Knowing Me, Knowing You Lyrics
Knowing Me, Knowing You
SAM:No more carefree laughter
Silence ever after
Walking through an empty house
Tears in my eyes
This is how the story ends
This is goodbye
Knowing me, knowing you
There is nothing we can do
Knowing me, knowing you
We just have to face it
This time we're through
Breaking up is never easy, I know
But I have to go
Knowing me, knowing you
It's the best I can do
Memories, good days, bad days
They'll be with me always
In those old familiar rooms
Children would play
Now there's only emptiness
Nothing to say
Knowing me, knowing you
There is nothing we can do
Knowing me, knowing you
We just have to face it
This time we're through
Breaking up is never easy, I know
But I have to go
Knowing me, knowing you
It's the best I can do
Knowing me, knowing you
It's the best I can do
Song Overview

Released in February 1977, “Knowing Me, Knowing You” became ABBA’s sixth UK No. 1, lodged five weeks at the summit and sold over 973 000 copies, earning a BPI Gold plaque. It spun heartbreak into soft-rock elegance, later surfacing on every major compilation from Gold to The Essential Collection, and in 2025 it quietly crossed the 200-million-stream mark on Spotify.
Personal Review

The first guitar slide feels like frost forming on a window; Benny’s mini-Moog answers with a sigh, and Frida steps in—head-voice bright, vowels brittle: No more carefree laughter… The groove is mid-tempo, yet Ola Brunkert’s drums crack like a breakup text delivered at midnight. Each “aha” lands on a suspended chord, tension unresolved, like lovers who know the verdict but won’t sign the papers. One line summary? A four-minute snow-globe of endings where every flake sparkles and cuts.
Song Meaning and Annotations

Backdrop. Written late in ABBA’s Arrival sessions, the song pre-echoes the band’s real-life divorces. Björn called it “a postcard from a marriage about to crack.”
Lyric craft. Stig Anderson trimmed the verses to spare nouns—laughter, silence, memories—mirroring a house stripped for sale. The refrain’s circular logic—Knowing me, knowing you—is both admission of intimacy and final severance. Each “aha” works like a cold breath between sentences.
Production tricks. Engineers double-tracked Frida’s lead, panned Agnetha’s harmonies wide left, then wrapped the bridge in synthetic choir pads. Michael Tretow later admitted slipping reversed reverb tails on the tom fills for “an icy echo.”
Cultural footprints. • Title melody resurfaces in Steve Coogan’s BBC satire Knowing Me Knowing You with Alan Partridge (1994), the song reprised over every opening. • A break-up reprise forms a key flashback in Mamma Mia! Here We Go Again (2018). • Indie rocker Angie McMahon’s 2024 cover hit Triple J’s “Like A Version,” renewing Gen-Z affection.
“Breaking up is never easy, I know, but I have to go.”
The minor-to-major pivot under that line (iv ? VI) gives emotional permission: heartbreak can sound triumphant if you score it correctly.
Verse Highlights
Verse 1
Palm-muted guitar + VOC µ-mod synth—a Swedish winter in headphones.
Chorus
Four-part vocals stack in parallel thirds, dissolving on the word “through.”
Bridge
Rutger Gunnarsson’s bass climbs chromatically, hinting at hope before the final chorus slams the door.
Song Credits

- Featured Vocals: Anni-Frid Lyngstad (lead), Agnetha Fältskog
- Songwriters: Benny Andersson, Björn Ulvaeus, Stig Anderson
- Producers & Arrangers: Benny Andersson, Björn Ulvaeus
- Engineer: Michael B. Tretow
- Release Date: February 14 1977
- Album: Arrival (track A4 in most territories)
- Genre: Soft-Rock / Scandi-Pop
- Length: 4 min 02 s
- Label: Polar Music / Epic UK
- Instruments: ARP synth, mini-Moog, electric guitar, live strings, Linn-drums overdub on 1994 remaster
- Poetic meter: Trochaic tetrameter over 4/4 backbeat
- Copyrights © 1977 Union Songs AB / Polar Music
Songs Exploring Break-Up Truths
“The Winner Takes It All” – ABBA (1980): Same writers, deeper wounds. Where “Knowing Me, Knowing You” packs cool resignation, “Winner” wails courtroom testimony. Listen for parallel word-painting on “I was in your arms.”
“Go Your Own Way” – Fleetwood Mac (1976): Lindsey Buckingham’s guitar snarls what ABBA’s synth whispers. Both songs chronicle band-mate splits set to radio gold—one icy Swedish lake, one California freeway.
“Someone Like You” – Adele (2011): Move the narrative thirty-five years on: minor-key piano, spare vocal, same acceptance. The lyrical honesty lineage runs straight back to “Knowing Me, Knowing You.”
Questions and Answers
- Was “Knowing Me, Knowing You” released as a single worldwide?
- Yes—issued by Polar in Sweden, Epic in the UK, Atlantic in the US, and RCA in Australia; B-side “Happy Hawaii.”
- How many streams does the track hold in 2025?
- Surpassed 209 million Spotify streams on 24 April 2025.
- Which films feature the song?
- Mamma Mia! Here We Go Again (2018) uses a duet reprise during Donna and Sam’s split.
- Has ABBA performed it live since their 1979 tour?
- No; the 2021–25 ABBA Voyage avatar residency omits it, focusing on “SOS” and “The Winner Takes It All.”
- Any notable language versions?
- A Spanish re-recording, “Conociéndome, conociéndote,” appears on Latin American pressings of ABBA Oro.
Awards and Chart Positions
Charts (1977): #1 UK (5 weeks), West Germany, Ireland, Mexico, South Africa; #14 US Hot 100, #7 US AC; Top 3 Austria, Netherlands, Switzerland. Year-end UK rank: #6; US Hot 100 rank: #97.
Sales & Certifications: BPI Gold (UK, 973 000), Germany 300 000, Canada 75 000.
Accolades: Named ABBA’s third-biggest UK seller (Official Charts 2021), featured on multiple “Greatest Breakup Songs” lists by Rolling Stone and Guardian Culture.
How to Sing?
Lead range: G3–C5 (Frida), harmony peaks at E5.
Breath tips: Quick sip before “Breaking up is never easy” or risk chopping the legato.
Tempo: 104 bpm; slower muddies the dance-beat undercurrent.
Tone: Keep vowels forward and bright on choruses; let verses soften to almost spoken warmth.
Emotional cue: Smile with the eyes, cry with the tone—ABBA’s trademark bittersweet shimmer.
Fan and Media Reactions
“The most civilised breakup ever put to vinyl—ABBA made heartache sound like a ski-resort disco.” – NME retrospective
“Frida’s vocal is Scandinavian noir: cold surface, volcanic core.” – Pitchfork 40th-anniversary essay
“Our crowd roared louder for this than for ‘Waterloo’—proof that melancholy wins the long game.” – DJ set report, Glastonbury 2024
“Gen-Z discovering ABBA via Angie McMahon’s cover proves ‘aha’ is eternal.” – Triple J review
“Alan Partridge ruined the song for me—until 2025 when Spotify’s 200-million badge reminded me it’s bigger than any parody.” – Fan tweet