Full Disclosure - Part 2 Lyrics — Addams Family, The
Full Disclosure - Part 2 Lyrics
Ooooh, that's to dark even for us
Gomez/Morticia/Fester/Grandma/Pugsley/Ancestors:
Full disclosure
Gomez:
Wow, that story was grim
Gomez/Morticia/Fester/Grandma/Pugsley/Ancestors:
We're talking grim
Gomez:
Filled with fear and loathing up to the brim
Gomez/Morticia/Fester/Grandma/Pugsley/Ancestors:
That's quite a brim
Gomez:
Just imagine being married to him
Mal (Spoken):
Ok, Addams, I got one for you. We're simple people. We're not used to your sophisticated New York life-style. So with
your permission, we're gonna go back to the real American. Full disclosure!
Wednesday (Spoken):
Wait! Wait! I'm sorry, but Lucas won't be going with you.
Mal (Spoken):
Why not?
Wednesday (Spoken):
Because Lucas and I are getting married.
Fester/Ancestors:
Married!
Gomez:
No! It can't be!
Fester/Ancestor:
Married!
Mal (Spoken):
You marry her, I'm cutting you off.
Mal:
Not a sing penny
Fester/Ancestor:
Getting married
Wednesday:
We don't want your money
Fester/Ancestors:
Getting married
Lucas:
So, we're getting married
Fester/Ancestors:
Very married
All(Except Wednesday and Lucas):
Are they getting married?
Really married?
"Married" Married?
Full disclosure
Morticia/Alice/Wednesday/Gomez/Mal/Lucas/Grandma/Fester:
What a miserable
All:
Play it once
And life is never the same
Alice:
Ah ah ah ah!
All:
Someone started it
So someone's to blame
Enough of full
Disclosure!
Song Overview
Review and Highlights
Quick summary
- What it is: A brisk Act One coda that turns a dinner-table disaster into a punchy ensemble refrain.
- Where it lands in the story: The truth-serum game has already lit the fuse, and this section snaps the fuse down to the last inch.
- Who is featured in the scene: Gomez, Morticia, Fester, Grandma, Pugsley, and the Ancestors, with Mal pushing the moment into open conflict.
- Album placement: Listed as the final item in Act One on the cast-album track list.
- Why it matters: It sets the Act One break with a family motto that suddenly sounds less like a joke.
The Addams Family (2010) - stage musical - non-diegetic. This is the show doing what good farce does: tightening the screws, then smiling as the cabinet starts to shake. The number is short on the album, but it is not a throwaway. It is a hinge. The dinner guests are past polite recovery, and the household is about to pay for a secret kept inside a marriage.
Musically, it behaves like a tag at the end of a comedy scene, except the tag is barbed. The repeated phrase is a chorus line and a warning label. I like how the writing lets Gomez begin with amused commentary, then gets interrupted by Mal, whose plain speaking lands like a slammed chair. That interruption is the point: the Addams style of confession meets the Beineke style of outrage, and neither side knows how to translate.
Key takeaways
- The refrain works as a punch line, then immediately as a threat.
- Ensemble writing keeps the chaos legible: characters get their own angles on the same shock.
- The scene is engineered for momentum - it is built to spill into the next beat without a pause.
Creation History
According to Playbill, the Original Broadway Cast Recording was created during an April 19, 2010 studio session and released June 8, 2010 on Decca Broadway, with Andrew Lippa producing the album. The published piano-vocal pages circulating for this section show a revision date in early 2012, which tracks with how licensing materials often get cleaned up after a Broadway run has settled. The scene itself is a classic post-dinner blowup: a tight musical button that can be staged with minimal choreography and maximum reaction shots.
Song Meaning and Annotations
Plot
Act One builds toward the Beinekes visiting the Addams home for dinner. A truth serum has been introduced as a party trick, and it starts prying open feelings nobody planned to say out loud. This section arrives after Alice has been transformed by the potion and Mal tries to take control of the room. Gomez and the household attempt to keep the moment playful, but Mal is done playing. The argument triggers the secret at the center of the show: Wednesday and Lucas are not simply dating - they are planning marriage, and Morticia realizes she was kept in the dark.
Song Meaning
The phrase "full disclosure" changes function here. Earlier, it is a cocktail-game gimmick, a theatrical excuse to sing secrets as entertainment. Now it becomes a verdict on the Addams marriage. The meaning is less "tell the truth" and more "you will pay for the truth you delayed." The number is funny because it keeps the house style - quick wit, dark charm - while the stakes move into real hurt.
Annotations
No user annotations were provided, so these notes are drawn from the licensed scene text and the way the music is marked for performance.
Wow, that story was grim.
Gomez tries to make Mal's complaint sound like material for a toast. That is his defense mechanism: turn conflict into theater. It works, until it does not.
Just imagine being married to him.
The line reads as a joke about Mal, but it is also a little flare fired into the marriage plot. The audience hears "married" and starts leaning forward, because the show has been hoarding that word all night.
Yes, we kept a secret.
Once Wednesday says it, the refrain is no longer playful. It becomes a chorus of witnesses. The Ancestors are not background color - they behave like the family conscience, loudly agreeing with whatever reality has just landed.
Genre, rhythm, and the driving pulse
The piano-vocal score marks the opening as "As Before, But Even More Raucous," which is a director's note disguised as tempo. The rhythm is built for volleys: short phrases, quick replies, and a sense that the room is talking over itself. When the dialogue resumes, the score keeps the energy moving with an "L'istesso Tempo" indication, an elegant way of saying: keep the wheel spinning.
Emotional arc
The emotional curve is compact: amused commentary - interruption - revelation - shock. Because the section is brief, performers have to play the turns cleanly. Morticia cannot arrive at outrage too soon, and Wednesday cannot treat the admission like a cute confession. The punch comes from timing. A half-second delay on "getting married" can land like a trapdoor.
Cultural touchpoints
The Addams brand has always been a satire of "respectable" family life. This scene sharpens that satire by putting the respectable guests into an unrespectable truth game - and then letting the Addams couple discover that secrecy is not a game at all. You can feel the show nodding at sitcom structure while insisting on stage-musical scale: chorus, underscore, and a communal reaction you simply cannot get on television without a laugh track.
Technical Information (Quick Facts)
- Artist: Company
- Featured: Ensemble voices (Gomez, Morticia, Fester, Grandma, Pugsley, Ancestors)
- Composer: Andrew Lippa
- Producer: Andrew Lippa
- Release Date: June 8, 2010
- Genre: Musical theatre; stage and screen
- Instruments: Voice; orchestra
- Label: Decca Broadway
- Mood: Raucous; confrontational; comic pressure
- Length: 1:10
- Track #: 11 (Original Broadway Cast Recording)
- Language: English
- Album (if any): The Addams Family - Original Broadway Cast Recording
- Music style: Ensemble button with rapid call-and-response
- Poetic meter: Mixed; speech-driven phrasing with repeated refrains
Frequently Asked Questions
- Where does this section fall in the show?
- It closes Act One, immediately after the dinner-game chaos has made the room impossible to control.
- Who is credited as the performer on the cast album?
- The track is credited to Company on streaming listings for the Original Broadway Cast Recording.
- Which characters are involved in the scene version?
- Gomez, Morticia, Fester, Grandma, Pugsley, and the Ancestors are identified in the licensed scene text, with Mal interrupting the number and driving the confrontation forward.
- Is this a standalone song or a continuation?
- It is a continuation and a button. It rides the same confession motif, then snaps it into a new consequence.
- How long is it on the 2010 cast album?
- About 1 minute and 10 seconds, which fits its job as a fast dramatic hinge.
- Does it introduce new melodic material?
- It mainly reshapes earlier material into a tighter refrain, using ensemble replies to clarify the turns in the scene.
- Why split "Full Disclosure" into parts?
- Part One handles the setup and the game. This section handles the fallout and aims the audience at the Act One break.
- Is the music meant to feel polished or messy?
- Messy, in the good way. The piano-vocal marking asks for raucous energy, which supports overlapping reactions rather than pristine blend.
- Was it released as a commercial single?
- It is best documented as a cast-album track, not a separate single release.
Awards and Chart Positions
Zoom out from this track and the public record becomes clear. As stated on the Tony Awards site, the show received a 2010 nomination for Original Musical Score for Andrew Lippa. And in a Billboard Cast Albums chart recap published by BroadwayWorld for the week ending June 19, 2010, the Original Broadway Cast Recording is listed at number 2, a strong early run for a new title.
| Item | Result | Year | Details |
|---|---|---|---|
| Tony Awards - Original Musical Score | Nominated | 2010 | Music and lyrics by Andrew Lippa |
| Billboard Cast Albums chart | Listed at #2 | 2010 | Week ending June 19 (recap published by BroadwayWorld) |
Additional Info
According to IBDB, the Broadway production opened April 8, 2010 at the Lunt-Fontanne Theatre, directed by Phelim McDermott and Julian Crouch, with choreography by Sergio Trujillo. Those names matter when you watch how the dinner scene is structured: the directing team was known for bold stage pictures, and the score is written to support quick re-compositions of the table - who is up, who is interrupting, who is suddenly the center of the room.
This section also shows Andrew Lippa at his most theatrical: he writes a refrain that can be tossed between characters like a hot plate. The fun is not in vocal display. It is in hearing the household attempt to keep its dark manners intact while the guests demand plain answers. A small aside for performers: treat the refrain as dialogue with pitch, not as choral wallpaper. When it is too pretty, the scene loses teeth.
Key Contributors
| Entity | Type | Relationship (S - V - O) |
|---|---|---|
| Andrew Lippa | Person | Andrew Lippa - wrote - music and lyrics for The Addams Family (musical) |
| Marshall Brickman | Person | Marshall Brickman - wrote - the book for The Addams Family (musical) |
| Rick Elice | Person | Rick Elice - wrote - the book for The Addams Family (musical) |
| Charles Addams | Person | Charles Addams - created - the Addams characters that the musical is based on |
| Phelim McDermott | Person | Phelim McDermott - directed - the original Broadway production |
| Julian Crouch | Person | Julian Crouch - directed - the original Broadway production |
| Sergio Trujillo | Person | Sergio Trujillo - choreographed - the original Broadway production |
| Decca Broadway | Organization | Decca Broadway - released - the Original Broadway Cast Recording (June 8, 2010) |
| Lunt-Fontanne Theatre | Venue | Lunt-Fontanne Theatre - hosted - the Broadway run that opened April 8, 2010 |
Sources
Sources: Playbill cast album release notice (June 8, 2010) and recording session note (April 19, 2010), IBDB production listing for The Addams Family (opening date and creative team), Tony Awards nominations list (2010 Original Musical Score), BroadwayWorld Billboard Cast Albums chart recap (week ending June 19, 2010), AllMusic album entry (release date and recording date), Amazon Music track listing (track duration), licensed piano-vocal pages for "Full Disclosure - Part 2" (revision date and tempo notes), TRW perusal script excerpt identifying the scene performers for the number
Music video
Addams Family, The Lyrics: Song List
- Addams Family Theme
- Overture
- When You're An Addams
- Pulled
- Where Did We Go Wrong
- One Normal Night
- Morticia
- What If
- Full Disclosure
- Waiting
- Full Disclosure - Part 2
- Just Around The Corner
- The Moon And Me
- Happy/Sad
- Crazier Than You
- Let's Not Talk About Anything Else But Love
- Let's Not Talk About Anything Else But Love (Reprise)
- In The Arms
- Live Before We Die
- Tango De Amor
- Move Toward The Darkness