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Alma Mater Lyrics Grease

Alma Mater Lyrics

[ALL]
As I go travelling down life's highway
Whatever course my fortunes may foretell
I shall not go alone on my way
For though shall always be with me Rydell

When I seek rest from worldly matters
In a palace or a hovel I may dwell
And though my bed be silk or tatters
My dreams shall always be of thee Rydell

Through all the years, Rydell
And tears, Rydell
We give three cheers Rydell for thee

Through everything Rydell
We cling, Rydell
And sing, Rydell to thee

[?]
Thank you and welcome to the reunion of Rydell High's graduating class of 1959. Looking over these faces really takes me back to those wonderful bygone days. Of all I notice a small portion of alumni missing this evening, I'm sure they'd want us to know they're fully present and accounted for in spirit, just the way we always remember them

[BURGER PALACE BOYS & PINK LADIES]
I saw a dead skunk on the highway
And I was goin' crazy from the smell
Cause when the wind was blowin' my way
It smelled just like the halls of old Rydell
And if you've gotta use the toilet
And later on you start to scratch like hell
Take off your underwear and boil it
Cause you've got memories of old Rydell

[PINK LADIES]
I can't explain Rydell, this pain Rydell
Is it ptomaine Rydell gave me

[BURGER PALACE BOYS]
Is it v.d. Rydell
Could be Rydell

[BURGER PALACE BOYS & PINK LADIES]
You outta see the faculty

If Mister Clean, Rydell
Had seen Rydell
He'd just turn green and disappear
I'm outta luck Rydell
Dead duck Rydell
I'm stuck Rydell, right here

Song Overview

Personal Review

“Alma Mater” sets the table for Grease with a straight-faced school hymn that the students promptly flip inside out. The lyrics start formal then swerve into cafeteria snark; the lyrics also signal the show’s worldview early - adults deliver the official line, kids remix it to match their lives. One-sentence snapshot: a solemn salute to Rydell turns into hallway graffiti sung in four-part harmony.

Song Meaning and Annotations

The number runs on contrast. First, the alumni anthem with tidy vowels and uplift. Then the students’ parody barges in, trading noble imagery for locker-room reality. That swerve is the point: Grease opens by telling you who holds the mic now.

Style-wise it’s Broadway pastiche with a wink. The opening is a campus processional, near-hymnal in cadence. The reply is brisk, comic, and proudly lowbrow. Think pep-rally choir meets cafeteria chant, stitched together for a clean laugh and a fast character sketch.

The emotional arc is minimal but effective. It starts respectful, turns irreverent, and lands in camaraderie. The joke is earthy, not cruel. Everyone in the room knows the same halls, the same smells, the same jokes that only make sense if you survived homeroom together.

Historically, “Alma Mater” sets Grease squarely in the late 50s high school mythos. The serious part imitates institutional songs that tried to turn teenagers into a chorus of future citizens. The parody answers with the counter-myth - kids announcing they’ll define the script.

Onstage, Miss Lynch, Patty, and Eugene usually steer the formal section while the Burger Palace Boys and Pink Ladies crash the gate with their version. That handoff shows the show’s comic engine: authority versus appetite, tradition versus the thrill of bending rules.

Production-wise, you hear crisp unisons, block chords from the pit, and then rowdy ensemble call-and-response. No over-orchestration needed. The laugh lives in the pivot and the words themselves.

Message
“Through all the years, Rydell - and tears, Rydell - we give three cheers Rydell for thee.”

Message: school pride is both sincere and a setup for rebellion. The anthem offers belonging; the kids accept and immediately customize.

Emotional tone
“I saw a dead skunk on the highway... it smelled just like the halls of old Rydell.”

Tone: affectionate mischief. The parody doesn’t torch the school; it teases it like family. That warmth keeps the snark from curdling.

Historical context

Grease premiered on Broadway in 1972 but looks back to 1959, when official rituals tried to mold teens and rock culture answered with its own ceremonies. “Alma Mater” plays that tug-of-war in miniature.

Production and instrumentation

Typical charts use bright brass stabs and organ or winds for the hymn color, then shift to rhythm section punch for the parody. Ensemble vowels get wider, consonants hit harder, and the room wakes up.

Key phrases and idioms
“Through everything Rydell - we cling, Rydell.”

That cling is both pledge and punchline. In the parody, the rhyme chains keep the jokes bouncing while still feeling like a school song that wandered into detention.

Metaphors and symbols

The anthem treats Rydell like a protective figure. The parody reduces it to lived smells, itches, and chores. Ideal versus reality, sung back-to-back.

Creation history

Written by Jim Jacobs and Warren Casey for the stage musical, “Alma Mater” opens the original Broadway cast album and immediately segues to “Alma Mater (Parody)”. Producer Arnold Maxin captured the cast at Media Sound in New York with a clean, radio-ready studio sound that still leaves air for the laughs.

Verse Highlights

Verse 1

Formal hymn structure, long vowels, and a rising cadence that hints at commencement pomp. It earns the sincerity before the crash.

Chorus

The parody chorus swings faster. Rhymes turn cheeky, rhythms tighten, and the ensemble blends just enough to keep the punchlines intelligible.

Tag

A quick volley of insults and in-jokes. It doesn’t overstay. The show is already sprinting toward “Summer Nights.”

Key Facts

  • Producer: Arnold Maxin
  • Composers/Lyricists: Jim Jacobs, Warren Casey
  • Orchestration: Michael Leonard; Vocal arrangements often credited to Louis St. Louis on the album
  • Engineer: Fred Christy
  • Recorded at: Media Sound, New York, NY
  • Release Date: January 1, 1972
  • Genre: Broadway with school-anthem pastiche and comic ensemble writing
  • Instruments: pit brass and winds, rhythm section, SATB ensemble voices
  • Label: MGM Records
  • Mood: ceremonial, then irreverent
  • Length: typically split as “Alma Mater” followed by “Alma Mater (Parody)” on the cast album
  • Track #: opens Side A of the original Broadway cast LP
  • Language: English
  • Album: Grease (Original Broadway Cast)
  • Music style: hymn-like processional into brisk Broadway comedy
  • Poetic meter: regular hymn phrasing shifting to conversational iambs and quick internal rhyme
  • © Copyrights: MGM Records, 1972 (album)

Questions and Answers

Who produced “Alma Mater” on the original Broadway cast album?
Arnold Maxin produced the 1972 session at Media Sound in New York.
Who wrote “Alma Mater” for Grease?
Jim Jacobs and Warren Casey wrote both the straight anthem and its parody for the stage musical.
Does “Alma Mater” appear in the 1978 film?
Yes. The movie uses the school anthem and its comic counterpart to set the campus tone before the big numbers arrive.
Was “Alma Mater” included on the 2016 Grease Live soundtrack?
The live TV special performed it, but it was not included on the official album release.
What roles usually lead the straight anthem onstage?
Miss Lynch, Patty, and Eugene typically steer the formal section before the students’ parody takes over.

Awards and Chart Positions

The song itself didn’t chart, but the property around it did serious business. Grease earned seven Tony Award nominations for its original 1972 Broadway run, and later revivals returned to the nominations list. Decades on, Grease: Live hit the Billboard 200 and topped the U.S. Top Soundtracks chart, a modern echo of how sturdy these numbers remain in pop memory.

How to Sing?

Placement and blend: treat the opening like a real alma mater. Support low in the body, focus on unified vowels, and keep vibrato narrow so the harmony locks. When the parody hits, narrow phrases and sharpen consonants for intelligibility without losing pitch center.

Ranges and casting: Miss Lynch is usually mezzo territory, Patty sits in bright mix, Eugene often sits in light tenor; the ensemble covers SATB. Keep the lead lines slightly forward in the mix so jokes land.

Tempo and diction: the straight hymn wants a steady andante with legato lines; the parody needs a hair faster with crisp plosives and clean cutoffs. Land the rhyme, then get out.

Micro-craft: let the punchlines breathe. One beat of silence before each topper does more than a bigger belt. Smile the vowels on refrain words to keep them ringing without shouting.

Songs Exploring Themes of school pride, nostalgia, and parody

School Days - Chuck Berry. A foundation stone for classroom lore. The lyric lists bell rings and classroom grind, then escapes to the jukebox. Where “Alma Mater” mocks formality from the inside, this track steps outside the building and finds freedom in after-school rhythm. The groove is unfussy, the guitar bright, and the subtext simple: the real education is on the bandstand.

Be True to Your School - The Beach Boys. Pep-rally pop distilled. It treats school loyalty as surf culture’s cousin, complete with cheerleader chants. While Grease turns the school song into a joke to declare teenage independence, the Beach Boys commit to the bit and sing the banner straight. Both celebrate belonging, but one winks as it salutes and the other beams.

Graduation (Friends Forever) - Vitamin C. Sentimental and engineered for ceremonies, sure, but it captures the ache of leaving a known world. If “Alma Mater” is the prank at the start of the year, this is the hug at the end. String pads where Grease uses brass, diary-entry lyrics where Grease uses gags - same hallway, different season.


Grease Lyrics: Song List

  1. Prologue
  2. Alma Mater
  3. Grease
  4. Summer Nights
  5. Those Magic Changes
  6. Freddy, My Love
  7. Greased Lightnin’
  8. Rydell Fight Song
  9. Mooning
  10. Look at Me, I’m Sandra Dee
  11. We Go Together
  12. Shaking at the High School Hop
  13. It’s Raining on Prom Night
  14. Born to Hand-Jive
  15. Hopelessly Devoted to You
  16. Beauty School Dropout
  17. Sandy
  18. Rock ‘n’ Roll Party Queen
  19. There Are Worse Things I Could Do
  20. Look At Me, I’m Sandra Dee (Reprise)
  21. You’re The One That I Want
  22. We Go Together (Reprise)
  23. Greased Lightnin’ (Karaoke)

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