Pick Me Lyrics – EPIC: Cut Songs

Song Overview

Personal Review

**“Pick Me”** is Jorge Rivera-Herrans' playful reimagining of how two iconic couples—Menelaus and Helen, and Odysseus and Penelope—came to be. The piece opens with Helen’s father formally presenting her, setting the stage for Menelaus to express his desire to win her hand. From there, things take a more spirited turn: Penelope and Helen engage in a light-hearted back-and-forth, teasing and jostling over the long line of suitors vying for Helen’s affection. Odysseus enters, initially just trying to pass through the crowd to speak on Menelaus’ behalf. But the dynamics quickly shift. After orchestrating an oath that binds all of Helen’s suitors to defend her chosen husband, Odysseus unexpectedly finds himself the one she chooses. Yet, in a twist that defines his character, Odysseus insists he’s not the right man for her—Menelaus is. His heart, he makes clear, is set on Penelope. The moment is both clever and heartfelt, anchoring a legendary romance in a few lines of witty, well-aimed banter. First time the Lyrics of Pick Me [Cut Song] blasted through my headphones I pictured a glitter-drenched gymnasium—part Spartan court, part teen talent show. It crackles with pageant energy: Helen glowing under spotlights, suitors chanting pick me like a pep-squad mantra, Odysseus sliding in with talk-slow swagger. Key takeaway? Choice is battlefield, wit outranks brute force, and Penelope wins the quiet game. In one breath: a speed-chess rom-com where intellect checks biceps every move.

Song Meaning and Annotations

The curtain rises on King Tyndareus announcing Helen—“the most beautiful woman in the world.” Suitors roar Pick me! in syncopated triplets, a chorus that feels equal parts locker-room chant and ancient war cry. Menelaus, star-eyed but tongue-tied, begs Odysseus for tactical aid. Here the hero’s trademark brains eclipse brawn; he agrees, promising a plan that won’t leave a single black eye on the marble floor.

Odysseus’ strategy—make every suitor swear the legendary Oath of Tyndareus—quietly forges the alliance that will become the Trojan War. That sly diplomacy lets Helen choose freely while keeping egos on leashes. The moment foreshadows future exploits: the Trojan Horse is just this scene scaled to mythic proportions.

Helen and Penelope spar next. Helen flaunts admirers; Penelope scoffs, pointing out that political power—not romance—drives most fists in the room. The irony lands heavy for listeners who know Penelope will later face her own swarm of suitors during Odysseus’ twenty-year absence.

Odysseus’ entrance flips the dynamic. He compliments Penelope’s timing theory—“Luck’s nothing more than figuring out the right time and place”—cementing their intellectual chemistry. In a clever narrative pirouette Helen chooses Odysseus, but he deflects, steering her back to Menelaus and revealing his true aim: Penelope. It’s matchmaking as four-dimensional chess, every move serving multiple hearts.

The music rides a pop-rap groove: stomp-clap percussion, bright acoustic guitar, and brassy synth stabs. Each group—suitors, royals, lovers—gets its own rhythmic pocket, weaving counter-melodies like overlapping debate teams.

I came to give some counsel / Look outside / The men who fight will ignite a riot

Odysseus slices through testosterone haze with calm logic. He’s the lone strategist in a room full of swords, echoing later battlefield scenes where speeches win wars before spears fly.

Verse Highlights

Suitor Chant

Snare-drum triplets and unison shouting capture raw competition. Harmonies stack like soldiers on a rampart—simple, effective, relentless.

Penelope × Helen Duel

Smart-girl syncopation versus beauty-queen legato. Their call-and-response spaces the narrative: idealism sparring with pragmatism.

Song Credits

• Artist: Jorge Rivera-Herrans
• Composer & Lyricist: Jorge Rivera-Herrans
• Written: 2019 (draft demo)
• Fan-upload Leak: March 2025 (YouTube animatic)
• Genre: Pop-rap musical theatre
• Language: English
• Album: EPIC: The Musical Cut Songs
• Instruments: acoustic guitar, stomp-clap kit, brass synths, ensemble vocals
• Mood: exuberant, strategic
• Label: Independent
• Poetic Meter: mixed trochaic with hip-hop subdivisions
• Copyright: © 2019–2025 Jorge Rivera-Herrans

Songs Exploring Themes of Choice & Destiny

Lin-Manuel Miranda’s “Satisfied” flips a ballroom on its axis much like Pick Me: Angelica chooses brilliance over passion, rewinding time to protect sister and reputation. Both numbers race on rapid internal rhyme and split-second decisions that ripple through history.

Contrast that with Andrew Lloyd Webber’s “Think of Me”. Christine must pick ambition over comfort; her lilting soprano masks doubt the way Helen hides fear beneath confidence. Each heroine stands center-stage while unseen forces steer fate around them.

Finally, Jonathan Larson’s “La Vie Bohème” explodes with communal choice—liberation through chaotic chorus. Where Odysseus calms a riot, Larson celebrates it. Together the songs frame decision as either orderly oath or joyful rebellion.

Questions and Answers

Why was “Pick Me [Cut Song]” removed from the final musical?

Time constraints; its exposition folded into dialogue before “The Challenge,” streamlining Act I.

Is the Oath of Tyndareus historically accurate to myth?

Yes—the Homeric tradition credits Odysseus with proposing the oath to prevent bloodshed among Helen’s suitors.

Did this demo chart anywhere?

No official release means no chart eligibility, though fan views top 60 K across uploads.

How does the song connect to “I Need Her To Be Mine”?

Both depict Odysseus courting Penelope; “Pick Me” shows the public strategy, while “Need Her” captures private giddiness.

Might Jorge release a polished version?

He teased a forthcoming “Cut Saga” EP—fans hope “Pick Me” surfaces with full orchestra.

How to Sing?

Range: B2–G4 for suitors; tenor leaps around A3–E4 in tight clusters. Practice crisp consonants on the chant (pick me) to keep drive without barking. Odysseus’ rap-sung verses sit in a quick 105 BPM pocket—subdivide sixteenths before adding melody. Penelope lines hover C4–B4; add light swing to stress intellect over force. Ensemble sections demand precise group cutoff—think battalion drill, not barbershop blend.