Useful Lyrics – Operation Mincemeat
Useful Lyrics
I imagined the medals they'd give me
When this was all through
[HESTER, spoken]
You imagined the–?
[JEAN]
Medals, I know
[HESTER, spoken]
Right
[JEAN]
And then Winston goes–
[HESTER, spoken]
Winston Churchill?
[JEAN]
"We'd be lost without you!"
[HESTER, spoken]
Right, and where is this?
[JEAN]
The Palace
[HESTER, spoken]
Oh, of course
[JEAN]
And I'd bow and salute
The King knows we're the reason we won
[HESTER, spoken]
Oh, the King's there, is he?
[JEAN]
And there's so many medals
And the crowds, they'd assemble
And demand to hear just what we've done
[HESTER, spoken]
And Mr Churchill says...?
[JEAN]
H? says...
"Yes, it's all true, though you'd nev?r believe it
They did what they could do, and though you'd never see it
They worked and they prayed, and it wasn't in vain
They knew pain could be strength, and that strength could be pain
They forced enemy forces to fly
They banished the planes from the sky
And they did something useful"
[HESTER, spoken]
Well, I look forward to the wireless event
[JEAN, spoken]
What about you?
[HESTER, spoken]
What about me?
[JEAN, spoken]
What's the dream scenario?
[HESTER, spoken]
Miss Leslie!
[JEAN, spoken]
How about... a statue!
[HESTER, spoken]
Oh, for goodness' sake!
[JEAN, spoken]
"Here lies Hester Leggett!"
[HESTER, spoken]
Oh, good, I'm dead!
[JEAN, spoken]
Oh Jesus, what is wrong with me?
[HESTER & JEAN]
Perhaps just a small plaque
Go on
Something tasteful and small
Of course
Nothing over the top
People don't stand and stop
'Cause just one look and their tears start to fall
Oh, Lord
I can see it! With flowers
Pride of place in a garden
A garden?
Or a grand royal park
Ah, thank you
And it's silver
Gold
Gold, and it shines
Or dazzles
Boldly, and they'll see you did more than your part
"For Hester, who served her nation"
Yes! "A timeless inspiration"
Jean!
You are
And they'll say it's all true, though you'd never believe it
She did what she could do, and though you'd never see it
She worked and she prayed, and it wasn't in vain
She knew pain could be strength, and that strength could be pain
She forced enemy forces to fly
She banished the planes from the sky
And she did something useful
[HESTER, spoken]
Yes, we've done good work
[JEAN]
And you can't ask the people who can do all of that
To just go home and pace through the rooms of a flat
Feeling she's travelled right back to the start
Stuck at home with her mother, feeling useless and
Smothering the light that kept out the dark
(spoken)
I hate that he sees me as some silly little woman
[HESTER, spoken]
That might be exactly what we need
[JEAN, spoken]
What?
[HESTER, spoken]
The mission might be in danger
There's something strange going on between Montagu and his brother
[JEAN, spoken]
What? Surely he wouldn't...
[HESTER, spoken]
But until he drops his guard and starts talking, we can't know
[JEAN, spoken]
But he won't talk to me
He hates me, I'm the last person he'd talk to!
[HESTER, spoken]
You can do this, Jean
And... we need you to
Even if dear Winston never finds out about it
[JEAN, spoken]
So you're saying... no medals?
[HESTER, spoken]
No medals
[JEAN & HESTER]
No statues, no plaques?
No flowers for Hester and Jean?
I don't think that it's people like you or me
That the crowds come to see
And if there's one thing I know
It's that I'm no good with things that need help to grow
I'm afraid I disagree
You've done a pretty good job with me
[HESTER, spoken]
Thank you
[JEAN, spoken]
Thank you
(sung)
I think that when people meet in the middle of a war
It feels like it means something more
[HESTER & JEAN, together]
So who needs a medal?
It's this that we'll keep fighting for
[JEAN]
That we'll keep fighting for
[HESTER & JEAN]
And yes, it was true, though they'd never believe it
They'll say it's all true, they'll never believe it
We did all we could do, and if they never see it
We did what we do, and they'll never see it
We worked and we prayed, and it wasn't in vain
And we'll keep on going
We knew pain could be strength, and that strength could be pain
Even though they'll never know we
[HESTER & JEAN, together]
Forced all their forces to fly
We banished their planes from the sky
And they'll see that we were useful
And if they don't, we'll know we're useful
What matters is that we do something useful
[HESTER, spoken]
Back to work, Miss Leslie
[JEAN, spoken]
Yes, ma'am!
Song Overview

Review and Highlights

Act 2 needs a breather that still carries weight. This number delivers that balance. Two civil servants in the shadows imagine medals and broadcasts, then quietly reject the spotlight. The music starts like a private pep talk and grows into a clear, ringing vow. I hear bright piano and close harmonies set against martial snare and strings, the arrangement swelling as the two voices lock in. It is a morale song, not a victory lap.
Highlights
- Two-hander dramatic arc - from daydreamed pomp to grounded purpose.
- Refrain as thesis - the word “useful” reframed from ego to service.
- Motivic callbacks - melodic threads tie back to earlier material, deepening Hester’s story.
Creation History
The album arrived in May 2023 on Sony, capturing the West End company in full flight. The writers have said the piece crystallised after the pandemic pause, when doing one small task for someone else felt like a lifeline. The lyric turns that lived sense of purpose into theatre. A live presence for the song spread beyond the cast album too, surfacing at fan events and convention sets.
Song Meaning and Annotations

Plot
Jean Leslie imagines the Palace, a wireless speech, the King, medals lined up like proofs of worth. Hester humors her, then counters with something smaller and truer. Together they picture a modest plaque, a token that says their work mattered. Duty interrupts the fantasy. The mission needs them, and the dream fades into an instruction to return to the desk. They choose the work over the applause.
Song Meaning
At heart, the song is about dignity in unseen labor. It starts as a comic fantasy, becomes a private confession, and resolves as a pact to keep going without public credit. The message is steady and unsentimental - usefulness over recognition. The mood shifts from buoyant to candid to quietly defiant, mirroring the emotional whiplash of wartime office life.
Annotations
“Perhaps just a small plaque... Something tasteful and small.”
Later life gave that fantasy a literal echo. Fans and the company helped install a plaque to Hester at the Fortune Theatre, the production’s West End home. It is a neat inversion of the lyric’s doubt about who gets remembered.
“For Hester, who served her nation”
Those words are engraved on that same memorial, turning a private refrain of service into a public line of text.
“Stuck at home with her mother”
The show grounds Hester’s restraint in fact. She lived with her mother through the war years and afterward. The lyric captures the claustrophobia of being indispensable and invisible at once.
“I don’t think that it’s people like you or me that the crowds come to see”
That couplet pricks the pageantry. Two women in junior posts know how the credit game works in the 1940s. The song refuses the bitterness and chooses solidarity instead.
“I’m no good with things that need help to grow” … “You’ve done a pretty good job with me”
A reply to the earlier solo “Dear Bill.” Where that one sits with grief, this one extends a hand and says growth can look like friendship and daily work. The musical threads that conversation across acts, using shared melodic DNA.

Style and instrumentation
Music theatre craft with pop clarity - piano led, warm strings, tight two-part writing, and a rhythm that sits like a march softened by breath. The groove isn’t flashy; it serves the text and lets the modulation of feeling do the heavy lift.
Emotional arc
Playful setup, sober middle, and a final stance that feels earned more than triumphant. The repeated “useful” flips from validation to vocation.
Language and imagery
Medals, statues, plaques - the props of official memory - appear as imagined rewards, then shrink. The strongest image is not the monument but the office return: “Back to work, Miss Leslie.” The curtain call is a desk.
Key Facts
- Artist: SpitLip
- Composer: David Cumming, Felix Hagan, Natasha Hodgson, Zoë Roberts
- Lyricists: David Cumming, Felix Hagan, Natasha Hodgson, Zoë Roberts
- Producer: Steve Sidwell
- Release Date: May 12, 2023
- Album: Operation Mincemeat: A New Musical (Original Cast Recording)
- Track #: 14
- Label: Sony Music Entertainment UK
- Language: English
- Genre: Musical theatre, pop-influenced stage ballad
- Mood: candid, resolute, quietly uplifting
- Instruments: piano, strings, percussion, ensemble vocals
- Music style: duet with close harmony, lyric-forward writing
- Poetic meter: mixed iambic phrasing with colloquial speech rhythms
Questions and Answers
- Why does the song imagine medals and speeches before rejecting them?
- It stages the temptation of recognition so the later choice carries weight. They pick usefulness over applause.
- How does the number connect to “Dear Bill”?
- Shared melodic shapes and a direct lyrical reply turn this into Act 2’s answer to Hester’s grief scene.
- Is there a real plaque for Hester?
- Yes. A memorial was unveiled at the Fortune Theatre, mirroring the lyric’s imagined tribute.
- Did the cast album make an impact beyond the show?
- Yes. It pushed the title further into the public ear and helped the fan community carry the story between stage visits.
- Where can I hear a live or alt version?
- Convention sets have featured the duet, and there are official and karaoke uploads that let the harmony lines be studied in isolation.
Awards and Chart Positions
Show awards | Olivier Awards 2024 - Best New Musical; Best Actor in a Supporting Role in a Musical for Jak Malone |
Broadway honors | Tony Awards 2025 - Best Featured Actor in a Musical for Jak Malone; Outer Critics Circle 2025 - Outstanding Featured Performer in a Broadway Musical; Drama Desk 2025 - Outstanding Featured Performance in a Musical |
Album - UK chart peaks | Official Soundtrack Albums Chart - No. 5; Official Compilations Chart - No. 32; Official Album Downloads Chart - No. 26 |
How to Sing Useful
For Jean - a bright mezzo line that favors conversational clarity over belt for the first verse, then opens into mixed placement on the refrain. Keep diction front and center. A slim vibrato reads best over the piano and strings.
For Hester - written in a tenor-friendly range in many productions. Aim for warmth and steadiness rather than size. Let the consonants carry the pulse so the phrasing feels like spoken thought set to pitch.
- Key and feel: commonly in C major with a medium tempo that sits near a gentle march.
- Blend: the hook lands when the two voices sit close. Match vowels on “useful” to prevent spread.
- Breath map: plan releases before the long “we worked and we prayed” run. Keep air moving so the line doesn’t heave on syllables.
- Acting cue: start with a wink at the fantasy, finish with eye contact and stillness. The final beat should feel like clocking back in.
Additional Info
- Live renditions surfaced at convention appearances, letting fans hear the duet outside its scene set.
- Karaoke and accompaniment tracks exist for rehearsal, handy for audition cuts and home practice.
- As reported by The Stage, the plaque to Hester sits at the Fortune Theatre, flipping the lyric’s doubt into a public thank you.
- The album’s West End timing and later awards attention built a bridge to Broadway - Reuters and Official London Theatre both recorded the show’s major wins.