Dear Evan Hansen Lyrics – All Songs from the Musical
Dear Evan Hansen Lyrics: Song List
About the "Dear Evan Hansen" Stage Show
High school student Connor dies by suicide. Connor's parents, Cynthia and Larry, find a note apparently from Connor to Evan Hansen, a senior at the same high school. The note was actually written by Evan himself in an exercise suggested by his therapist to help Evan overcome his socially awkward personality and anxiety. Evan's mother Heidi works long hours as a nurse and also attends school, and his father left the family years ago. Although the two young men did not know each other, Evan decides to attempt to help Connor's parents in their grief by pretending to have been a close friend of his and writing fake e-mails to reinforce his claim. Zoë, Connor's sister, and Evan's "dream girl", is grateful to Evan for helping her parents.Release date: 2016
"Dear Evan Hansen (Original Broadway Cast Recording)" Soundtrack Description

FAQ
- Is there an official soundtrack album? Yes—the Original Broadway Cast Recording, released in early 2017 on Atlantic Records.
- Who wrote the music and lyrics? Benj Pasek & Justin Paul; the book is by Steven Levenson.
- Did the album win any major awards? It won the 2018 Grammy Award for Best Musical Theater Album.
- Is there a deluxe edition? A digital Deluxe Album arrived in 2018, adding cut songs and covers (e.g., “Part of Me”).
- What’s the band like in the show? An 8-player pit: keys (MD), strings (violin/viola/cello), two guitars, bass/double bass, and drums.
Notes & Trivia
- The cast album debuted at No. 8 on the Billboard 200—the highest debut for a cast recording since Camelot (1961).
- Recording sessions ran in December 2016; the album rolled out digitally before hitting CD and later vinyl in July 2017.
- Alex Lacamoire handled orchestrations and music supervision—he also won the Tony for Best Orchestrations.
- Katy Perry covered “Waving Through a Window” to boost the first U.S. tour.
- In 2018, Ben Platt and Lin-Manuel Miranda mashed “You Will Be Found” with “The Story of Tonight” (“Found/Tonight”) to support March for Our Lives.

Overview
Why does a pop-leaning pit band feel like a Greek chorus for a teen’s private panic? Because the score keeps translating inner chatter into melody—the DM feed in his brain becomes hooks you can hum. The album bottles the show’s central paradox: anthems about connection born from a lie. Acoustic guitars and string pads buoy Evan’s confessions; tight vocal stacks turn hallway whispers into a swelling crowd. Even without seeing screens or scrolling comments, you track a story that moves from jittery staccato to stadium-size lift and back to a whisper.Genres & Themes
- Contemporary musical theatre pop: sleek melodies and conversational phrasing mirror teen speech patterns and online cadence.
- Acoustic & string warmth: guitars and chamber strings soften the subject matter, letting grief and guilt land without melodrama.
- Motivic callbacks: lyrical/rhythmic ideas from early numbers reappear in Act 2 (“Waving…” ? “Words Fail”), charting Evan’s unraveling.
- Choral lift as virality: ensemble swells stand in for a feed going viral—comforting, then overwhelming.

Key Tracks & Scenes
- “Waving Through a Window” — Ben Platt & Company
Where it plays: Early Act 1, shortly after the moms’ opener. Non-diegetic; Evan’s inner monologue turns public.
Why it matters: It’s the “I Want” song—alienation framed as a catchy loop that the show keeps answering or contradicting. - “For Forever” — Ben Platt
Where it plays: Dinner with the Murphys. Evan invents a friendship. Non-diegetic story-song that everyone wants to believe.
Why it matters: Tender guitar and strings make the lie feel safe—our first ethical vertigo. - “Sincerely, Me” — Mike Faist, Ben Platt, Will Roland
Where it plays: Mid-Act 1 montage of forged emails; quasi-diegetic as they “compose” the receipts.
Why it matters: Comic relief that doubles as plot engine; buoyant rhythm papers over moral slippage. - “Requiem” — Laura Dreyfuss, Jennifer Laura Thompson, Michael Park
Where it plays: After Connor’s death, each family member processes (or refuses) grief. Non-diegetic intercut soliloquies.
Why it matters: Three perspectives, three grooves; the score respects contradiction. - “If I Could Tell Her” — Ben Platt, Laura Dreyfuss
Where it plays: Evan “quotes” Connor to Zoe; living room intimacy. Non-diegetic confession in disguise.
Why it matters: A love song built on borrowed truth; gentle dynamics heighten the wrongness. - “You Will Be Found” — Company
Where it plays: Act 1 finale at the school assembly; Evan’s speech goes viral. Starts intimate, grows choral.
Why it matters: The show’s rallying cry; comfort and complicity arrive on the same wave. - “Only Us” — Laura Dreyfuss, Ben Platt
Where it plays: Act 2, Zoe and Evan try to build a bubble. Quiet, mid-tempo duo.
Why it matters: The score tests whether love can outrun truth (spoiler: it can’t). - “Words Fail” — Ben Platt
Where it plays: Evan’s confession to the Murphys. Bare, escalating monologue-song.
Why it matters: Motifs from earlier resurface and crumble; this is the emotional cliff. - “So Big/So Small” — Rachel Bay Jones
Where it plays: Near the end, Heidi’s quiet truth. Minimal accompaniment.
Why it matters: The album’s softest landing—parental love without varnish.
Music–Story Links (characters & plot beats as connected to songs)
- Evan’s motif drift: The rhythmic pulse of “Waving…” returns, bruised, inside “Words Fail,” tracing anxiety ? collapse.
- Grief polyphony: “Requiem” assigns each Murphy a distinct groove—Cynthia’s yearning line, Zoe’s resistant pop edge, Larry’s measured bar—so you can hear the family fracture.
- Virality as orchestration: “You Will Be Found” stacks voices like a feed—solo ? duet ? ensemble ? virtual chorus—mirroring how a message mutates once it leaves you.
- Comedy as camouflage: “Sincerely, Me” uses buoyant syncopation to hide forgery in plain sight; the beat is the alibi.
- Love song built on absence: “If I Could Tell Her” reads as a tender confession, but its gentle dynamics keep reminding you: the person speaking isn’t the one being quoted.

How It Was Made (supervision, score, behind-the-scenes)
- Songwriters & book: Score/lyrics by Pasek & Paul; book by Steven Levenson.
- Orchestrations & supervision: Alex Lacamoire shaped the show’s sound (music supervisor/orchestrator).
- Band & chair list: 8-piece: MD/keys, violin, viola, cello, two guitars, bass/double bass, drums.
- Recording & producers: Sessions in Dec 2016; produced by Alex Lacamoire with Benj Pasek & Justin Paul (with producing support from the show’s team).
- Release arc: Digital launch in early Feb 2017; CD followed later that month; vinyl in July 2017; Deluxe digital edition in Nov 2018.
- Culture ripple: Katy Perry’s cover of “Waving Through a Window” and the charity single “Found/Tonight” kept the material in the wider pop conversation.
Reception & Quotes
“This gorgeous heartbreaker of a musical.” —The New York Times, Charles Isherwood
“Leaving with about 10 great songs… is pretty much unheard of.” —Entertainment Weekly
“A few big ballads—‘You Will Be Found’—land with an eyes-to-the-sky expansiveness.” —The Guardian
Technical Info
- Title: Dear Evan Hansen (Original Broadway Cast Recording)
- Year: 2017 (for the album; Broadway production opened 2016)
- Type: Cast album / Original Broadway Cast
- Composers/Lyricists: Benj Pasek & Justin Paul
- Book: Steven Levenson
- Music Supervision/Orchestrations: Alex Lacamoire
- Label: Atlantic Records
- Release context: Digital release early Feb 2017; CD later Feb 2017; vinyl July 2017; Deluxe digital edition Nov 2018
- Band forces: 8 players (keys/strings/guitars/bass/drums)
- Selected notable placements: “Waving Through a Window,” “For Forever,” “Sincerely, Me,” “Requiem,” “If I Could Tell Her,” “You Will Be Found,” “Only Us,” “Words Fail,” “So Big/So Small”
- Awards/Charts: Grammy winner (Best Musical Theater Album, 2018); Billboard 200 debut at No. 8 (highest cast-album debut since 1961)
- Availability: Widely available on major digital/physical formats