Maybe Lyrics – Annie
Maybe Lyrics
Maybe far away
Or maybe real nearby
He may be pouring her coffee
She may be straighting his tie!
Maybe in a house
All hidden by a hill
She's sitting playing piano,
He's sitting paying a bill!
Betcha they're young
Betcha they're smart
Bet they collect things
Like ashtrays, and art!
Betcha they're good --
(Why shouldn't they be?)
Their one mistake
Was giving up me!
So maybe now it's time,
And maybe when I wake
They'll be there calling me "Baby"...
Maybe.
Betcha he reads
Betcha she sews
Maybe she's made me
A closet of clothes!
Maybe they're strict
As straight as a line...
Don't really care
As long as they're mine!
So maybe now this prayer's
The last one of it's kind...
Won't you please come get your "Baby"
[ANNIE AND ORPHANS]
Maybe
Song Overview

Song Credits
- Featured Vocal: Marissa O’Donnell as Annie
- Composer: Charles Strouse
- Lyricist: Martin Charnin
- Album: Annie: The Broadway Musical 30th Anniversary Cast Recording
- Release Year: 2008 (original score debuted 1977)
- Genre: Show-tune / Lullaby Ballad
- Label: Time-Life / Masterworks Broadway
- Instruments: celesta, muted strings, reed-warm clarinet, hush-brush drums
- Mood: wistful, hopeful, bedtime-soft
- Length: 2 min 37 sec
- Copyright © 1977 Strouse & Charnin • ? 2008 Time-Life
Song Meaning and Annotations

The dormitory lights are out, yet the orchestra tiptoes in on a single high note—a musical night-light. Maybe floats like a lullaby feather, each phrase sliding down a gentle glissando as Annie sketches imaginary parents in the dark. The harmony leans on soft major-seventh cushions, nudging the hope that tomorrow might bring a family photo instead of a bunk-bed roll call.
Where It’s the Hard-Knock Life shouts at injustice, Maybe whispers into the void. The melody traces a child’s “what-if” doodles: pouring coffee, straightening a tie, paying a bill—mundane suburban snapshots enlarged into cathedral windows of yearning. Culturally, it mirrors every Great Depression kid who pressed nose against glass storefronts, dreaming of warmth beyond the pane.
Verse One – Picturing a Hearth
“Maybe far away / Or maybe real nearby / He may be pouring her coffee / She may be straightening his tie”
A classic A-A-B-A structure lets the words drift like counting sheep. Domestic verbs—pouring, straightening—become near-sacred rituals Annie longs to witness.
Betcha Refrain – Bargaining with Fate
“Betcha they’re young / Betcha they’re smart / Bet they collect things / Like ashtrays, and art”
The repeated “Betcha” rings like coins in a wishing well. Collecting ashtrays may sound quirky now, yet in 1933 it signified modest prosperity—solid proof of ownership in a world where Annie owns nothing but hope.
Night-Light Dialogue
Mid-song, the other orphans whisper “Goodnight Annie,” creating an audio fade to black. The dialogue grounds her flights of fancy, reminding us the fantasy sprouts from within a threadbare dorm—not a fairy-tale tower.
Final Plea – Prayer as Password
“Won’t you please come get your baby / Maybe”
The line flutters down a minor-to-major pivot, signaling fragile optimism. It’s a lullaby that never quite resolves—mirroring the orphan’s life on pause.
Similar Songs

- “Somewhere Over the Rainbow” – Judy Garland
Both songs paint Technicolor futures from monochrome bedsheets. Garland’s octave-leap opening mirrors Annie’s first hopeful “Maybe,” and each tune sits at the cusp of sleep, balancing dream against storm cloud. - “Castle on a Cloud” – Les Misérables Cast
Little Cosette hums herself into a stone-cut sanctuary much like Annie’s coffee-poured kitchen. Both use child sopranos and lullaby meters, though Cosette’s minor key underscores desolation while Annie’s gentle major hints at sunrise. - “A Dream Is a Wish Your Heart Makes” – Ilene Woods (Cinderella)
Another orphaned heroine murmurs hope by moonlight. The waltz tempo differs, but the thematic DNA—belief as balm—matches perfectly. Cinderella’s fairy godmother answers; Annie must wait for Mr. Warbucks, making her yearning land a touch heavier.
Questions and Answers

- Why does Maybe open the show instead of a bigger chorus number?
- It establishes Annie’s inner world first, so when the raucous orphan ensemble arrives later, we already understand what’s at stake in her heart.
- Is the song always sung in the same key?
- Most stage scores keep it in F major for youthful voices, but cast albums sometimes shift up a half-step to showcase a particular Annie’s sweet spot.
- What makes the melody feel like a lullaby?
- A rocking-chair 6/8 pulse, soft arpeggiated harp or celesta, and descending cadences that mimic a sigh at pillow-time.
- Did the 30th Anniversary recording change the orchestration?
- Yes—woodwinds were softened, and a celesta replaced the original glockenspiel, giving the track a warmer, less metallic shimmer.
- How does Maybe foreshadow “Tomorrow”?
- Both hinge on optimism, but Maybe is personal while “Tomorrow” becomes communal. The first sows the seed; the second shows it blooming.
Fan and Media Reactions
“That first gentle ‘Maybe’ still turns my subway commute into a starry-eyed carriage ride.” @BroadwayLifer
“If ‘Hard-Knock Life’ is the punch, this is the feather pillow—perfection.” @StageLeftSnark
“Thirty years on and it still tucks me in better than any white-noise app.” @SleepyShowtuneFan
“My daughter’s sung it so often our cat answers to ‘Baby’ now.” @DadJokesAndDrama
“Strouse and Charnin’s most underrated gem—two minutes, infinite heart.” @CriticOnTheAisle
Music video
Annie Lyrics: Song List
- Act 1
- Overture
- Maybe
- It's the Hard Knock Life
- It's Hard Knock Life (Reprise)
- Tomorrow
- We'd Like to Thank You Herbert Hoover
- Little Girls
- Little Girls (Reprise)
- I Think I'm Gonna Like It Here
- NYC
- NYC (Reprise)/Lullaby
- Easy Street
- You Won't Be an Orphan for Long
- Maybe (Reprise)
- Act 2
- Maybe (Reprise II)
- You're Never Fully Dressed Without a Smile
- You're Never Fully Dressed Without a Smile (Children Reprise)
- Easy Street (Reprise)
- Tomorrow (Reprise)
- Tomorrow (Cabinet Reprise II)
- Something Was Missing
- Annie
- I Don't Need Anything But You
- Maybe (Reprise III)
- New Deal for Christmas
- We Got Annie
- Tomorrow (Finale)