Prologue: Into the Woods Lyrics – Into the Woods
Prologue: Into the Woods Lyrics
Once upon a time
[CINDERELLA]
I wish...
[NARRATOR]
in a far-off kingdom
[CINDERELLA]
More than anything...
[NARRATOR]
lived a fair maiden,
[CINDERELLA]
More than jewels...
[NARRATOR]
a sad young lad
[JACK]
I wish...
[NARRATOR]
and a childless baker
[JACK]
More than life...
[CINDERELLA & BAKER]
I wish...
[NARRATOR]
with his wife.
[JACK]
More than anything...
[CINDERELLA, BAKER & JACK]
More than the moon...
[BAKER'S WIFE]
I wish...
[CINDERELLA]
The King is giving a Festival.
[BAKER & WIFE]
More than life...
[JACK]
I wish...
[CINDERELLA]
I wish to go to the Festival.
[BAKER & WIFE]
More than riches...
[JACK]
I wish my cow would
give us some milk.
[BAKER'S WIFE]
More than anything...
[CINDERELLA]
And the Ball...
[JACK]
Please, pal-
[BAKER]
I wish we had a child.
[BAKER'S WIFE]
I want a child...
[CINDERELLA]
I wish to go to the Festival.
[JACK]
Squeeze, pal...
[JACK]
I wish you'd give us some
milk or even cheese...
I wish...
[BAKER & WIFE]
I wish we might have a child.
I wish...
[CINDERELLA]
I wish...
[STEPMOTHER]
You wish to go to the Festival?
[NARRATOR]
The poor girl's mother had died,
[STEPMOTHER]
You, Cinderella, the Festival?
You wish to go to the Festival?
[FLORINDA]
What, you, Cinderella, the Festival?
The Festival?!
[LUCINDA]
What, you wish to go to the Festival?
[ALL THREE]
The Festival?
The King's Festival?
[NARRATOR]
And her father had taken for his new wife
[STEPMOTHER]
The Festival...
[NARRATOR]
a woman with two daughters of her own.
[FLORINDA]
Look at you nails!
[LUCINDA]
Look at your dress!
[STEPMOTHER]
People would laugh at you-
[CINDERELLA]
Nevertheless,
I still want to go to the Festival
And dance before the Prince.
[STEPMOTHER & STEPSISTERS]
She still wants to go to the Festival
And dance before the Prince?!
[NARRATOR]
All three were beautiful of face, but vile and balck of heart.
Jack, on the other hand, had no father, and his mother-
[JACK'S MOTHER]
I wish...
[NARRATOR]
Well, she was not quite beautiful-
[JACK'S MOTHER]
I wish my son were not a fool.
I wish my house was not a mess.
I wish the cow was full of milk.
I wish the house was full of gold-
I wish a lot of things...
[BAKER'S WIFE]
Why, come in, little girl.
[LITTLE RED RIDING HOOD]
I wish...
It's not for me,
It's for my Granny in the woods.
A loaf of bread, please-
To bring my poor old hungry
Granny in the woods...
Just a loaf of bread, please...
[NARRATOR]
Cinderella's Stepmother had a surprise for her.
[STEPMOTHER]
I have emptied a pot of lentils into the ashes for you.
If you have picked them out again in two hours' time,
you shall go to the ball with us.
[LITTLE RED RIDING HOOD]
And perhaps a sticky bun?...
Or four?...
[CINDERELLA]
Birds in the sky,
Birds in the eaves,
I the leaves,
In the fields,
In the castles and ponds...
[LITTLE RED RIDING HOOD]
And a few of those pies... please...
[CINDERELLA]
Come, little birds,
Down from the eaves
And the leaves,
Over fields,
Out of castles and ponds...
[JACK]
No, squeeze, pal...
[CINDERELLA]
Ahhh...
Quick, little birds,
Flick through the ashes.
Pick and peck, but swiftly,
Sift through the ashes,
Into the pot...
[JACK'S MOTHER]
Listen well, son. Milky-White must be taken to market.
[JACK]
But, mother, no- he's the best cow-
[JACK'S MOTHER]
look at her.
There are bugs on her dugs.
There are flies in her eyes.
There's a lump on her rump
Big enough to be a hump-
[JACK]
But-
[JACK'S MOTHER]
Son,
We've no time to sit and dither,
While her wither's wither with her-
And no one keeps a cow for a friend!
Sometimes I fear your touched.
[LITTLE RED RIDING HOOD]
Into the woods,
It's time to go,
I hate to leave,
I have to, though.
Into the woods-
It's time, and so
I must begin my journey.
Into the woods
And through the trees
To where I am
Expected ma'am,
Into the woods
To Grandmother's house-
Into the woods
To Grandmother's house-
[BAKER'S WIFE]
You're certain of your way?
[LITTLE RED RIDING HOOD]
The way is clear,
The light is good,
I have no fear,
Nor no one should.
The woods are just trees,
The trees are just wood.
I sort of hate to ask it,
But do you have a basket?
Into the woods
And down the dell,
The path is straight,
I know it well.
Into the woods,
And who can tell
What's waiting on the journey?
Into the woods
To bring some bread
To Granny who
Is sick in bed.
Never can tell
What lies ahead.
For all that I know,
She's already dead.
But into the woods,
Into the woods,
Into the woods
To Grandmother's house
And home before dark.
[CINDERELLA]
Fly, birds,
Back to the sky,
Back to the eaves
And the leaves
And the fields
And the-
[FLORINDA]
Hurry up and do my hair, Cinderella!
Are you really wearing that?
[LUCINDA]
Here, I found a little tear, Cinderella.
Can't you hide it with a hat?
[CINDERELLA]
You look beautiful.
[FLORINDA]
I know.
[LUCINDA]
She means me.
[FLORINDA]
Put ut in a twist.
[LUCINDA]
Who will be there?...
[CINDERELLA]
Mother said be good,
Father siad be nice,
That was always their advice.
So be nice, Cinderella,
Good, Cinderella,
Nice good good nice-
[FLORINDA]
Tighter!
[CINDERELLA]
What's the good of being good
If everyone is blind
And you're always left behind?
Never mind, Cinderella,
Kind Cinderella-
Nice good nice kind good nice-
[FLORINDA]
Not that tight!
[CINDERELLA]
Sorry.
[FLORINDA]
Clod.
[BAKER'S WIFE]
Who minght that be?
[BAKER]
It's the witch from next door.
[NARRATOR]
The old enchantress told the couple she had
placed a spell on their house.
[BAKER]
What spell?
[WITCH]
In the past, when your mother was with child, she developed
an unusual appetite. SHe took one look at my beautiful garden
and told your father that what she wanted more than
anything in the world was
Greens, greens and nothing but greens:
Parsley, peppers, cabbages and celery,
Asparagus and watercress and
Fiddleferns and lettuce-!
He said, "All right,"
But it wasn't, quite,
'Cause I caught him in the autumn
In my garden one night!
He was robbing me,
Raping me,
Rooting through my rutabaga,
Raiding my arugula and
Ripping up my rampion
(My champion! My favorite!)-
I should have laid a spell on him
Right there,
Could have changed him into stone
Or a dog or a chair...
But I let him have the rampion-
I'd lots to spare.
In return, however,
I said, "Fair is fair:
You can let me have the baby
That your wife will bear.
And we'll call it square."
[BAKER]
I had a brother?
[WITCH]
No. But you had a sisiter.
[NARRATOR]
But the witch refused to tell him anymore of his sister.
Not even that her name was Rapunzel.
[WITCH]
I though I had been more than reasonable.
But how was I to know what your father
had also hidden in his pocket?!
[BAKER]
What?
[WITCH]
Beans.
[BAKER & WIFE]
Beans?
[WITCH]
The special beans.
I let him go,
I didn't know
He'd stolen my beans!
I was watching him crawl,
Back over the wall-!
Then bang! Crash!
And the lightning flash!
And- well, that's another story,
Never mind-
Anyway, at last
The big day came,
And I made my claim.
"Oh, don't take away the baby,"
They shrieked and screeched,
But I did,
And I hid her
Where she'll never be reached.
And your father cried,
And your mother died
When for extra measure-
I admit it was a pleasure-
I said, "Sorry,
I'm still not mollified."
And I laid little spell on them-
You, too, son-
That your family tree
Would always be a barren one...
So there's no more fuss
And there's no more scenes
And my garden thrives-
You should see my nectarines!
But I'm tellling you the same
I tell kings and queens:
Don't ever never ever
Mess around with my greens!
Especially the beans.
[JACK'S MOTHER]
Now closely to me, Jack. Lead Milky-White to market and
fetch the best price you can. Are you listening to me?
Jack Jack Jack,
Head in a sack,
The house is getting colder,
This is not the time for dreaming.
Chimney stack
Starting to crack,
The mice are getting bolder,
The floor's gone slack,
Your mother's getting older,
Your father's not back,
And you can't just sit here dreaming pretty dreams.
To wish and wait
From day to day
Will never keep
The wolves away.
So into the woods
The time is now.
We have to live,
I don't care how.
Into the woods
To sell the cow,
You must begin the journey.
Straight to the woods
and don't delay-
You have to face
The marketplace.
Into the woods to journey's end-
[JACK]
Into the woods to sell a friend-
[NARRATOR]
Meanwhile, the Witch, for purposes of her own,
explained how the Baker might lift the spell;
[WITCH]
You wish to have
The curse reversed?
I'll need a certain
Potion first.
Go to the woods and bring me back
One: the cow as white as milk,
Two: the cape as red as blood,
Three: the hair as yellow as corn,
Four: the slipper as pure as gold.
Bring me these
Before the chime
Of midnight,
In three day's time,
And you shall have,
I guarantee,
A child as perfect
As child can be.
Go to the wood!
[STEPMOTHER]
Ladies.
Our carriage waits.
[CINDERELLA]
Now may I go to the Festival?
[STEPMPTHER]
The Festival-!
Darling, those nails!
Darling, those clothes!
Lentils are one thing but
Darling, with those,
You'd make us the fools of the Festival
And mortify the Prince!
[CINDERELLA'S FATHER]
Our carriage is waiting.
[STEPMOTHER]
We must be gone.
[CINDERELLA]
Good night, Father.
I wish...
[BAKER]
Look what I found in father's hunting jacket.
[BAKER'S WIFE]
Six beans. We'll take them with us.
[BAKER]
No!
The spell is on my house.
Only I can lift the spell,
The spell is on my house.
[BAKER'S WIFE]
No, no, the spell is on our house.
We must lift the spel.
[BAKER]
No. You are not to come and that is final.
Now what am I to return with?
[BAKER'S WIFE]
You don't remember?
The cow as white as milk,
The cape as red as blood,
The hair as yellow as corn,
The slipper as pure as gold-
[BAKER]
The cow as white as milk,
The cape as red as blood,
The hair as yellow as corn,
The slipper as pure as gold...
[NARRATOR]
And so the Baker, reluctantly, set off to meet the
enchantress' demands.
As for Cinderella:
[CINDERELLA]
I still wish to go to the Festival,
But how am I ever to get to the Festival?
[BAKER]
The cow as white as milk,
The cape as red as blood,
The hair as yellow as corn-
[CINDERELLA]
I know!
I'll visit Mother's grave,
The grave at the hazel tree,
And tell her I just want to
Go to the King's Festival...
[BAKER]
The slipper as pure as gold...
The cow, the cape,
The slipper as pure as gold-
[BAKER'S WIFE]
The hair-!
[CINDERELLA & BAKER]
Into the woods,
It's time to go,
It may be all
In vain, you/I know.
Into the woods-
But even so,
I have to take the journey.
[CINDERELLA, BAKER & WIFE]
Into the woods,
The path is straight,
You know it well,
But who can tell-
[BAKER & WIFE]
Into the woods to lift the spell-
[CINDERELLA]
Into the woods to visit Mother-
[BAKER'S WIFE]
Into the woods to fetch the things-
[BAKER]
To make the potion-
[CINDERELLA]
To got to the Festival-
[CINDERELLA, JACK, JACK'S MOTHER, BAKER, WIFE]
Into the woods
Without regret,
The choice is made,
The task is set.
Into the woods,
But not forget-
Ting why I'm on the journey.
(Little Red Riding hood Joins)
Into the woods
to get my wish,
I don't care how,
The time is now.
[JACK'S MOTHER]
Into the woods to sell the cow-
[JACK]
Into the woods to get the money-
[BAKER'S WIFE]
Into the woods to lift the spell-
[BAKER]
To make the potion-
[CINDERELLA]
To go to the Festival-
[LITTLE RED RIDING HOOD]
Into the woods to Grandmother's house...
Into the woods to Grandmother's house...
[ALL]
The way is clear,
The light is good,
I have no fear,
No no one should.
The woods are just trees,
The trees are just wood.
No need to be afraid there-
[CINDERELLA & BAKER]
There's something in the glade there...
[ALL]
Into the woods,
Without delay,
But careful no
To lose the way.
Into the woods,
Who knows what may
Be lurking on the journey?
Into the woods
To get the thing
That makes it worth
The lourneying.
into the owwds-
[STEMOTHER & STEPSISTERS]
To see the King-
[JACK & MOTHER]
To sell the cow-
[BAKER & WIFE]
To make the potion-
[ALL]
To see-
To sell-
To get-
To bring-
To make-
To lift-
To go to the Festival-!
Into the woods!
Into the woods!
Into the woods,
Then out of the woods,
And home before dark!
Song Overview

The track “Prologue: Into the Woods” introduces the overlapping fairy-tale tapestry of Stephen Sondheim and James Lapine’s 1987 musical. It was captured in RCA’s New York studio on November 9–10 1987 and released January 8 1988 as the opening cut of the cast album produced by Jay David Saks. That recording later earned the Grammy for Best Musical Theater Album, confirming that even a 14-minute curtain-raiser can stand on its own as a single of sorts.
Personal Review

Fifty years of notebook-scribbling about show tunes and this opener still leaves me grinning like Jack on bean-discovery day. The restless I wish motif hovers above a sauntering clarinet, then explodes into overlapping desires — Jack wants milk, Cinderella a night out, the Baker a child. Instead of a tidy verse–chorus shape, Sondheim lets their wishes braid, knot, and yank the tempo forward. I remember first hearing it on a battered Walkman in ’88: the forest felt alive, the plot lights blinking on like fireflies.
The tricky part? Singing along. Consonants must snap without rushing, vowels ride Jonathan Tunick’s orchestration like quicksilver. Miss a beat and the spell breaks. Yet when the ensemble nails it, the whole number feels inevitable — like folklore overheard, not staged.
Song Meaning and Annotations

The prologue is less an overture than a map of moral fault lines. One by one, archetypes step forward, sing two wish-notes, and retreat — a musical relay showing how hunger drives every fairy tale. Sondheim marks each entrance with a two-note sigh: I wish… That sigh circles back in the finale, framing the whole musical as a cautionary Möbius strip.
Listen to the woodwinds mimic birds when Cinderella summons help, the muted brass growl under the Witch’s bean rant, the string tremolo that flickers whenever someone bargains with destiny. Those orchestral colors signal genre collisions: folk-tale innocence smashed against modern anxiety.
Once upon a time — I wish…
That seemingly gentle opening chord, Sondheim admitted, was designed to “startle the audience awake,” a reminder that anything sweet may curdle in the next bar.
The number also toys with classical rhetoric. The Baker’s Wife repeats the cow as white as milk as a comic litany (anaphora), while Little Red’s The woods are just trees / The trees are just wood de-mythologizes nature, only to have danger pounce a scene later.
Verse Highlights
Verse 1 — Narrator & Cinderella
The narrator’s story-book cadence is undercut by Cinderella’s whispered More than life… showing desire already leaking outside the frame.
Chorus (Ensemble Fugue)
No true refrain; instead, overlapping motifs imitate the chaos of competing agendas, climaxing on the collective cry Into the woods!
Witch’s Rap
Sondheim fuses patter song with rap-like internal rhymes (rooting / raiding / ripping) to paint the Witch as lyrical and lawless.
Final Build-Up
The last sixty seconds stack every quest in one breath, daring listeners to track each thread — proof that Act I’s tragicomic tangle is already seeded.
Song Credits

- Featured: Tom Aldredge (Narrator/Mysterious Man)
- Producer: Jay David Saks
- Composer & Lyricist: Stephen Sondheim
- Release Date: January 8, 1988
- Genre: Musical Theatre, Orchestral Show Tune
- Instruments: strings, clarinets, flutes, French horns, percussion, piano, harp
- Label: RCA Victor Broadway
- Mood: anticipatory, sardonic
- Length: 14 min 38 s
- Track #: 1 (Into the Woods OBCR)
- Language: English
- Album: Into the Woods (Original Broadway Cast Recording)
- Music style: through-composed fugue-and-patter hybrid
- Poetic meter: shifting trochaic and anapestic feet
- Copyrights © 1988 RCA Records / Music Theatre International
Songs Exploring Similar Themes
While “Prologue” shows the cost of unchecked wishing, No One Is Alone (Act II) answers with communal responsibility. Its tender counter-melodies soften the earlier chaos, yet the lyric warns that even good deeds ripple outward, sometimes hurting strangers.
Meanwhile, Jack’s soaring solo Giants in the Sky revisits the thrill-and-fall pattern: exhilaration in the clouds, terror when perspective widens. Where the Prologue braids many voices, Jack’s song condenses that lesson into one boy’s shaken falsetto.
In contrast, “Defying Gravity” from Wicked offers a triumphant take on stepping into the unknown. Elphaba’s flight feels victorious, yet like our fairy-tale wanderers she will land hard in Act II. All three numbers remind us that journeys rewrite the map more than destinations ever could.
Questions and Answers
- Why doesn’t the prologue have a conventional chorus?
- Because the overlapping wishes function as a fugue; Sondheim preferred contrapuntal storytelling over a repetitive hook.
- Is “Prologue” ever performed outside the full musical?
- Yes — gala concerts often use it as an overture-replacement, showcasing multiple soloists in one sweep.
- Which key signatures dominate the piece?
- It pivots between F major (Cinderella) and G minor (Jack), with sudden chromatic slips during the Witch’s section.
- How long did the original cast album session last?
- Two marathon days in November 1987, followed by overnight edits before the holiday rush.
- Did Sondheim ever tweak the lyrics after 1988?
- Minor film changes — “sad young lad” became “carefree,” and Little Red’s verses lost a few morbid cracks.
Awards and Chart Positions
• Original cast album: Grammy Award, Best Musical Theater Album (31st Grammys, 1989).
• Show: Tony Awards 1988 — Best Original Score, Best Book, Best Actress (Joanna Gleason).
• Film soundtrack: Climbed to No. 8 on the Billboard 200 in January 2015, rare air for a stage-derived score.
• 2022 Broadway revival cast album: Grammy winner, Best Musical Theater Album (2023 ceremony).
How to Sing It
Vocal range: low A? (Narrator) to sustained G?5 (Rapunzel cameo). Breath control is everything — phrases often run fourteen syllables without a rest. Keep diction percussive on plosive consonants (baker, beans, birds) and lighten vowels on rapid sixteenth-note passages (the Witch’s vegetable inventory). Tempo hovers near ? = 116 but expect rubato cues from the conductor, especially when ensemble wishes cascade.
Fan and Media Reactions
“A clever mash-up of familiar fables that packs a sour Freudian twist.” — Time magazine review, 2014
“Lightning in a bottle… a direct line to our heart.” — Vanity Fair on the 2022 revival
“The soundtrack climbed to #8 on the Billboard 200, the only sales gain in the Top 40 that week.” — Playbill
“All our work is in service to Sondheim’s memory.” — Producer Sean Patrick Flahaven, Grammy acceptance speech
“Even the prologue feels like the forest breathing.” — YouTube comment, user DawnOfTheBards
Music video
Into the Woods Lyrics: Song List
- Act 1
- Prologue: Into the Woods
- Cinderella at the Grave
- Hello, Little Girl
- I Guess This Is Goodbye / Maybe They're Magic
- I Know Things Now
- Very Nice Prince / First Midnight / Giants in the Sky
- Agony
- It Takes Two
- Stay With Me
- On the Steps of the Palace
- Ever After
- Act 2
- Act II Prologue: So Happy
- Agony (Reprise)
- Lament
- Any Moment / Moments in the Woods
- Your Fault / Last Midnight
- No More
- No One Is Alone
- Finale: Children Will Listen