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High School: On Stage Lyrics – All Songs from the Musical

High School: On Stage Lyrics: Song List

  1. Act 1
  2. Wildcat Cheer
  3. Start of Something New
  4. Get'cha Head in the Game
  5. Get'cha Head in the Game (Reprise)
  6. Auditions
  7. What I've Been Looking For
  8. What I've Been Looking For (Reprise)
  9. Cellular Fusion
  10. Stick to the Status Quo
  11. Act 2
  12. I Can't Take My Eyes Off of You
  13. Wildcat Cheer (Reprise)
  14. Counting on You
  15. When There Was Me and You
  16. Start of Something New (Reprise)
  17. We're All in This Together
  18. Bop to the Top
  19. Breaking Free
  20. We're All in This Together (Reprise)
  21. Megamix 

About the "High School: On Stage" Stage Show


Release date: 2008

Synopsis and Production History.

Article type: Synopsis and production history with casting insights. Updated 2025.

The stage show mirrors the original film’s spirit. It celebrates choice, friendship, and harmony. The gym becomes a battleground and a chorus. Hearts change during auditions and games. Cliques soften. A winter talent show heals friction. By curtain, unity wins.

Alternate title and authorship.

The piece is also known as High School Musical, On Stage. The book is by David Simpatico. Music and lyrics follow the film’s chart hits. Additional reprises tailor the flow for theater pacing.

Timeline, quick recap.

  • First staging in Atlanta, 2007, strong response.
  • Wales presentation followed in 2007, and audience enthusiasm grew.
  • Touring activity continued into 2008, momentum held.
  • Canadian version premiered in 2009, directed and choreographed by D. Conolly.
  • Nonprofessional versions flourished in camps and schools, sustained popularity.

Expanded Synopsis, scene by scene.

East High, first day back. Troy and Gabriella reconnect after a holiday karaoke spark. They eye the musical. Their friends panic, fearing change. The bell rings, pressure mounts.

Auditions. Sharpay and Ryan dominate the sign-up sheets. Ms. Darbus defends theater standards. Troy and Gabriella miss the cut, then earn a secret callback. The hallway vibrates with rumor.

Conflict. Chad and Taylor engineer a split. Gabriella doubts. Troy fumbles. The team stumbles. The decathlon team worries. Everyone digs into corners.

Turning point. Apologies arrive. Kelsi rearranges the song. Friends admit fear of change. The callback becomes a leap of trust.

Finale. The game, the decathlon, and the talent show collide. Voices unite. The school sings together, "We're all in this together", lights burst, smiles land.

Roles and vocal map.

RoleVocal typeCharacter notes
Troy BoltonTenor, pop mixTeam captain, reluctant soloist, earnest.
Gabriella MontezSoprano, mixAcademic star, sincere, agile phrasing.
Sharpay EvansBelterCommanding presence, comic edge, diva precision.
Ryan EvansHigh baritoneChoreo savvy, supportive wit, clean harmony.
Chad DanforthBaritoneLoyal friend, rhythmic delivery, swagger.
Taylor McKessieMezzoLeader, crisp diction, grounded timing.
Kelsi NielsenMezzoPianist arranger, soft-spoken strength, exact pitch.
Zeke BaylorBaritoneWarm tone, comedic sincerity, bakes.
Ms. DarbusSpoken, characterStage guardian, timing and flair rule.
Coach BoltonSpoken, characterIntensity, real-world stakes, gruff humor.

Noted tour casting, legacy.

Audiences embraced J. Martin as Troy, precise and open-hearted. A. Jacobs rendered Gabriella with warmth. S. Evans energized Chad. C. Schawarz shaped Sharpay with sparkle. The ensemble listed, including S. Lacombe, B. List, O. Oguma, B. Thompson, R. Bohmer, and E. Harvey, kept momentum crisp. Their teamwork modeled the show’s thesis.

Musical numbers, core setlist.

  • Start of Something New, hopeful spark.
  • Get'cha Head in the Game, choreography hits hard.
  • What I've Been Looking For, contrast and reprise delight.
  • Stick to the Status Quo, cafeteria earthquake.
  • When There Was Me and You, honest pause.
  • Bop to the Top, sparkle and wink.
  • Breaking Free, the lift-off.
  • We're All in This Together, curtain call pulse.

Orchestration and band options.

Typical pits use rhythm section and reeds. Keys carry much of the score. Guitar shapes the pop color. Drums push dance sections. Optional winds add pep-band flavor. School bands often join for impact.

Design and staging notes.

  • Modular lockers and bleachers speed transitions.
  • Scoreboards and banners frame the gym world.
  • Rolling pianos help Kelsi’s scenes breathe.
  • Cheer choreography multiplies visual energy.
  • Quick-change tracks keep callbacks kinetic.

Choreographic vocabulary.

Sharp accents in basketball phrases land. Use authentic dribbles on counts. Layer claps, stomps, and student chants. Keep hips loose, shoulders clean. Smile with intention, not default.

Auditions, practical guidance.

  • Troy, choose a bright pop tenor cut.
  • Gabriella, show gentle mix with lift.
  • Sharpay, bring belt and comic bite.
  • Ryan, demonstrate turns and harmony skill.
  • Chad and Taylor, prioritize groove and text.

Licensing and formats.

The show licenses widely for schools and community theaters. Materials include full score, parts, and guides. Youth-friendly versions reduce keys and tempos. Running time averages two hours with intermission. The piece suits large ensembles.

Educational impact.

Students learn collaboration in real time. Scene partners practice consent and trust. Crew members master fast-cue environments. Directors cultivate student leadership pipelines. Parents see growth right onstage.

Reception, then and now.

Early audiences arrived for nostalgia and stayed for craft. Today, the title recruits new theatergoers. The curtain call still lifts gyms into celebration. It remains a dependable ticket driver in 2025.

Recent developments, 2024 to 2025.

  • Schools integrate LED panels for instant world shifts.
  • Expanded dance captains streamline mass numbers.
  • Student pit orchestras gain visibility onstage.
  • Inclusive casting deepens theme resonance.
  • Front-of-house pep squads boost pre-show energy.

SEO focus, quick takeaways.

  • Primary keywords: High School Musical On Stage, Disney stage musical.
  • Secondary keywords: teen musical comedy, school edition, 2025 theater.
  • Use local tags for auditions and tickets.
  • Highlight cast names and roles in headings.

Questions and Answers.

Is this suitable for first-time student performers?
Yes. Ensemble support is strong, stakes are clear, and choreography scales.
How large can the cast be?
Very large. The ensemble can expand with sports teams and clubs.
What themes should directors foreground?
Choice, friendship, and courage. The show rewards authenticity and risk.
Are reduced orchestrations workable?
Yes. Keyboard programming covers missing sections effectively when needed.
What signals a strong Sharpay audition?
Comic timing, crisp belt, and fearless focus, with playful control.

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