Bui-Doi Lyrics – Miss Saigon
Bui-Doi Lyrics
The dust of life.
Conceived in Hell,
And born in strife.
They are the living reminder of all the good we failed to do.
We can't forget
Must not forget
That they are all our children, too.
Like all survivors I once thought
When I?m home I won?t give a damn
But now I know I?m caught, I?ll never leave Vietnam
War isn?t over when it ends, some pictures never leave youmind.
They are the faces of the children the ones we left behind
They?re called Bui-doi.
The dust of life, conceived in hell and born in strife
They are the living reminders of all the good we failed to do
That?s why we know deep in our hearts, that they are all ourchildren too
These kids hit walls on ev?ry side, they don?t belong in anyplace.
Their secret they can?t hide it?s printed on their face.
I never thought one day I?d plead
For half-breeds from a land that?s torn
But then I saw a camp for children whose crime was being born
They?re called Bui-Doi, the dust of life conceived in hell andborn in strife.
We owe them fathers and a family a loving home they never knew.
Because we know deep in our hearts that they are all our childrentoo.
These are souls in need, they need us to give
Someone has to pay for their chance to live
Help me try
They're called Bui-Doi.
The dust of life.
Conceived in Hell,
And born in strife.
They are the living reminders of all the good we failed to do.
That's why we know
That's why we know
Deep in our hearts
Deep in our hearts
That's why we know
That they are all our children, too.
Song Overview

Review and Highlights

Act II opens with a jolt. John steps to a lectern and names the children the war left in limbo. No coyness, no veil - just a tune shaped like a pledge, underscored by a chorus that swells from witness to insistence. On the 1990 Original London Cast Recording, Peter Polycarpou carries the line with a clean, unfussy baritone, letting the lyric sit forward so the harmonies can do their work behind him. The staging often projects documentary images while he sings - an intentional collision of theatre and evidence.
- Function. It resets the show after intermission - from private vows to public responsibility - and sets up the Atlanta conference scene that propels Act II.
- Writing. Boublil, Schönberg and Maltby aim for hymn logic: short phrases, steady pulse, stepwise lifts that cue the chorus to enter like a tide.
- Defining voices. Polycarpou on the West End original; Hinton Battle on Broadway - a turn that won him the 1991 Tony for Featured Actor; Hugh Maynard in the 2014 London revival. Each brings a different edge: ministerial, gospel-tinged, and steel-laced, respectively.
Creation History
Recorded at CTS Studios, Wembley, the OLC album carries executive producer credits for Alain Boublil and Claude-Michel Schönberg and was issued in 1990 on Geffen/First Night.
Song Meaning and Annotations

Plot
John, now an activist, addresses a stateside audience about the Amerasian children still stranded in Southeast Asia. He urges action, revealing to Chris that Kim and her son exist - a disclosure that detonates the second half.
Song Meaning
The lyric reframes heroism as accountability. The melody leans into chant - repetition that works like a petition. The men’s chorus answers John line by line until the hall feels mobilized. It’s theatre as brief - a case presented in four minutes and change.
Annotations
“They’re called Bui-Doi - The dust of life”
The term b?i ??i in Vietnamese literally means “dusty life,” historically tied to vagrancy or street children - not specifically to Amerasians. Western usage shifted after the musical, which applied it to children of American soldiers and Vietnamese mothers.
“They are the living reminder of all the good we failed to do”
John’s thesis in one line: the past isn’t over, and obligation doesn’t evaporate at ceasefire. The show anchors this to U.S. policy debates of the late 80s - the Amerasian Homecoming Act had only recently opened a path for some families.
“That’s why we know deep in our hearts that they are all our children too”
The chorus turns the singular plea into a communal vow. On the OLC, that swell lands at roughly the 3-minute mark, voices stacked in close harmony.

Style and instrumentation
Hymn-tempo 4/4, strings and brass in broad strokes, men’s chorus in block harmony, with the solo line kept speech-clear. The show’s reduced orchestration credits William D. Brohn, whose textures carry this number with heft but leave space for the words.
Key Facts
- Artist: Peter Polycarpou (as John) - Original London Cast
- Composers / Lyricists: Music by Claude-Michel Schönberg; lyrics by Alain Boublil and Richard Maltby Jr.
- Producers (album credits): Executive producers - Alain Boublil, Claude-Michel Schönberg.
- Release Year: 1990
- Album: Miss Saigon (Original London Cast Recording)
- Label: Geffen Records [US] / First Night Records [UK]
- Track #: Disc 2, track 4 on many CD issues
- Length: approx. 4:06
- Character & voice type: John - tenor/baritone casting ranges often cited around A?2 to B4
- Act placement: Opens Act II
- Recording venue: CTS Studios, Wembley
- Music style: theatre hymn with choral counter-lines; steady 4/4, declamatory lead
- Language: English
- © Copyrights: © 1990 The David Geffen Company - album notes; composition copyrights as assigned by creators
Questions and Answers
- When did this recording appear?
- On the 1990 Original London Cast Recording; the album entered the UK Albums Chart on February 24, 1990.
- Who wrote “Bui-Doi”?
- Music by Claude-Michel Schönberg; lyrics by Alain Boublil and Richard Maltby Jr.
- Who produced the album edition featuring Peter Polycarpou?
- Executive producers credited are Alain Boublil and Claude-Michel Schönberg.
- What does “b?i ??i” mean in Vietnamese?
- Literally “dusty life,” used for vagrants or street children - the show popularized a different usage in the West.
- Notable later versions?
- Hinton Battle on the 1995 Complete Recording; Hugh Maynard on the 2014 live set; multiple public performances like West End Live 2014.
Awards and Chart Positions
The Original London Cast Recording peaked at number 4 on the UK Albums Chart and logged 11 weeks in the Top 75.
On Broadway, Hinton Battle - who sang “Bui-Doi” as John - won the 1991 Tony Award for Featured Actor in a Musical.
How to Sing Bui-Doi
Range & placement. Productions list John around A?2 to B4 - squarely baritone/tenor territory. Keep onset speech-clean, then open resonance as the chorus stacks.
Music video
Miss Saigon Lyrics: Song List
- Act 1
- Overture/Back Stage Dreamland
- The Heat Is On In Saigon
- The Movie In My Mind
- The Transaction
- The Dance
- Why God Why?
- This Money Is Yours
- Sun And Moon
- The Telephone Song
- The Deal
- The Wedding Ceremony (Dju Vui Vai)
- Thuy's Arrival
- What's This I Find
- The Last Night Of The World
- The Morning Of The Dragon
- I Still Believe
- Back in Town
- This Is The Hour
- If You Want To Die In Bed
- Let Me See His Western Nose
- I'd Give My Life For You
- Act 2
- Bui-Doi
- The Revelation
- What A Waste
- Please
- Chris Is Here
- Kim's Nightmare
- The Fall Of Saigon
- Room 317
- Now That I've Seen Her
- The Confrontation
- Paper Dragons
- The American Dream
- The Sacred Bird
- Finale