Better Hold Tight Lyrics
Nick and JordanBetter Hold Tight
[NICK]Could it be 1917?
Have we stepped inside a time machine?
[JORDAN]
Something out of H. G. Wells
Or another one of Gatsby's spells?
[NICK]
I think I see stars aligning
[JORDAN]
Or my standards are declining
[NICK]
You’re learnin' to spot what you need
When to follow and when to
[JORDAN]
Keep following
[NICK]
Oh, holding you is like clinging to a cloud
[JORDAN, spoken]
Watch it!
[NICK]
I have to hold tight or you might fly away
[JORDAN]
You know I can't help that I rise above the crowd
[NICK]
And I wouldn’t want it any other way
[JORDAN]
So, you'd better hold tight or I might fly away
Never thought you were my style
Go and keep me dizzy for a while
[NICK]
Maybe it's the uniform
[JORDAN]
Woo!
Maybe it's the dress I've nev?r worn
[JORDAN & NICK]
You just might be my undoing
I admit there's som?thing brewing
What we do might be taboo
But I like that look on you
Oh, never thought I'd hold starlight in my hands
[JORDAN]
You'd better hold tight or I might fly away
[NICK]
You might fly away
You know I could never afford a second chance
[JORDAN, spoken]
That’s true!
[NICK]
Better make my advance before the last dance starts to play
You better hold tight
[JORDAN]
Mm, you better hold tight
[JORDAN & NICK]
We better hold tight before this flies away
Hey!
[JORDAN]
Oh-oh-oh
Ooh, ooh
[NICK, spoken]
I kinda like that dress
[JORDAN, spoken]
Ooh, don’t get used to it
[JORDAN & NICK]
Flies away
Song Overview

Review and Highlights

Quick summary
- A flirt-forward duet for Nick Carraway and Jordan Baker from the Broadway adaptation of F. Scott Fitzgerald’s novel - a moment of levity at a 1910s themed bash.
- Music by Jason Howland, lyrics by Nathan Tysen; featured on The Great Gatsby - A New Musical (Original Broadway Cast Recording) released June 28, 2024.
- Studio track length about 2:30, in D major at roughly mid-70s BPM; light swing feel with modern pop sheen.
- Functions as a character beat: Nick tests his boldness, Jordan teases back - chemistry first, commitment later.
- Live renditions surfaced in promo and Pride performances, doubling as a showcase for Noah J. Ricketts and Samantha Pauly.
Creation History
The number sits in the show’s first half as an infatuation spark between Nick and Jordan. Howland’s writing leans into clipped phrases and buoyant backbeats, letting the dialogue-like lyrics ride the groove. The cast album was issued by Masterworks Broadway in late June 2024 with the Broadway company in place; a few tracks were teased earlier that month to set the sound-world and hook in new listeners. According to Playbill magazine, the recording dropped digitally June 28, with physical formats following later in the summer. The show’s high-style visual identity - sharp tuxes, glimmering dresses, and period nods roughed up by nightlife energy - frames the song’s video content.
Key takeaways: flirtation over confession; a rhythm section built for glide, not stomp; lyrics that keep the banter spry; staging that winks at vintage silhouettes while playing like a contemporary pop cut.
Song Meaning and Annotations

Plot
We are at a themed party where guests wear World War I era looks. Nick shows up in uniform, Jordan in a dress that screams vintage pomp. They flirt, circle, and test each other’s tempo. He wants a moment that lasts; she keeps the air under her feet. The push-pull ends with a pact to hold on to the spark before the night - and the band - moves on.
Song Meaning
The core message is magnetism meeting nerve. Nick tries on decisiveness, Jordan tries on vulnerability without losing altitude. The mood is fizzy and lightly dangerous - a social dance where boldness has to keep time with tact. Historically, it nods at the early 1920s appetite for reinvention after wartime, but it’s filtered through a contemporary Broadway-pop lens: clean hooks, syncopated phrasing, and a rhythm section that suggests a slow-dance that could turn into a carefree spin.
Annotations
“Could it be 1917?”
Party conceit: wardrobe throws back to the war years so Nick’s uniform and Jordan’s dress are period-tinged. The lyric uses a time-warp gag to set the scene quickly and wink at the audience.
“Something out of H. G. Wells”
A nod to The Time Machine. It’s a neat shorthand: retro-futurist wonder as a metaphor for stepping into a themed dreamscape.
“Holding you is like clinging to a cloud”
A running joke at Jordan’s expense - her poofy dress - but also a metaphor for her airy, elusive persona. He can’t quite ground her without ruining the effect.
“Better make my advance before the last dance starts to play”
Nick peps himself up. He has watched other men freeze in Gatsby’s glow. This time he moves before the moment slips. The lyric compresses character growth into nightclub timing.
“You better hold tight”
Fan chatter sometimes claims a surprise proposal around this beat. In the Broadway staging, the relationship stays in the flirty lane - the song’s stakes are immediate and romantic, not matrimonial. The spirit of the note - don’t squander the chance - lands, but the canon keeps it casual.

Style and instrumentation
Laid-back backbeat around mid-70s BPM; piano and kit do the lifting while guitars and reeds add sparkle. The arrangement favors tight call-and-response, with short phrases that duck and weave like smalltalk at a crowded party.
Emotional arc
Start: playful disbelief. Middle: temptation turns kinetic. Finish: mutual agreement to grab the moment. No grand declarations - just chemistry with a clock on it.
Key Facts
- Artist: Original Broadway Cast of The Great Gatsby - A New Musical with Noah J. Ricketts and Samantha Pauly
- Featured: Vocals by Noah J. Ricketts and Samantha Pauly
- Composer: Jason Howland
- Lyricist: Nathan Tysen
- Producer: Jason Howland with Nathan Tysen and Billy Jay Stein
- Release Date: June 28, 2024
- Genre: Broadway pop, light swing
- Instruments: Rhythm section, keys, reeds, guitars, ensemble vocals
- Label: Masterworks Broadway
- Mood: flirtatious, buoyant, a little daring
- Length: 2:30
- Track #: 12 on the cast album
- Language: English
- Album: The Great Gatsby - A New Musical (Original Broadway Cast Recording)
- Music style: duet with conversational phrasing, pop harmony touches
- Poetic meter: predominantly iambic lines with syncopated stress shifts
Canonical Entities & Relations
Jason Howland - composed - the song. Nathan Tysen - wrote lyrics for - the song. Noah J. Ricketts - sang - Nick Carraway’s vocal part. Samantha Pauly - sang - Jordan Baker’s vocal part. Masterworks Broadway - released - the cast album. Kait Kerrigan - wrote - the musical’s book. Marc Bruni - directed - the Broadway production. Paul Tate dePoo III - designed - scenic elements for Broadway. Linda Cho - designed - costumes for Broadway.
Questions and Answers
- Where in the show does the duet land?
- Early enough to let Nick and Jordan declare interests without heavy fallout - it is a vibe-setter more than a plot pivot.
- What musical colors drive it?
- Steady backbeat around mid-70s BPM, piano-led groove, and tight vocal trading that keeps phrases short and flirty.
- Why the H. G. Wells reference?
- It tags the party’s time-play conceit and signals the show’s habit of glancing at pop-literary touchstones while staying breezy.
- Does the number change Nick?
- A little. He acts faster. The lyric frames courage as timing - make your move before the last dance cue.
- Is Jordan sincere or just dazzling?
- Both. She guards her altitude but meets him halfway by the tag, which is the point: equal parts tease and truth.
- Any studio credits worth clocking?
- Conductor Daniel Edmonds and associate conductor Nicholas Cheng are credited on the album’s materials; the track keeps the band taut and the vocals crisp.
- Has this cut turned up in promo?
- Yes - performance clips from Pride events and show channels circulated during the Broadway run, amplifying the duet’s calling-card energy.
- What makes it distinct on the album?
- It is one of the tightest, poppiest cuts - a short scene-song that moves like a single.
Awards and Chart Positions
Tony Awards 2024: Best Costume Design of a Musical - Linda Cho - winner. As stated on the Tony Awards site.
Outer Critics Circle 2024: Outstanding Scenic Design - Paul Tate dePoo III - winner (tie). Outstanding Costume Design - Linda Cho - winner.
Award | Category | Recipient | Result |
Tony Awards 2024 | Best Costume Design of a Musical | Linda Cho | Winner |
Outer Critics Circle 2024 | Outstanding Scenic Design | Paul Tate dePoo III | Winner (tie) |
Outer Critics Circle 2024 | Outstanding Costume Design | Linda Cho | Winner |
How to Sing Better Hold Tight
Essentials: Key D major. Approx. tempo 74 BPM. Time signature 4/4. Duration about 2:30. Duet for baritenor and mezzo-soprano; sits in a comfortable, speech-like mix rather than belting throughout.
- Tempo & feel: Practice with a click at 72-76 BPM. Let phrases ride just behind the beat to keep the flirt playful.
- Diction: Consonants are punchlines here. Keep T and K clean so the banter lands without rushing vowels.
- Breathing: Mark quick snatch-breaths before rhymed pairs. Aim for soft onsets to avoid hard edges on intimate lines.
- Flow & rhythm: Treat each 2-bar unit like a volley. Trade space with your partner rather than stacking sound.
- Accents: Lift the internal rhymes and verbs - they carry the flirt. De-emphasize filler words.
- Ensemble/doubles: On the tag, align sibilants and final plosives. Record rehearsals to spot phasey consonants.
- Mic craft: Cardioid at 6-8 inches. Step in for whispers, back off for shared tags. Watch proximity on consonant clusters.
- Pitfalls: Over-belting. The charm is in restraint. Keep the mix elastic and let the groove do the work.
Practice materials: Use the cast album track for phrasing references. Build a loop of the chorus vamp at 74 BPM to drill handoffs.
Additional Info
According to Playbill, the album’s digital release date was late June 2024, with physical formats arriving in early August. Apple Music’s credits list Daniel Edmonds as conductor and Nicholas Cheng on keyboards, reflecting the show’s sleek pop-orchestra engine. The Broadway production’s costume build reportedly neared 300 looks, a scale that tracked with the show’s opulent party scenes. And yes - the duet became a go-to for promotional clips, including Pride performances that spotlighted how easily it plays outside the book scenes.
Sources
Playbill; Apple Music; Masterworks Broadway; Tony Awards; New York Theatre Guide; Musicstax; Discogs; YouTube