneath, there’s love — from Eliza, from Laurens — reminding us that the personal is always political.
Fan and Media Reactions
“This song made me care about Charles Lee just enough to hate him.” — @revwatcher
“The layering of ‘stay alive’ over war talk is such an emotional gut-punch. Lin knew what he was doing.” — @historicallyfeels
“Every time Eliza whispers ‘stay alive,’ I tear up. It's like she's singing across time.” — @musicalmoments
“Why is nobody talking about the absurd brilliance of ‘sing a song of sixpence’ in a war song?!” — @hamiltonbars
“You can feel the exhaustion in this one. Not just of war, but of waiting, of being overlooked.” — @broadwayblood