Comfort Zone / Perimedes Lyrics
[Cut Song]Comfort Zone / Perimedes
[CREW]Five hundred twenty-eight men under his command
Five hundred twenty-eight men under his command
Five hundred twenty-eight men under his command
Five hundred twenty-eight
Perimedes
[PERIMEDES]
Yo! Captain's gone soft
Seventy-two of our dudes are now lost
[ELPENOR]
He hasn’t been the same since Troy
I heard he had to kill an evil baby boy
[PERIMEDES]
Oh please! Gimmie that baby and I'd yeet it off a tower
[ELPENOR]
What?
[PERIMEDES]
I don't love anybody that’s my power
Cause if I got nothing to lose
Then I got nothing to fear
And there's no way I'll get bruised
If I don't let anyone near
Cause it's me, myself, and I
Can't fall if I don't fly
Can't fail if I don’t try
I’m in my comfort zone
I'm in my comfort zone
Perimedes: Song Overview

Personal Review

Comfort Zone was a cut song from EPIC, intended to take place sometime after the events of Ismarus. This timing aligns with the loss of 72 men—mirroring the Odyssey’s account of six men lost per ship across twelve ships. While the full track was scrapped, a single verse found a second life in the song Legendary.
The scene unfolds as a tense, emotionally charged conversation between a drunken Elpenor and Perimedes in the aftermath of the raid. Perimedes vents his growing frustration with Odysseus, accusing him of going soft. When Elpenor brings up Odysseus’ killing of Astynax, Perimedes coldly retorts that he would have done the same.
Elpenor, unsettled, questions this—and Perimedes unravels. He confesses that he distances himself from others, refusing to love anyone because it’s the only way to avoid being hurt. It’s a rare and raw admission from a hardened soldier.
The conversation is eventually interrupted by Polites, who overhears the exchange. Rather than comment directly, he orders both of them to join him for a recon mission—offering action as a way to redirect the spiraling emotions.
Comfort Zone / Perimedes boils down to one mantra: if I never love, I can never bleed. The lyrics hit like locker-room gossip shouted through a megaphone—half roast, half therapy session—while a chant of “Five hundred twenty-eight men under his command” stomps the floorboards. Key takeaways: Perimedes idolises apathy, Elpenor balks, and Odysseus’ post-Troy guilt casts a long shadow. One-sentence snapshot: a drunken mid-watch rant where bravado masks a terror of loss.
Song Meaning and Annotations

The Comfort Zone scene lands shortly after the sack of Ismarus: 72 sailors dead, morale shredded, and Odysseus “gone soft,” according to Perimedes. The EpicTheMusical Fandom page confirms the placement and notes that a single verse was later recycled into “Legendary.” This timeline matters because it frames Perimedes’ nihilism as fallout—not mere personality quirk.
Musically the track fuses boom-bap drums with marching-band unison, giving the crew’s count-off an almost sports-arena vibe. Perimedes’ rap barrels forward at 95 BPM, words clipped short like he’s daring anyone to contradict him. Elpenor’s asides (“He hasn’t been the same since Troy…”) slide in on syncopated eighth-notes, the musical equivalent of a worried glance.
The philosophy is razor-clear: “If I got nothing to lose / Then I got nothing to fear
.” It’s soldier logic twisted into self-sabotage—better numb than noble. That cynicism foreshadows later Lotus-Eater temptations and explains why Perimedes hesitates to follow Odysseus into fresh nightmares.
Lines about “yeeting” a baby off a tower veer into gallows humor, referencing the rumored killing of Astyanax during Troy’s fall. Elpenor’s horror grounds the moment; Perimedes celebrates it, flaunting a heart he swears he doesn’t have.
Fans first heard the full cut via a July 23 2024 SoundCloud leak, bundled in an unofficial Cut Saga playlist. Animatics soon followed, racking up tens of thousands of views and spawning meme edits of the chant line.
“Can’t fall if I don’t fly / Can’t fail if I don’t try / I’m in my comfort zone.”
The hook flips motivational posters on their heads, turning “try” into a liability. The rhyme scheme (A-A-A) and heavy end-stops make each phrase sound like a slammed door.
Verse Highlights
Crew Chant
Four bars, one note—a drill cadence that reduces men to numbers. The monotony mirrors the lost humanity Perimedes brags about.
Perimedes’ Solo
Tight internal rhymes (lose / bruise, fly / try) ride a minor-mode bass line, giving swagger an undercurrent of dread.
Song Credits

- Artist: Jorge Rivera-Herrans
- Composer / Lyricist: Jorge Rivera-Herrans
- Drafted: 2019
- First Full Leak: July 23 2024 (SoundCloud)
- Genre: Hip-hop musical theatre
- Language: English
- Album: EPIC: The Musical Cut Songs
- Instruments: trap kit, brass stabs, low strings, gang vocals
- Mood: defiant, jaded
- Label: Independent
- Poetic Meter: trochaic bursts over 4/4
- Copyright: © 2019-2025 Jorge Rivera-Herrans
Songs Exploring Themes of Cynicism & Armor
Compare Perimedes’ creed to “My Shot” from Hamilton. Alexander boasts of fearless ambition, but underneath thumps the same terror of obscurity. Where Alexander lunges, Perimedes retreats—two sides of the valor coin.
Meanwhile, Stephen Sondheim’s “No One Is Alone” offers the balm Perimedes rejects. That gentle waltz counters his 4/4 stomp, suggesting community as antidote to fear.
Link the mood to Green Day’s “Boulevard of Broken Dreams.” Both songs wear isolation like armor, guitars swapped for marching chants, but the empty echo feels identical.
Questions and Answers
- Where would “Comfort Zone” appear in the EPIC storyline?
- Just after the raid on Ismarus—72 crewmen dead and morale fracturing.
- Why was it cut?
- Rivera-Herrans trimmed Act I for pacing; a single Perimedes verse survives in “Legendary.”
- Does the track have official releases?
- No. Only demo clips and fan leaks circulate online.
- Any notable covers?
- Multiple YouTube animatics and GL2 edits recreate the chant, the most-viewed sitting above 30 k plays.
- Could it return on the rumored “Cut Saga” EP?
- Fans on r/EpicTheMusical speculate yes, but no formal confirmation yet.
How to Sing?
Perimedes’ verse hugs B2–F?4, spitting sixteenths. Drill the rhythm first—clap the off-beats—then layer pitch. Keep vowels clipped; glide too much and the swagger wilts. Ensemble chants sit around A3; aim for unison grit, not choir polish. Above all, own the sneer—but slip a crack of fear beneath the bravado.