Something About You Lyrics — Altar Boyz
Something About You Lyrics
When I met you girl
I knew you were the one
I?d be with all my life
And I knew that I?d be making you my wife
So I hope you?ll understand my love
When I sing you this refrain
I believe in God, and so I must abstain
And I know that there is something about you, baby
Something I can?t even say what it is
But there?s something about you, baby
Girl, you make me want to wait
When I hold you?re body next to mine
It feels so good
And feels so right
And it also makes my Levi?s feel real tight
All my friends they think I?ve lost my mind (you?ve lost you?re mind)
And they tell me I?m a fool (fool)
But I?m doing what I learned in Sunday school (Sunday school)
And I know that there is something about you, baby (something about you, baby)
Something I can?t even say what it is (something I can?t say)
But there?s something about you, baby (something about you, baby)
Girl, you make me want to wait (ooh, ooh, ooh)
I mean it from my heart (mean it from my heart)_
When I say I love you so (I love you, I love you)
So please believe when I just say no (just say no)
Spoken: Girl, whenever we get this frisky,
I know it?s hard to put on the brakes, baby, I know.
But something?s making behave responsibly tonight.
It?s your special blend of charisma and spunk.
Crunk, I guess you?d call it.
But whatever it is, you got it all up in you girl.
You got crunk.
And I think you understand my choice,
And I know you see it?s true.
When I tell you that this hurts me more than you.
And I know that there is something about you, baby (something about you, baby)
Something I can?t even say what it is (something I can?t say)
But there?s something about you, baby (something about you, baby)
Girl, you make me want to wait (ooh, ooh, ooh)
At least until our wedding date
So till then, I?ll master
My own faith
Song Overview
Review and Highlights
Quick summary
- Spotlight number for Matthew, framed as a crowd-pleasing moment inside the concert.
- Cast recording length: 4:42; release date for the album: May 17, 2005.
- Dramatic function: an abstinence love song that turns a moral stance into stage charm.
- Staging tradition in many productions: Matthew brings an audience member onstage as the band watches the moment become a minor crisis of jealousy and projection.
Altar Boyz (2005) - stage musical number - diegetic. Mid-show concert feature for Matthew, performed straight to the audience as part of the set. Why it matters: the show stops sprinting long enough to demonstrate how purity rhetoric can be packaged as a romantic slow-burn, with the crowd invited to melt on cue.
This is the musical at its slipperiest, and I mean that as a compliment. The song is built like a radio ballad, but its real job is theatrical: it converts a rule into a flirtation and lets the audience enjoy the glow before the show reminds us who is paying the price for that glow. According to The Gazette, reviewers have singled out the number as an "abstinence ballad" that Matthew sells with a winning smile, which is exactly the point - the persuasion happens through charm, not argument.
Key takeaways
- Pop romance as plot device: the song is not a pause, it is a lever that shifts relationships onstage.
- Audience management: the onstage guest bit turns the theater into a concert stunt, then turns the stunt into character stress.
- Contrast engine: sincerity is played straight so later revelations can land with more sting.
Creation History
Music and lyrics are by Gary Adler and Michael Patrick Walker with a book by Kevin Del Aguila. The original cast album was recorded in March 2005 and released May 17, 2005 by Ghostlight (an imprint of Sh-K-Boom), and the official-audio metadata for this track lists Doug Katsaros as recording producer. According to Concord Theatricals, the number is credited to Matthew, reinforcing its job as his public persona in song: leader, heartthrob, and moral spokesperson, all at once.
Song Meaning and Annotations
Plot
The musical is staged as the final concert stop of the "Raise the Praise" tour. After the band has pushed rules and miracles, the show pivots into "confession" material, including a story about pressure to lose virginity. Matthew and Luke argue against premarital sex, and then Matthew turns his stance into performance: he sings his featured love song, often bringing an audience member onstage. Meanwhile Mark misreads the moment, taking the romantic attention as something meant for him, and the concert polish begins to show its seams.
Song Meaning
The surface meaning is a promise: desire is real, but it can be delayed, and that delay is framed as devotion rather than deprivation. The stage meaning is trickier. The number demonstrates how easily a moral message can be delivered with the same tools as a pop seduction: eye contact, gentle phrasing, a chorus that feels like commitment. In other words, the song is a sermon delivered as a slow dance, and the show watches how quickly a room will accept the terms when the terms sound flattering.
Annotations
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In the synopsis, Matthew sings a love song based on abstinence, bringing a real audience member onstage, while Mark swoons and mistakes the song to be about him.
This is the show tightening its satirical screw. The crowd is asked to cheer a sweet moment, while the band relationship is quietly destabilized in full view.
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Concord listings credit the number to Matthew and give its cast-recording length as 4:42.
That length is not an accident. It is long enough to feel like a real "feature" single inside the set, and long enough for the stage business - the onstage guest, the reactions, the small humiliations - to register.
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Reviews have described the song as an abstinence ballad that Matthew sells with charm and control.
The interesting part is the control. The number suggests that purity is not merely a private belief, it is a brand strategy that can be performed like romance.
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The official-audio upload credits Ghostlight Records and names Doug Katsaros as recording producer.
That studio gloss matters because the song needs to sound commercially plausible. If it sounds like a theater parody track, the scene loses its power to seduce the room.
Style and performance notes
The writing leans into boy-band ballad grammar: a steady pulse, a chorus designed for lingering, and enough space for the lead to play the room. Theater arrives in the reaction shots - the band becomes a silent Greek chorus, especially Mark, whose inner story keeps bubbling up under the smooth surface.
Technical Information (Quick Facts)
- Song: Something About You
- Artist: Altar Boyz (Original Off-Broadway Cast)
- Featured: Matthew
- Composer: Gary Adler; Michael Patrick Walker
- Producer: Doug Katsaros (recording producer listed in official-audio metadata)
- Release Date: May 17, 2005
- Genre: Musical theatre; pop parody
- Instruments: Lead and backing vocals; rhythm section; keys; guitar; stage-band textures
- Label: Ghostlight Records; Sh-K-Boom Records
- Mood: Romantic, controlled, audience-facing
- Length: 4:42
- Track #: 7 (cast album listing)
- Language: English
- Album (if any): The Altar Boyz (Original Cast Recording)
- Music style: Boy-band ballad writing with stage-driven reaction beats
- Poetic meter: Pop-accented phrasing with mixed stress patterns
Frequently Asked Questions
- Who is the featured singer in this number?
- Concord track listings credit it to Matthew, with the ensemble supporting as the band.
- How does the song function in the story?
- It converts the abstinence argument into a romantic concert feature, while Mark misreads the attention and the group dynamic tightens.
- Is it staged as a private confession?
- No. It is performed as part of the concert, aimed straight at the audience.
- Does the plot involve an audience member onstage?
- In the published synopsis, Matthew brings a real audience member up during the song, which becomes part of the comedy and the tension.
- How long is the cast-recording track?
- Major album listings give it as 4:42.
- When did the cast album come out?
- Major catalog listings date the album to May 17, 2005.
- Who is credited as recording producer on the official-audio upload?
- The official-audio metadata lists Doug Katsaros as recording producer.
- Why does the number read as both sincere and satirical?
- The lyric offers a moral stance, but the delivery borrows pop seduction tactics. The tension is the point, and the show lets it sit in the room.
- What is the biggest performance pitfall?
- Playing it as a joke. The scene lands when the lead commits to the romance and the band reactions do the commentary.
Awards and Chart Positions
This track is not typically tracked as a standalone chart single. Its parent show, however, won the 2005 Outer Critics Circle Award for Outstanding New Off-Broadway Musical, and Playbill magazine reported the cast recording appearing on Billboard's Top Cast Albums chart in 2007 coverage. Those milestones matter because the score is written to impersonate commercial pop, and the recording had a documented moment of real-world traction.
| Item | Result | Date / Year | Notes |
|---|---|---|---|
| Outer Critics Circle - Outstanding New Off-Broadway Musical (show) | Winner | 2005 | Production-level award recognition |
| Billboard Top Cast Albums (cast recording) | Chart activity reported | 2007 | Trade-press reporting discussed the album on the chart |
Additional Info
The song sits at a delicious crossroads of persona. Matthew is the leader who sells the message, but the scene quietly reveals how leadership can blur into performance habit. Meanwhile Mark, watching, becomes the audience inside the audience - proof that a well-delivered love song does not stay contained; it spills into whoever needs it. That is one reason the number has survived so many regional productions: it gives the lead a spotlight and gives the ensemble something to play beneath the spotlight, all without breaking the concert illusion.
Key Contributors
| Entity | Type | Relationship (S-V-O) |
|---|---|---|
| Gary Adler | Person | Adler wrote music and lyrics for Altar Boyz. |
| Michael Patrick Walker | Person | Walker wrote music and lyrics for Altar Boyz. |
| Kevin Del Aguila | Person | Del Aguila wrote the book for Altar Boyz. |
| Doug Katsaros | Person | Katsaros is credited as recording producer in official-audio metadata. |
| Ghostlight Records | Organization | Ghostlight Records released and distributes the cast recording. |
| Sh-K-Boom Records | Organization | Sh-K-Boom Records is credited on the 2005 release. |
| Concord Theatricals | Organization | Concord Theatricals publishes the licensing track list that credits the song to Matthew. |
Sources
Sources: Concord Theatricals track list, Apple Music album listing, YouTube official audio upload (Ghostlight Records metadata), Wikipedia synopsis entry for the number, The Gazette review (September 12, 2009), Spotify track listing